22 Great Middle Grade Books From 2020 (Part 1)

I feel like this year I've read far fewer of the newly released middle grade books - I think I've read more grown-up books this year, particularly more adult non-fiction, and I've read a few older children's books too. 

However, I've read a decent number of really great books released for children in 2020 - enough to share a few in a round-up blog post. Now obviously, because I've not read all the books published in 2020, I can't call this a 'best of' list, so instead it is just a list of really great new books to add to your shelves or put under someone's Christmas tree.

In no particular order, here are the first 10:

The Midnight Guardians by Ross Montgomery (Walker)

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A historical, magical tale which sits so comfortably in a long tradition of children's literature and makes for an original but familiar-feeling read. Readers will feel the warm homeliness of such classics as the Narnia stories and The Wind in the Willows whilst recognising the gritty realities and family drama of war that they've read of in Goodnight Mr. Tom and Carrie's War. The Midnight Guardians brings together two worlds at war, weaving folklore, magic and oh-so accurate historical fact together into a truly engaging race-against-time tale of dark versus light.

The Midnight Guardians can be found on my Children's Historical Fiction - Fantasy and Magic bookshop.org list: https://uk.bookshop.org/lists/children-s-fiction-fantasy-magic

The Night Bus Hero by Onjali Q Rauf (Hachette)

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After the huge success of The Boy At The Back Of The Class, and it's follow-up The Star Outside My Window, Onjali Rauf was back in 2020 with another modern tale of derring-do. Interestingly, this time it's the turn of a school bully to take the role of protagonist. As in all good children's stories, his transformation slowly takes place as he begins to understand more about the plight of homeless people: a bid to impress his mates with his unkindness leads to him both witnessing, and helping to solve, a crime. This modern mystery story is certainly a page-turner, and just like it's predecessors is a celebration of the difference children can make in the world.

The Night Bus Hero can be found on my Children's Historical Fiction - Mystery & Detective Stories bookshop.org list: https://uk.bookshop.org/lists/children-s-fiction-mystery-detective-stories

Boy, Everywhere by A.M. Dassu (Old Barn Books)

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Quite a few books have been published in recent years which portray the plight of refugees. Boy, Everywhere sits nicely between books aimed at older children, such as Boy 87 and Illegal (which have a slightly more graphic portrayal of the harsh realities involved in seeking refuge in another country) and The Boy At The Back of The Class and The Fox Girl and the White Gazelle (which don't go into as much detail but rather focus on the realities of life after making the often hazardous journey). Boy, Everywhere provides the modern parallel to books about World War 2 refugees such as The Silver Sword and Number The Stars, providing a realistic picture (which has been praised by people who have experienced similar circumstances to those portrayed in the book) without some of the more distressing, potentially age-inappropriate details that sadly are the experience of some refugees. A very compelling read.

Boy, Everywhere can be found on my Children's Historical Fiction - Refugee Stories bookshop.org list: https://uk.bookshop.org/lists/children-s-fiction-refugee-stories

Noor-Un-Nissa Inayat Khan by Sufiya Ahmed (Scholastic)

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Just before hearing about this book I had discovered Noor Inayat Khan during some research for a year 6 topic focusing on the role of women and children in the world wars, so when I did discover this I was very keen to read it. I was really pleased then to win a copy in a competition from charity Making Herstory. Sufiya Ahmed does a cracking job of retelling a well-researched, child-friendly version of the key events in spy Inayat Khan's life. As a woman of Indian descent and the first female radio operator sent to Nazi-occupied France by the British SOE, it is an incredibly important story to be told, one which exemplifies how people of many ethnicities played a part in World War 2. Great for children to read alone but equally suitable as a curriculum-linked read aloud.

Noor-Un-Nissa Inayat Khan can be found on my Children's Historical Fiction - World Wars bookshop.org list: https://uk.bookshop.org/lists/children-s-historical-fiction-world-wars

The House of Clouds by Lisa Thompson (Barrington Stoke)

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A short story this time from Lisa Thompson for the ever-excellent Barrington Stoke (who specialise in books designed specifically for dyslexic readers). In this story of loss and hope, grief and guilt, Lisa blurs the lines between dreams and reality and ultimately leaves the reader questioning but willing to believe that there actually is just a little bit of magic present in this world. Tackling the difficult subject of losing a family member and the regret of not appreciating them enough in their lifetime, this story follows a girl's journey of discovery as she investigates the links between her grandad and a mysterious artist. A brilliant little tale for those who need a grown-up feeling book but don't always find reading the easiest thing to do.

The House of Clouds can be found on my Children's Historical Fiction - Short Reads bookshop.org list: https://uk.bookshop.org/lists/children-s-fiction-short-reads

The Invasion of Crooked Oak by Dan Smith (Barrington Stoke)

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Chris King's cover illustration says it all, really. Bikes, supersoakers and an undead army is exactly what you get in Dan Smith's excellent short reader for Barrington Stoke. Opening up a market for books inspired by 80s movies that the kids of today probably haven't even seen but would love if they watched them, The Invasion of Crooked Oak will certainly appeal to adults of a certain age as well as children who just want an awesome, spooky, mystery adventure (and this is what plenty of children want). If you haven't got this for your class bookshelf, then do, and prepare for the next installment coming next year.

The Invasion of Crooked Oak can be found on my Children's Historical Fiction - Supernatural & Spooky Tales bookshop.org list: https://uk.bookshop.org/lists/children-s-fiction-supernatural-spooky-tales

The Monsters of Rookhaven by Padraig Kenny (Pan Macmillan)

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More spookiness now in this Adamms Family-esque thriller. A strange assortment of otherworldly beings are confined to the grounds and house of Rookhaven, supplied and kept secret by the local villagers. Two siblings, a brother and sister, stumble through a tear in the magic veil and find themselves involved in a cruel plot to rid the world of the kinds of people who call Rookhaven their home. With amazing black and white illustrations from Edward Bettison, this book feels like very few others I've read - darkness permeates the book, yet the more the reader becomes familiar with the family, the more they realise there is real light in them. A subtle call to respect and love those perceived as outsiders, this beautifully-written story should be widely read and loved. Read my review for more: http://www.thatboycanteach.co.uk/2020/08/book-review-monsters-of-rookhaven-by.html

The Monsters of Rookhaven can be found on my Children's Historical Fiction - Supernatural & Spooky Tales bookshop.org list: https://uk.bookshop.org/lists/children-s-fiction-supernatural-spooky-tales

Eating Chips With Monkey by Mark Lowery (Piccadilly Press)

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This was one of those books that you pick up in an idle moment, begin to read and then get totally hooked by. I loved the combination of serious subject matter and absolute hilarity - Mark Lowery takes sensitive content and treats it respectfully whilst allowing the reader to see the funny side of the events. After a traumatic accident, Daniel, an autistic 10-year-old, retreats into himself, only relating to his toy monkey and seemingly deaf to his family's attempts to help him. The narration alternates between Daniel (and the monkey) and his sister Megan as the family set off on a road trip to find the best fish and chip shops in the country in an attempt to help Daniel to recover. An uproarious read, one which one of my daughters has read cover-to-cover several times, which I would recommend to absolutely everyone!

