Showing posts with label children. Show all posts
Showing posts with label children. Show all posts

Monday 16 September 2019

The Right Book for the Right Child (Guest Blog Post By Victoria Williamson)

I remember very clearly when my love affair with Jane Austen began.

It was the summer between fifth and sixth year of high school, when I was seventeen. I’d picked up Pride and Prejudice for the first time, but not because I actually wanted to read it. It was a stormy day despite it being July – too wet to walk up to the local library. It was back in the nineties before the internet, Kindle, and instant downloads were available. I wanted to curl up on the sofa to read, but I’d already been through every single book in the house. All that was left unread at the bottom of the bookshelf was a row of slightly faded classics belonging to my mother. I only picked the first one up as there was clearly a book-drought emergency going on, and I was desperate.

The reason I didn’t want to read it, was because I already knew it was going to be totally boring.
Well, I thought I knew it. I’d already ‘read’ the classics you see. When I was ten or eleven, thinking I was very clever, I branched out from my usual diet of fantasy and adventure books, and opened a copy of Bleak House by Charles Dickens. I can’t remember why now – it might have been another rainy day and another book emergency situation, but whatever the reason, I spent several miserable hours ploughing through page after page of unintelligible drivel about Lincoln’s Inn, Chancery, and a bunch of boring characters who said very dull things, before giving up in disgust.


I ‘knew’ from that point on that the classic novels teachers and book critics raved about were the literary equivalent of All Bran instead of Sugar Puffs, and I wasn’t interested in sampling any more.

I didn’t pick up another classic until that rainy day at seventeen, when I sped through Pride and Prejudice in a day and a night, emerging sleepy-eyed but breathless the next day to snatch Emma from the shelf before retreating back to my room to devour it. That summer, after running out of books by Austen, the Brontes and Mrs Gaskell, I tried Bleak House again. And what a difference! Where before I had waded thorough unintelligible passages without gaining any sense of what was going on, I now found an engaging, and often humorous tale of a tangled court system far beyond the ‘red tape’ that everyone was always complaining about in present-day newspapers. Where before I’d only seen dull characters who rambled on forever without saying anything at all, I discovered wit and caricature, and a cast of people I could empathise with.

That was when I realised that there wasn’t anything wrong with the literary classics – it was me who was the problem. Or rather, the mismatch between my reading ability when I was ten, and the understanding I had of the world at that age. I could read all of the words on the page, I just didn’t understand what half of them meant, and I thought the problem was with the story itself.

I was reminded of this little episode in my own reading history recently when I spent the summer in Zambia volunteering with the reading charity The Book Bus. One afternoon we were reading one-to-one with children in a community library, when I met Samuel. Samuel had a reading level far above the other children, and raced through the picture books and short stories they were struggling with. I asked him to pick a more complicated book to read with me for the last ten minutes, and after searching through the two bookshelves that comprised the small one-roomed library, he came back with a Ladybird book published in 1960, called ‘What to Look for in Autumn.’

He did his best with it. He could read all of the words – the descriptions of wood pigeons picking up the seeds to ‘fill their crops’, the harvesters – reapers, cutters and binders – putting the oats into ‘stooks’ and the information about various ‘mushrooms and fungi’, but he didn’t understand anything he was reading. Needless to say I looked out a more appropriate chapter book from the Book Bus’s well-stocked shelves for him to read the following week, but the incident reminded me of the importance of getting relevant books into children’s hands if we’re to ensure they’re not turned off by the reading experience.

This is a problem often encountered in schools when teachers are looking for books to recommend to children. A lot of the time we’re so focused on getting them to read ‘good’ books, the ones we enjoyed as children, or the ones deemed ‘worthy’ by critics, that we forget that reading ability isn’t the only thing we have to take into consideration. We have to match the child’s level of understanding to the texts that we’re recommending – or in the case of that Ladybird book, get rid of outdated books from our libraries entirely!

Children often find making the leap to more challenging books difficult, and comfort read the same books over and over again – sometimes even memorising them in anticipation of being asked to read aloud with an adult. If we’re to help them bridge this gap, we must make sure our recommendations are not only appropriate for their reading level, but match their understanding too, introducing new words and ideas gradually in ways that won’t put them off.

Samuel and I were both lucky – we loved reading enough that one bad experience wasn’t enough to put us off, but other children might not be so fortunate. Let’s ensure all children have the chance to discover the joy of reading, by getting the right books into the hands of the right child.