Eating Chips With Monkey can be found on my Read By My LKS2 Daughter bookshop.org list: https://uk.bookshop.org/lists/read-by-my-lks2-daughter

After The War by Tom Palmer (Barrington Stoke)

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Winning plaudits left, right and centre, Tom Palmer did it again this year with his portrayal of how children liberated from Nazi concentration camps learn to live again in the reviving surrounds of the Lake District. Based on careful research and focusing in on three friends Tom writes with such care and verve, bringing true events to life for a new, young audience. Back in March, just before we went into lockdown I reviewed the book and had this to say in summary: 'A tale of hope, friendship and altruism that is all too relevant in the current times we are living through.' Little did I know how those current times would turn out!

After the War can be found on my Children's Historical Fiction - World Wars bookshop.org list: https://uk.bookshop.org/lists/children-s-historical-fiction-world-wars

Crater Lake by Jennifer Killick (Firefly Press)

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Another spooky mystery story - it's been a good year for them! This one reads like a comedy horror movie aimed at children, taking the year 6 school residential as its inspiration. It's probably a good thing that residentials were cancelled this year as any 11-year-old who'd read this would probably have a few nightmares about going away for a couple of nights. It's enough to put off any teacher planning a residential too, especially since the book basically features a virus - albeit an alien-induced one - that rips through the participants and staff with great efficiency. Anyway, I raved about it in other ways in my review, so have a read of that if you need further convincing: http://www.thatboycanteach.co.uk/2020/03/book-review-crater-lake-by-jennifer.html

Crater Lake can be found on my Children's Historical Fiction - Supernatural & Spooky Tales bookshop.org list: https://uk.bookshop.org/lists/children-s-fiction-supernatural-spooky-tales

Now, on to part 2: https://www.thatboycanteach.co.uk/2020/12/22-great-middle-grade-books-from-2020.html

If you would like Aidan to work with you on developing reading at your school, please visit his website at https://www.aidansevers.com/services and get in touch via the contact details that can be found there.

Guest Blog Post: Storyboarding With Children by Bethan Woollvin

After playing with traditional tales and creating my own twisted versions, including Little Red, Rapunzel and Hansel & Gretel, I decided I was up for a new challenge. Wanting to stay in the fairytale realm, I began channeling my love for folklore and traditional tales to write my own, more contemporary tale.

Anchored in a medieval era, I Can Catch a Monster follows a little girl who desperately wants to go monster-hunting with her brothers, but is told she is far too small! Exploring the kingdom anyway, she goes on a quest of her own to catch herself a monster, meeting some unlikely friends along the way!

Though I Can Catch a Monster is a step in a slightly different direction for my books, the idea unfolded in the same way that most of my books do - through pictures. I’ve always considered myself to be more confident as an artist than as a writer, and this is really due to how I think. I’m an incredibly visual person, so all of the book ideas I create, I do so nearly entirely in pictures to begin with. After some interesting research into mythical creatures, folktales and medieval lore, I quickly jumped in to sketching my ideas across a storyboard. This helps me to quickly map out the story in small, rough drawings, helping me to tell as much of the story as possible in pictures as possible. Words come much later in my process, and I usually use them to fill in any gaps in my story.

When I visit schools for author events, one of the first things I admit to children is that I find writing really difficult at times. I share my more picture-based method of story creation, and remind them that there’s no right or wrong way to create a story. My aim is always to encourage children (or anyone really!) to have more fun when creating stories. Mirroring my exact process of creating new story ideas, we work on a wordless story activity together. I usually focus this activity on a theme such as - ‘Create your own twisted fairytale’. I ask them to draw their story across a storyboard without any words. I encourage them to think about their characters, the environment and how they might progress their story over several panels of the storyboard.

For those who find writing particularly difficult, this activity really lifts the burden of writing. I’ve noticed with this activity, that it allows children to be more imaginative with their characters, environments and overall story plots. Sometimes children even add in words after they’ve finished their storyboarding, using more complex storytelling techniques such as dialogue and humour! But most importantly they have fun creating their own stories, and will feel more confident when it comes to the next story they create.

To celebrate the publication of I Can Catch a Monster, I’ve adapted a version of this very activity which you can do at home or in the classroom. I hope you find this inspiring, and keep on creating exciting stories! Click here to download Bethan's printable storyboarding activity!

Extract From 'Guardians Of Magic' by Chris Riddell

An extract from Chris Riddell's latest book 'Guardians of Magic', the first book in the new 'The Cloud Horse Chronicles' series:

Chapter 1: The Runcible Spoon

Zam Zephyr woke early and climbed out of bed, careful not to disturb the other apprentice bakers of Bakery No. 9, who were still fast asleep around him.

It was the day before the Grand Duchess of Troutwine's Tea Ball and Zam was too excited and nervous to stay in bed. Today, they would bake for the tea ball tomorrow. All twelve bakeries in the city competed for the honour of making the most delicious treats for the ball. If anything went wrong again, after last year's disaster that put Bakery No. 9 at the bottom of the heap, Zam and his friends would be sent home in disgrace. The thought of his father's disappointed face was too much to bear. No, Zam thought. He would do anything he could to make sure that his baking was perfect.

In the corner of the attic dormitory, his best friend Langdale the goat boy was gently snoring. Beneath the flour-sack blanket, his hooves twitched as he dreamed of chasing blue butterflies through the summer pine forests of the Western Mountains. In the other corner, the two Shellac sisters clutched the comfort shawl they shared. In the cots in between, the gnome boys from the Grey Hills slept soundless and still, five to a blanket, their small grey-tufted heads just visible.

Looking out of the window, Zam could see the golden roofs of the palaces glittering in the early morning sunlight. He gazed up at a billowing cloud and made a wish: 'To bake the best gingerbread ever, he whispered. 'Cloud horse, cloud horse, far from view, make this wish of mine come true.'

Zam took his apron and cap from the hook and crept out of the attic, leaving his friends to their dreams.

Zam ran all the way down the stairs to the basement, opened the door to the flavour library, and stepped inside. This was his favourite place. He loved how precise, tidy and ordered everything was here. He smiled to himself. With everyone asleep upstairs, it was the perfect time of day to practise without any interruptions.

Shelves lined the basement walls from floor to vaulted ceiling. Looking up through the glass paving stone, Zam could see the shadows of feet walking overhead as people passed the doors of Bakery No. 9.

The shelves around him were stacked with jars of all shapes and sizes, each clearly labelled.

Zam selected the jars he needed, opening each one in turn and taking pinches of the powders they contained. Carefully, he placed the spices on little squares of baking parchment, which he folded neatly and placed in different pockets of his apron. Satisfied with his choices, Zam crossed the stone floor to a large chest of drawers set in an alcove. He opened a drawer labelled 'Index of Crusts' and selected one with crinkle-cut edges and memorized the baking instructions written in small lettering on the underside.

‘For a crumbly texture, short, intense mixing and slow bake in quiet oven ... Zam read. The memory of the calm, reassuring sound of the head baker's voice filled his head, as it always did when Zam read his recipes. 'For a more robust biscuit, easeful mixing with broad, generous spoon and a short, fierce bake in busy oven...

‘Broad, generous spoon,' Zam repeated to himself, returning the crinkle-cut crust to the drawer and closing it. He looked up and was about to select one of the wooden spoons, which hung from the hooks in the ceiling, when he trod on something. It was a large spoon he hadn't noticed lying on the flagstone floor.

'That is so careless,' Zam muttered, picking it up. The spoon was broad and long handled, carved from a single piece of wood, by the look of it. Zam turned it over. It was a slotted spoon, full of small holes, with three large ones near the base of the handle.

‘Easeful mixing with broad, generous spoon,' the head baker's voice sounded in Zam's head.

‘Perfect,' he said, wiping the spoon on his apron before slipping it into a pocket.

He selected a favourite battered old book from a shelf: The Art of Baking. “There you are," he said happily and climbed the back stairs to the kitchen.

An hour later, the other apprentice bakers had been woken by the six o'clock gong and were filing in, putting on their caps and rubbing the sleep from their eyes. Balthazar Boabab, the head baker of Bakery No. 9, followed them into the kitchen smiling.

'Good morning, apprentices!' he said cheerfully, peering over the top of his half-rim spectacles. “As you know, the twelve bakeries of Troutwine are baking for the Grand Duchess's Tea Ball tomorrow, and we all have our parts to play.W

The head baker smiled again, a little ruefully this time. 'Bakery No. 1 is doing the first tiers. Bakery No. 2 the second and third tiers. Fillings are being produced by bakeries No. 3, 4 and 5. While No. 6, 7 and 8 are baking pastry shells and meringues. - Bakeries No. 10 and 11 are fruitcake and turnovers, and Bakery No. 12 is making floating islands...' Balthazar Boabab took a deep breath. 'This means, once again, Bakery No. 9 is picking up the crumbs…'

The apprentice bakers began to mutter. It wasn't fair. They had tried so hard, but they weren't being given a chance.

'I know, I know ...' said the head baker. 'It's not ideal, but after last year's cake collapse and exploding-eclair incident, Bakery No. 9 has a lot to prove ...'

'But that wasn't our fault,' protested one of the gnomes.

'The last head baker didn't pay off the League of Rats, said Langdale the goat boy, stamping his hooves, "and they ruined everything…'

'Nothing was proved,' said Balthazar gently. 'I am head baker now, and things are different, aren't they?'

Zam and the other apprentices nodded. It was true. Bakery No. 9 had changed since Balthazar Boabab had taken over: no more bullying, tantrums or random punishments. The kitchen was a happy place, and everyone was respected and baking beautifully. It was just as well. A year ago, after the disaster of the last tea ball, Bakery No. 9 had almost been shut down and everyone sent home. If Balthazar hadn't joined them from the fashionable Bakery No. 12, the apprentices would have had no future. None of them wanted to let him down.

"But what about the rats?' asked Langdale anxiously.

‘Let me worry about them,' said the head baker, doing his best to sound cheerful. ‘After all, we have heard nothing from the rats since I arrived.
Meanwhile, you have baking to do. We will be making the crusts as well as gingerbread and some spun-sugar decorations. And, at the tea ball itself –

Balthazar cleared his throat; even he couldn't sound cheerful about the next bit – 'Bakery No. 9 will be doing the washing-up.

The apprentice bakers groaned.

‘Langdale and the Shellac sisters are on shortcrust pastry shells,' Balthazar instructed. 'Gnomes are on glazed piecrust. Zam, are you confident to bake the gingerbread and help me with the spun sugar?'

'Yes, head baker,' said Zam excitedly. “I've already been down in the flavour library ...

‘Baker's pet,' muttered Langdale.

Balthazar gave the goat boy a stern look. But before he could say anything, an unexpected sound silenced them all.

In the shop, the doorbell had rung, and now they could hear the scritch-scratch of claws on the floorboards.

'I smell a rat,' said Langdale.

 

Publishing 19th September 2019 | Hardback, £12.99 | Macmillan Children’s Books | ISBN 9781447277972

The Right Book for the Right Child (Guest Blog Post By Victoria Williamson)

I remember very clearly when my love affair with Jane Austen began.

It was the summer between fifth and sixth year of high school, when I was seventeen. I’d picked up Pride and Prejudice for the first time, but not because I actually wanted to read it. It was a stormy day despite it being July – too wet to walk up to the local library. It was back in the nineties before the internet, Kindle, and instant downloads were available. I wanted to curl up on the sofa to read, but I’d already been through every single book in the house. All that was left unread at the bottom of the bookshelf was a row of slightly faded classics belonging to my mother. I only picked the first one up as there was clearly a book-drought emergency going on, and I was desperate.