Victoria Williamson is the author of Fox Girl and the White Gazelle (click here for my review) and The Boy with the Butterfly Mind, both published by Floris Books.

Sunday 7 January 2018

I'm Sorry I Haven't A Clue: Oracy Games For The Classroom

Hello and welcome to another blog post on thatboycanteach.blogspot.com, the blog that has done for teachers 'what being hit repeatedly on the head with a large croquet mallet does for small frogs... or so I'm told'. You join me here today as I consider what teachers can learn from the long-running BBC Radio 4 panel game 'I'm Sorry I Haven't A Clue'.

Whilst the chairman always introduces the teams as being given silly things to do, the entertainment is usually derived from witty and clever wordplay which demonstrate the competitors' mastery of the English language. Both the EEF's KS1 and KS2 literacy guidance reports have the development of pupils' speaking and listening skills (or oracy skills) as their first recommendation - in the KS2 document the emphasis is on developing pupils' language capability.

The KS2 guidance specifically mentions the benefit of collaborative approaches to improving oracy skills:
The impact of collaborative approaches on learning is consistently positive, but it does vary so it is important to get the detail right. Effective collaborative learning requires much more than just sitting pupils together and asking them to collaborate; structured approaches with well-designed tasks lead to the greatest learning gains. Effective collaboration does not happen automatically so pupils will need support and practice. Approaches that promote talk and interaction between learners tend to result in the best gains. The following should be considered when using a collaborative learning approach:
  • Tasks need to be designed carefully so that working together is effective and efficient, otherwise some pupils will try to work on their own. 
  • Competition between groups can be used to support pupils in working together more effectively within their group, though over-use of competition can focus learners on the competition rather than succeeding in their learning, so it must be used cautiously. 
  • It is particularly important to encourage lower achieving pupils to talk and articulate their thinking in collaborative tasks, as they may contribute less.
  •  Professional development may be needed to support the effective use of these strategies.
Now obviously the games that the participants play on ISIHAC aren't research-based but if we apply the principles above, and pay heed to the warnings too, we should be able to use some of them to promote a collaborative approach to improving oracy skills, and as a result improve reading and writing skills as well.

Without further ado, the games:

Ad-Lib Poetry: The teacher (or another child) reads or invents a line of poetry. Children than take it in turns to continue the poem, one line at a time. The focus could be on rhyming words, adjectives, synonyms or telling a story. This game does not have a strong competitive element.

Cheddar Gorge:  Children all start with 10 points. By taking it in turns to say a word each, children should aim not to be the one who completes a sentence. If the word they say finishes a complete and grammatically correct sentence they lose a point. The main tactic is to try to force the next person to complete the sentence. This game has a focus on correct grammar and syntax and might help children to assess whether or not a sentence has been completed. Teachers could record the sentences and model correct punctuation. As an extension to this children could be permitted to name a punctuation mark instead of giving  a word - this would allow for the inclusion of parenthesis and other clauses.

Compressed Works: Children give brief synopses of films and books whilst other children guess the title. Similar to this is Rewind where children explain the plot of a book or film as if everything happened in reverse order. This could be played in pairs, groups or as a whole class and gives children the opportunity to practise summarisation - an important and often difficult reading skill.

Letter Writing: Similar to Cheddar Gorge, children take it in turns to say a word, this time 'writing' as famous or historical person to another such person, usually about something they are known for. This can be played in teams with the two teams taking the roles of the two correspondents. Letter Writing could be a good game to use in history lessons or in response to the class novel with children taking on the role of the book's characters. This could be simplified for any style of writing so that children orally co-create a piece of work prior to recording it in writing. One tactic in this game is to add in conjunctions, adverbs and adjectives to prolong the sentences. Another variation is Historical Voicemail  where children suggest messages that might have been left on the answerphones and voicemails of historical figures.

Uxbridge English Dictionary: Children come up with new definitions of words based on the parts of the words. This is potentially difficult so this game might need some preparation in the form of teachers selecting words that would work well. This is a word play game which requires children to know meanings of other words, rather than the one they are redefining. A health warning exists here: it might be wise to supply true meanings as well so that children don't believe that their new definitions are correct.

What's the Question? Either the teacher or a child supplies an answer to a question. Children then have to make suggestions as to what the question could have been. Plausible or funny answers can be accepted. This game might get children thinking about cause and effect and is a great opportunity for them to ensure that their questions are succinct and linked well to the answer.