The reason I didn’t want to read it, was because I already knew it was going to be totally boring.
Well, I thought I knew it. I’d already ‘read’ the classics you see. When I was ten or eleven, thinking I was very clever, I branched out from my usual diet of fantasy and adventure books, and opened a copy of Bleak House by Charles Dickens. I can’t remember why now – it might have been another rainy day and another book emergency situation, but whatever the reason, I spent several miserable hours ploughing through page after page of unintelligible drivel about Lincoln’s Inn, Chancery, and a bunch of boring characters who said very dull things, before giving up in disgust.

I ‘knew’ from that point on that the classic novels teachers and book critics raved about were the literary equivalent of All Bran instead of Sugar Puffs, and I wasn’t interested in sampling any more.

I didn’t pick up another classic until that rainy day at seventeen, when I sped through Pride and Prejudice in a day and a night, emerging sleepy-eyed but breathless the next day to snatch Emma from the shelf before retreating back to my room to devour it. That summer, after running out of books by Austen, the Brontes and Mrs Gaskell, I tried Bleak House again. And what a difference! Where before I had waded thorough unintelligible passages without gaining any sense of what was going on, I now found an engaging, and often humorous tale of a tangled court system far beyond the ‘red tape’ that everyone was always complaining about in present-day newspapers. Where before I’d only seen dull characters who rambled on forever without saying anything at all, I discovered wit and caricature, and a cast of people I could empathise with.

That was when I realised that there wasn’t anything wrong with the literary classics – it was me who was the problem. Or rather, the mismatch between my reading ability when I was ten, and the understanding I had of the world at that age. I could read all of the words on the page, I just didn’t understand what half of them meant, and I thought the problem was with the story itself.

I was reminded of this little episode in my own reading history recently when I spent the summer in Zambia volunteering with the reading charity The Book Bus. One afternoon we were reading one-to-one with children in a community library, when I met Samuel. Samuel had a reading level far above the other children, and raced through the picture books and short stories they were struggling with. I asked him to pick a more complicated book to read with me for the last ten minutes, and after searching through the two bookshelves that comprised the small one-roomed library, he came back with a Ladybird book published in 1960, called ‘What to Look for in Autumn.’

He did his best with it. He could read all of the words – the descriptions of wood pigeons picking up the seeds to ‘fill their crops’, the harvesters – reapers, cutters and binders – putting the oats into ‘stooks’ and the information about various ‘mushrooms and fungi’, but he didn’t understand anything he was reading. Needless to say I looked out a more appropriate chapter book from the Book Bus’s well-stocked shelves for him to read the following week, but the incident reminded me of the importance of getting relevant books into children’s hands if we’re to ensure they’re not turned off by the reading experience.

This is a problem often encountered in schools when teachers are looking for books to recommend to children. A lot of the time we’re so focused on getting them to read ‘good’ books, the ones we enjoyed as children, or the ones deemed ‘worthy’ by critics, that we forget that reading ability isn’t the only thing we have to take into consideration. We have to match the child’s level of understanding to the texts that we’re recommending – or in the case of that Ladybird book, get rid of outdated books from our libraries entirely!

Children often find making the leap to more challenging books difficult, and comfort read the same books over and over again – sometimes even memorising them in anticipation of being asked to read aloud with an adult. If we’re to help them bridge this gap, we must make sure our recommendations are not only appropriate for their reading level, but match their understanding too, introducing new words and ideas gradually in ways that won’t put them off.

Samuel and I were both lucky – we loved reading enough that one bad experience wasn’t enough to put us off, but other children might not be so fortunate. Let’s ensure all children have the chance to discover the joy of reading, by getting the right books into the hands of the right child.

Victoria Williamson is the author of Fox Girl and the White Gazelle (click here for my review) and The Boy with the Butterfly Mind, both published by Floris Books.

Book Review: 'The Girl With Shark's Teeth' by Cerrie Burnell

Cerrie Burnell (of CBeebies fame), author of picturebook 'Snowflakes' and 2016 World Book Day special 'Harper and the Sea of Secrets', has broken into the middle grade fiction world with style: 'The Girl With The Shark's Teeth' is a brilliant adventure story set in a fantasical but oh-so-immersive world.

And it's immersive in two senses of the word. Not only does the plot take place above and under water, it is also so well written that you don't doubt that this magical sub-marine kingdom could actually exist. Although the above-surface parts of the story draw on the reality of places such as Brighton, Reykjavik and Barbados, as well as the Carribean sea and the Atlantic Ocean, a huge portion of the story takes place in the Wild Deep - a well-imagined underwater world where all manner of seafolk live.

Right from the very beginning the reader is clued into the fact that there is more to Minnow than at first meets the eye. And when her mother, Mercy, is kidnapped, she begins a voyage of discovery, finding out along the way that her heritage is more amazing than she could ever have imagined. After a frosty first meeting with Raife, the two children set out to outwit the Greenland shark who guards the gate into the Wild Deep, leading them into a place where they aren't exactly welcome, and to an adventure they weren't quite expecting.

The convincing world building is aided by the fact that the story we read is rooted in a seemingly comprehensive mythology - I for one would quite happily read a real-life version of 'The Book of Sea Myths: Tales of the Sea', if Burnell fancied doing a JK Rowling Tales of Beedle The Bard-style spin-off volume. Not only are there stories, there are also songs - crucial for a novel so tied up in seafaring - I'd also love to hear them set to music.

Family, friendship, trust, betrayal, courage and discovery are all central themes to this wonderful, convincing book. And it's not just for fans of mermaids, or for girls - give this to your boys and they will be drawn in to this world of intrigue. I had no idea what I was getting into when I picked up this book and I'm so glad that I did: here's to a sequel!

On the @TES Blog: Top Children's Books of 2018

I had the immense pleasure and privilege of putting together a list of some of the best primary children's books of 2018. I ended up selecting 25 out of a huge number of excellent books that I'd read out of an even huger number of books actually published. I'm absolutely certain that all of my choices rank among the best, but there may be some that I didn't get a chance to read that should be there too.

A couple of such books which I read after submitting the piece were The Boy At The Back Of The Class by Onjali Q. Raúf and A Darkness of Dragons by SA Patrick.

Follow the link to find out what I chose as my favourite books of 2018: https://www.tes.com/news/top-childrens-books-2018

Book Review: 'Roy of the Rovers: Scouted' by Tom Palmer

This isn't just another football book to hook reluctant boys into reading. And it most certainly isn't a poor spin-off of the Roy of the Rovers comic strip which first appeared over 60 years ago in British comic Tiger. No, this is so much more and Tom Palmer has more than done justice to the Roy Race of old.

As a non-football fan I approached the book somewhat hesitantly thinking that maybe it wasn't for me. However, that hesitance was tempered by the knowledge that Tom Palmer really does write a good book - if there was any football novel I was going to like, it was going to be this one.

What this book, and its follow-up 'Kick-Off' (a graphic novel by Rob Williams and Ben Willsher), has made me realise is that one of the reasons why people love football so much is the narrative, the story, that goes along with it. It isn't just 22 players kicking a pumped up bit of leather around a piece of grass - it's everything that happens in between as well: the pre- and post-match analysis, the news stories about signings and finance, the drama of a game as seen from both the pitch and the stands, the rivalry between fans, the common ground it provides. It is the individual and interweaving human stories that make football the world's favourite sport - and Tom Palmer portrays that so well.

But 'Roy of the Rovers: Scouted' goes much further than just the football. Roy's dad's brain tumour operation went wrong and now he's paralysed down his left side and can't speak. Roy's mum is trying to work enough to provide for the family and lots of the caring falls to Roy and his sister. This theme is explored sensitively throughout as Roy's loyalty to both his game and his beloved dad are tested. Themes of love, bullying, friendship and commitment are weaved throughout the whole plot making this such a rich, emotional text.

There's also very strong female representation in the book - both Roy's sister, Rocky, and his new friend, Ffion, are excellent footballers and die-hard football fans - there's a great part near the end where Ffion calls Roy on his ignorance of women's football right before Rocky discovers that there is a team she can play for.

Football-lovers will love the description of on-pitch action which is pacy yet satisfyingly detailed. Lisa Henke's stylish illustrations, in particular cases are works of art - it's a shame her bold and stylised images didn't make it onto the front cover.

This is a book that I am looking forward to putting on the shelves at school - I know already that it will be a popular title amongst our football-loving children (not just boys!). The fact that is part of a growing 'saga', published by Rebellion, is another plus point - those who are hooked by the first two books will hopefully have more to access afterwards, not to mention Tom Palmer's own back catalogue of sport-related books.

Reading For Displeasure: 13 Books To Take Children Out Of Their Comfort Zone

Reading for pleasure is all the rage in schools, but how often do we, and the children we teach, read for displeasure? Or, perhaps more accurately, for discomfort?

Ask any number of readers what they like about reading and there will be plenty of replies on the theme of escapism. Internet memes carry lines such as "Books: a cosy doorway to paradise".

Actually, for many, it should be that books are a doorway out of a cosy paradise.

Click here for more, including 13 recommendations of books for a range of ages which will take children out of their comfort zone and into the shoes of others: https://www.tes.com/news/13-books-take-primary-pupils-out-their-comfort-zone

Note: This article does not cover the whole range of uncomfortable life situations that people find themselves in. I have focused in this article on issues such as loss (of a loved one, of a sense of safety, of a sense of community) as well as racism. It is by no means a definitive list. I would suggest that there could be plenty more articles submitted to the TES highlighting books that will help children to understand other life circumstances.

Guest Post: Five Magical Children's Books That Influenced Me By Amy Wilson, Author Of Snowglobe

I asked Amy Wilson, author of Snowglobe, which children's books most inspired her own writing. Fantasy fiction seems to be an evergreen genre within the world of children's publishing; Amy's answer to my question will provide inspiration to parents, teachers and children to explore beyond the more recent and obvious contributions to introduce some classic titles to their to be read pile. 

The magical books I read when I was younger put wonder in my veins when I needed it the most.  They gave me friendship and family when I was lonely, and they showed me that one small, isolated person has the power to change so much. They gave me hope. Here are five that had the most impact:

The first, and the one always on the tip of my tongue, is The Magicians of Caprona by Diana Wynne Jones. I read it shortly after my father died, when I was eleven and just about to start secondary school. It wasn’t an easy time, and this book was such comfort. It swept me up and gave me the warmth of family, and showed me that true friendship was possible, even if we feel our own differences make us somehow unlovable. And it had magic, and a version of Italy that I still adore now.

The second would be The Horse and His Boy, by CS Lewis. I loved that story. I loved everything about it, and was devastated when, aged about nine, I realised I was terribly allergic to horses. I had imagined myself so many times on wild adventures with my beautiful companion, but after about five minutes in a stable I knew that was never going to happen. I have quite a lot of allergies but I think that might be the one that caused me the most sadness as a child. I’m sure my books would have a lot more horses in them if I’d been able to have those adventures of my own!

The third is Mort, by Terry Pratchett. Discovering his books in my twenties was such a gift. It brought me back into reading. I loved most the humour that accompanied all the magic, the warmth of the characters and their relationships, the sheer audacity of a world carried by four elephants on the back of a turtle. It reminded me that in fiction, anything is possible. Which I still need reminding of now, every so often! Mort had a big impact on Snowglobe especially; I think that image of a house full of snowglobes, and of a shadowy figure stalking the corridors, owes something directly to Death and his house of timers, and I’m very grateful to Terry Pratchett for the inspiration.

The fourth would be The Belgariad, by David Eddings. I got lost in that series for weeks! There were so many of them, and the truly wonderful thing about them was, again, that warmth of friendship and family, the sense of possibility. I especially loved the friendship between Barak and Silk, I can still hear their banter now.

The fifth is actually the first I encountered, which is a collection of Hans Christian Anderson stories. They were creepy and vivid and magical and I loved them, even as they haunted me. They’re a good reminder now, too, that children’s stories can have dark and twisty bits, that what scares us isn’t always bad for us.

Book Review: 'Snowglobe' by Amy Wilson

When a girl's already swirling world is shaken even further she discovers a world of magic that had been hidden from her, and for very good reason.

Amy Wilson's latest book Snowglobe is family drama but not as you know it. When a school bullying incident leads Clementine on a journey of self-discovery she gets involved in more than she bargained for - strange powers, disappearances, and an adventure in a previously-invisible house full of mysterious and macabre snowglobes.

As Clementine untangles her past she embarks on a quest for freedom, not only for herself, but for those whose only hope is her. In order to complete her quest Clem has to wrestle with family alliances, making difficult decisions about friendship and the greater good. The reality of life is never straightforward, especially not for young teenagers and pre-teens, so this book is a great sympathetic exploration of what it is to grow up and to begin to truly get to know oneself.