Word for Word: Children take it in turns to say a word. The aim is to say a word that has no association to the previous word. If another child can prove, however ingeniously, that the word a child say is associated with the previous word, then they gain a point. This game could develop children's vocabulary as they hear words that others know and by trying to find links children will think carefully about word meanings.

Click here to listen to examples of the show on the BBC iplayer (may not be suitable for children)

Friday 15 April 2016

Dear Parents Of Our Primary School Children


Dear Parents Of Our Primary School Children,

You may have read of the crisis that the teachers of your children are in the midst of. You've probably heard that teachers are leaving classrooms in droves, that the workload is impossible and that funding is being cut left, right and centre. You might even have come across heartbreaking 'Why I'm Leaving Teaching' articles. And no doubt you've worried about the impact on your children. Forced academisation, teacher shortages and increasing pupil numbers all sound terrible, too. The number of schools being rated poorly under the constantly-evolving expectations sounds scary, especially when you know your child's school is one of them.

You'll be aware of the new standards that this year your children will be tested on at the end of Key Stage 1 and Key Stage 2. You might have seen reports that even scholars struggle to answer some of the questions in the Year 6 Spelling, Punctuation and Grammar test and you feel downhearted, to say the least. The fact that no-one even knows what the expected 'level' for your child is since levels were abolished confuses you.

I know that anxiety abounds at school gates up and down this land. The teachers of your children appear not to be coping, and it looks like your children won't either.

Well most of what you've heard is true; the situation is dire. However, you must take heart: whilst the government announce ever-changing educational policies and budget cuts there is a vast army of teachers determined to make every moment count for your child. 

These teachers turn up for work early and leave late (no, it really isn't a 9 to 5). Then they work at home. And at the weekends (and yes, I know we aren't the only ones).  And they strive to make your child's learning enjoyable and engaging. And they pore over data, analysing it to work out what your child's next step is so that learning can be personalised.

And chances are your child's teacher does the same. Because for every teacher who leaves, there are many who stay for the sake of the children. And because they love the job and want to make a difference. It is sad that there are many teachers leaving, but there are many staying, too. Your child's teacher is probably doing all they can to help your child to make progress; many teachers will be going above-and-beyond what is required of them to try to make this happen.

And those same teachers will be greeting your children with a smile every morning, enquiring how they are, and genuinely caring about them. They'll be the one who picks them up in the playground after a nasty fall. They make your child laugh. They become your child's best teacher ever (until next year). They are a comforting constant in the changing scenes of life - someone your child confides in. They're the teacher your child gets excited (and then incredibly shy) about seeing in the supermarket on a weekend. They're the one they call 'Mum' or 'Dad' by accident, much to the delight of their friends (who've all done it too).

And it's these teachers who soldier on regardless of the latest government initiative. It is they who take a dry curriculum and inject it with life and infectious personality. They're the ones guiding your child through the run-up to their SATs, walking the fine line between building and destroying confidence. Ensuring that they're not just teaching a list of grammar objectives but providing a fun and relevant context, disguising the fact that they're even learning lots of (probably) useless terminology. They are determined not to let your child be brought down by the way in which our leaders are dismantling our once-proud education system - these teachers bear the weight of this, adamant that your child won't feel the squeeze at all. 

Parent - it is times like these when your child's teacher needs your support. Think about it: for every teacher there are around 60 adults who could stand up and make some noise about the plight of your children. There are over 24,000 primary schools in the UK and if there are an average of 10 teachers in each school that's 240,000 primary school teachers. Multiply that by 60 and you've got over 14 million parents or primary-aged children who could voice important opinions about your children and their future - 20 % of the UK's population. And that's without doting grandparents getting in on the action.

You may feel powerless but this needs to start from the ground up, from a grassroots level. Speak positively about education - it is the future of your child. Share success stories via social media. Say thank you to your child's teacher. Ask them how you can help. Give them a gift. Offer your support in anyway you can. Write to your MP. Get up-to-date with education policy - that's not just the realm of politicians and teachers; you have an important role to play in your child's education. It has got to the point where, for the sake of your children, teachers need you in their corner: that teacher who we spoke of before is being maligned by the authorities, the media and the general public and if the future for your child is to be bright, an end must be put to that.

Parent power - teachers need it. Will you join with us?

Faithfully,

A Primary Teacher

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