This adventure really picks up the pace as Clem, Dylan and Helios the dog search a network of enchanted snowglobes where hundreds of people with magical abilities are being held captive. This clever little device allows Wilson to explore a world of settings without the characters ever really leaving the room.

Upper Key Stage 2 children are sure to love the concept of this thrilling tale, and many will identify with Clem's struggles, albeit in a less magical way! A fairly dark tale ending in an explosion of light, this will have readers in its icy grip. A perfect winter read for those long dark days.

Tania Unsworth On Conveying Character

Tania Unsworth, author of the wonderful The Girl Who Thought Her Mother Was A Mermaid describes the process she goes through when writing her characters:

For my main characters, I try not to present a physical description, unless it's important for the story or it reveals something significant about them (perhaps they have bitten nails, for example). I think leaving the physical description somewhat vague allows the reader to conjure up a much richer, more flexible image in their mind's eye, and thus involves them more fully in the creative process. Hopefully it makes the character feel personal to each reader. The kind of writing I admire and aspire to is what I think of as 'generous' - it leaves as much as possible to the imagination of its readers. I have a different approach to minor characters, often describing their appearance in detail - they tend to be more two dimensional as a whole, mostly seen through the lens of the main character.

So how do I convey character? I try and do it in terms of their reaction to things. I aim to put them as quickly as possible into a situation where their responses begin to reveal how they see the world, their fears, hopes etc. Dialogue is another useful way of doing this. I love dialogue! How they talk, how they respond to the person they're talking to. As an exercise, it can be fun to take a chunk of dialogue from a book and without knowing anything else about the story, try to see what can be deduced about the protagonists simply from their conversation.

I tend not to start a book with a very clear idea of my main character. I learn about them as I go along, through their responses to things that are happening in the plot. By the end of course, it's turned the other way around - the character has formed to such an extent, that THEY are shaping the story.

It's a strange sort of paradox that I can never quite get my head around - how my characters grow out of the needs of the story, but at the same time how they ARE the story itself...does that make any sense?

In terms of teaching character writing - you are the expert! I'm not sure I can offer anything new that you haven't thought of. I suppose I would suggest as an exercise that pupils not start with a character at all, but with a situation. Something has happened to someone. Then perhaps they could simply ask themselves a series of questions. How does that person respond? Why? Is it different from how other people might respond? What are they thinking? What do they feel? I do think that just like the reader, the writer has no idea of their own characters at the start - they must find out by asking a lot of questions. Sometimes it's only at the end of writing a story that the writer achieves an understanding of their own characters...which means more often than not, that they have to write it all over again!

For more on teaching character writing click here for my blog post Writing Characters in Key Stage 2.

Book Review: 'Dave Pigeon' by Swapna Haddow, Illustrated by Sheena Dempsey

Funny books. That's what our children get these days when they move off the reading scheme books at school and begin to read whole chapter books themselves. And thankfully when the books are as good as 'Dave Pigeon' that's more than OK.

Swapna Haddow has balanced the funniness with good quality writing in a way that perfectly introduces young readers to the concept of reading a longer book. The story is engaging (and funny - did I mention that?) and in this way reading stamina is really encouraged. The accompanying illustrations contribute to this - some pictures take up most of the page, allowing children to experience the feeling of having read a decent chunk of a book. The speech bubbles included in the pictures are also bound to be loved by young readers - children will feel great accomplishment as they read the text and the pictures together.

Dave and his mate Skipper are taken in by a kind human lady when Dave injures his wing. Unfortunately she also has a mean cat who, of course, must be got rid of so that the pigeon duo can live in the lap of luxury in the house, rather than the shed. Their catbrained schemes are, predictably, wildly unsuccessful until, accidentally, one of their plans does work. Even then they are faced with a further dilemma - they have to share their bounty with all the other birds in the neighbourhood. This amusing story of perseverance and resilience is a great way to introduce young children to the concept of never giving up and always trying again - who'd have thought two daft pigeons could be such good role models? 

Another huge plus for this book is that it is the first in a series. So if it hooks your child in, you can build on the momentum by getting the two follow-up books for them to read too. And as Tom Fletcher picked this for his WH Smith Book Club 2 you should have no problems getting hold of this excellent (and hilarious) book.

Book Review: 'The Girl Who Thought Her Mother Was A Mermaid' by Tania Unsworth

I'm just going to come right out and say it: this is a perfectly told story which twists fantasy into reality in an oh-so satisfying way. Dealing with themes of loss, grief, friendship and discovery this book, I would go so far to say, is a must read.

The pain experienced by a grieving husband, the love and wisdom of a grandparent with alzheimers, the way that a child tries to deal with memories of a lost parent, the desparation of an abused employee, the delight of new friendship, the terror of being kidnapped, the bitterness and cruelty of someone who can't let go, the rushing sensation of elation when a remarkable discovery is made - this book has all the feels. Who'd have thought all of that would come from a tale about mermaids?

After the death of her mum Stella sets out on a dangerous voyage of discovery to find out more about who her mum really was. She makes brave and daring decisions but finds herself in grave trouble as she seeks to find the truth behind her mum's past. So compelling is the story, and so believable, I found myself reading the whole book in the space of day - Tania Unsworth draws in the reader with her beautiful writing and intensity of plot - an intensity that nevertheless still feels perfectly paced.

With the mention of mermaids in the title, this very well may get left on the shelf by some who assume its going to be too girly, but this real-world fantasy is far from it - it's a thrilling adventure which I would have no qualms about reading with, or recommending to, anyone (including boys). Sometimes books can really be a very pleasant surprise - 'The Girl Who Thought Her Mother Was A Mermaid' is very much one of those books.

Book Review: 'Once Upon A Wild Wood' by Chris Riddell

There are many, many retellings and rehashings of popular traditional fairy tales, but this isn't one of them. Children who love fairy tales will love this but they will enjoy it in its own right. And that's because Chris Riddell, with his own inimitable sophisticated and dry humour, has told a new story, albeit with a whole host of favourite characters.

Know a child who's stuck on their favourite Disney princesses, and only ever wants to read those quite terrible picture book versions of the movies? This book could very well be the book that turns them onto some reading material of a little higher quality. The writing is wonderful, with seemingly more text than the average picture book, and, as is usual with Riddell, it never seems like he is talking down to his younger readers - he treats them in a grown-up way and gives them opportunities to think about new words and new concepts.

Existing fans of Riddell's books for younger readers, such as the Ottoline books, will recognise the style of storytelling and the kind of characters that are portrayed. The story's protagonist is a young girl, vastly more sensible and practical than the traditional Little Red Riding Hood, prone to solving problems but also demonstrating kindness and thoughtfulness - a great role model, in other words.

The illustrations, it really goes without saying, are incredible: the sort children pore over and return to again and again. Amusing details and such accurately drawn facial expressions provide excellent opportunities, along with the text and the plot, for adults and children to discuss the book at great length, making this a perfect book for parents or teachers to share.

Children will love spotting their favourite fairy tale characters, and may even be introduced to new ones, giving opportunity to explore classic tales which Disney haven't yet (to my knowledge) got their hands on. Rather like the Ahlbergs did with The Jolly Postman and Each Peach Pear Plum, Chris Riddell has brought new life to old stories and characters in this fantastically illustrated new tale.

Book Review: 'Secrets of a Sun King' by Emma Carroll

There's not been a prominent children's novel set in Egypt for a while, so when I heard that Emma Carroll's latest book was to have an Egyptian theme I was keen to read it - especially with curriculum planning in mind.

The story simultaneously follows the adventures of Howard Carter's discovery of Tutankhamen's tomb, a young girl's receipt of a cursed canopic jar and an ancient Egyptian girl's account of Tutankhamen's last days. These are expertly woven into a story exploring friendship, family, trust and secrets. Beginning in London, but, unsurprisingly, leading to Egypt, the mystery of the curse unravels as Lily, Tulip and Oz daringly arrange to return the jar to where it should be, following clues from an ancient writer and relying on local knowledge (and of course camels) to help them navigate the dangers of the desert.

Although 'Secrets of a Sun King' can be classed as historical fiction, it has a very contemporary feel. Carroll uses the post-Great War political landscape of women's rights to thrust strong female leads into the limelight, a father in the book even voicing his opinion that girls are 'the future'. With gender issues being very much in the limelight, the fact that females take centre-stage in this exciting adventure story seems only right. Whilst some of the language used by the children seems a little anachronistic (it might not be at all, it just sounds very modern) the exploration of the role of women seems to be retrospectively in-keeping with the time.

Also adding to the modern feel is the fact that many of the co-protagonists are very definitely not white, signalling perhaps that representation of ethnic diversity in children's books might be beginning to improve. The recent CLPE publication Reflecting Realities reported that in children's books published in 2017 only 4% of the characters were black, Asian or minority ethnic (BAME), so the publication of this book, with its mixed-heritage and Egyptian characters (both ancient and relatively modern) comes at a time when readers might be prompted to seek out some non-white representation.

In fact, Carroll has gone beyond this: there is also an acknowledgement of the historical tendency of the (white) British to act with superiority, including to the point of robbing another country of their treasures. Lil, the main character, realises: 'Being English didn't give me the right to sort out other people's problems, not when they could solve them themselves.' And the characters of Howard Carter and Lord Carnarvon are not portrayed positively - this is a challenge to our general view of archaeologists and explorers as infallible gentlemanly heroes.

All of these issues make this a great reason to read this with children, especially as part of history work in school. The potential exploration of moral issues surrounding Carter's discovery and working practices will certainly make for a more in-depth way of learning about the ancient Egyptians - particulary good for older primary children who are tackling the topic.

Having said this, teachers may want to be aware of one particular scene in the book where the children use a Ouija board. The scene seems unnecessary and doesn't seem to fit with the idea that the pharaoh's curse may or may not be able to be explained by natural phenomena, or at least that the children are sure of the curse without such overt messages. The fact that the children do not seem scared or shocked by the fact that a spirit communicates with them using the board is strange. Given that this scene is not referred to again in the book, teachers could choose to skip this part if reading aloud.

'Secrets of the Sun King' is a fantastic up-to-date novel for key stage two readers and, far from being a curse, is a gift to any teacher or parent hoping to hook their children into an exploration of the ancient Egyptian times, as well as into a historical period where archaeological discovery made headlines. Superbly written and fast-paced, children will love in equal parts the characters and plot of this excellent book.

Book Review: 'Ottoline and the Purple Fox' by Chris Riddell

Two of my daughters (year 1 and year 3 currently) became instafans of Chris Riddell's Ottoline character after I picked up a hardback copy of 'Ottoline at Sea' on a whim. I then borrowed a copy of 'Ottoline and the Yellow Cat' from the school library (must take that back before I leave this summer) which they subsequently devoured. 'Ottoline Goes to School' was purchased with pooled pocket money and enjoyed just as much as the others.

Then came 'Ottoline and the Purple Fox' - time for me to really see what the fuss was all about. Published recently by Pan Macmillan in paperback, you soon forget it doesn't have the fancy covers and extra bits and bobs (Bog Goggles, school badge collection, postcard collection) - the richly illustrated pages draw you in that much. Chris Riddell fans will just revel in the sheer volume of his wonderful images.

A story told just as much in the pictures as in the text, Ottoline and Mr. Munroe's latest adventure is as zany and quirky as one might expect. In actuality, this is a love story, complete with poetry - it's Ottoline's task to discover who the mysterious poet is and who they are in love with. On the way we meet a crazy cast of characters including shy gorillas, library flamingoes and the bear who lives in the basement (not to mention a dream sequence featuring one of Chris Riddell's other characters, Goth Girl).

Every now and then Riddell includes a page of drawings too intriguing to skim over quickly - the richness of the pictures are sure to prompt lots of conversation between an adult and child reader. In fact, reading activities abound within the pages of this book - this one should be on the shelves of all teachers in lower key stage two.

And Ottoline is such an adorable, non-typical girl character that I'd say it's pretty important for boys and girls to get to know her. She's strong-minded, independent but also thoughtful and kind. Her inquisitive mind and penchant for problem solving makes her a great role model, albeit a fictional one.

Now excuse me whilst I go and read the others - this one has certainly whetted my appetite!

Book Review: 'The Spiderwick Chronicles (Books 1 - 3)' by Tony DiTerlizzi and Holly Black

It's no wonder these international bestsellers are being republished. There's something special about them; perhaps something magical.

These are books about faeries. Not pink, glitzy, glittery fairies, but proper badass faeries: boggarts, brownies, goblins. Magical creatures come thick and fast in these short, little bitesize stories: The Phooka, wood elves, dwarves, trolls, griffins and more besides.

There's no messing about when it comes to getting into the story in each of these little books. At around the 100 page mark each, with a good few of those dedicated to the classic yet lively illustrations, the plot comes thick and fast. Where a longer book might faff around, these ones just get straight to the point. This characteristic would make these books perfect for reticent readers - ones who would benefit from the experience of finishing a whole, proper-looking book quickly. And the fact that there's a whole series of further books to read would automatically provide a reluctant child with another book to read - they can even read the first chapter of the next book at the end of their current book to really get them hooked.

In fact, some of these readers might even identify with main protagonist Jared Grace who, since his father's departure has struggled with his behaviour at school. Taken off to live in a strange old house with his twin brother and older sister he soon discovers that there is more to his world than first meets his eye, and, once he has the sight, he and his siblings find themselves embroiled in a faerie battle to wrest ownership of a mysterious tome of faerie world knowledge from their own hands.

Whilst the stories are short and the illustrations are plentiful, there isn't a simplifying of the text. Readers will still be exposed to creative vocabulary and the most exciting of content. Small but perfectly formed these reissues are sure to find themselves to be firm favourites of a whole new generation of children.

More Books That Encourage Children To #ReadForEmpathy

Last year for Empathy Day, organised by Empathy Lab UK, I recommended 6 books that encourage children to read for empathy: 'The Unforgotten Coat' by Frank Cottrell Boyce; 'Oranges in No Man's Land' by Elizabeth Laird; 'The Goldfish Boy' by Lisa Thompson; 'My Dad's A Birdman' by David Almond; 'Tall Story' by Candy Gourlay; and 'Noah Barleywater Runs Away' by John Boyne.

Back in October I led a workshop at the Reading Rocks conference entitled 'The More-ness Of Reading'. In it I provided a more extensive list of books that are great for developing empathy as well as whole host of quotes and research explaining why reading for empathy is such a good idea: https://wherereadingrocks.wordpress.com/2017/10/14/the-more-ness-of-reading-by-thatboycanteach/

Since then I've read rather a few more books that easily fall into the category of books that develop empathy in their readers. And with the second Empathy Day taking place on June 12th 2018 it seemed right to produce another list.

Given that my last list contained no non-fiction, I'd like to begin by highlighting a few titles, which, whilst still narratives, tell the stories of real life people.

Coming To England: An Autobiography - Floella Benjamin

Although open and honest about the difficult experiences of a child moving to a new country, this book is written in such a simple way that it is very accessible for young readers - I'd recommend it for emotionally ready year 3 children and upwards. It is fairly hard-hitting - younger readers will definitely benefit from being able to discuss their reading with an adult - but is a great gateway to helping children understand how others feel when they arrive in a strange place where they experience prejudice and hardship. Given that this is a live issue for the UK it is important that children up and down the country understand as they help their new classmates to settle in.

Dear World - Bana Alabed

Another autobiography, this time written by then 8 year old Syrian Bana Alabed. Whilst still in Syria and experiencing firsthand the terrors of civil war in Aleppo Bana took to Twitter in order to share her story - her first tweet read 'I need peace'. As with 'Coming To England' this book is written in a simple way making it accessible to children the same age as Bana and upwards. It is a truly moving account - I admit to crying several times - and is the book I remember more than any others when I consider what I can do to help those fleeing such crises. People who seek refuge in the UK need to be welcomed by open arms, especially the children, and it is books like this that will help our children to resist the racist rhetoric that can be so pervasive and instead show kindness to those who are fleeing their homes.

Malala Yousafzai - Claire Throp

Presented in the usual non-fiction format that you'd typically find in a school library this informative book tells Malala's life story. It's both eye-opening and inspiring, and whilst being an obvious heroine for Muslims and girls there is encouragement to all our young people in the account of Malala's life. As with the previous two books, this volume explains carefully another reason why people might leaving their country in search of another life - to learn about the prejudice and oppression Malala faced from the Taliban in her own country should prompt children to assess their own attitudes towards women and minority groups.

And now for some fiction:

The Kites Are Flying! - Michael Murpurgo

Set in the West Bank this short story explores how Jewish and Palestinian children live in the shadow of the wall and the war that divides them. Contains such a tingle down the spine moment that this is absolutely essential reading. This is a story that will begin to give children an idea of the unrest that goes on overseas, as well as an idea of how this affects children such as themselves. This is 'The Kite Runner' for children.

Skeleton Tree - Kim Ventrella

Death. A tricky, tricky subject for children's books. From my review: "Ventrella cleverly explores the very real experience of how mixed emotions come into play during the loss of a loved one. The skeleton is funny (there are laugh-out-loud moments) and he brings some light relief to what is otherwise a very sad story... The book may help some children to explore the emotions felt during a bereavement."

The Light Jar - Lisa Thompson

This book tackles a rare subject in children's literature: domestic abuse. From my review: "'The Light Jar' is a book that digs deep into human emotion, validating the gamut of thoughts and feelings that children the world over will feel on a day-to-day basis. And with all the current news of young people's mental health issues, books like these are crucial in normalising and validating the responses our children have to difficult life circumstances; 'The Light Jar' will provide illumination in the darkness of some of its readers' lives."

Sky Song - Abi Elphinstone

From my review: "Sky Song is an important lesson in why tribalism, whilst comfortable, will not save the day - a political message that might give children a starting point to thinking about what their role on the world stage might be. Flint's character provides hope that people can change their ideological views in order to become more mindful of others. The character of his sister Blu, based on Elphinstone's own relative who has Down's Syndrome, is also a possible discussion starter for readers to explore and change their thoughts about those with genetic disorders and resulting learning difficulties."

The Wonderling - Mira Bartok

The Wonderling is an Oliver Twist-style adventure with, er... a twist. It is set in a world inhabited by humans, animals and humanoid mixed-breed creatures - foundlings - who are despised by the others. It focuses on the adventures of one such orphan foundling as he escapes the workhouse in order to discover who he really is. This book is a great starting point for empathising with children of the Victorian era who suffered in poverty but it also has modern parallels to children still living in similar situations all over the world.

How To Bee - Bren MacDibble

This difficult yet compelling read is a great dystopian exploration of the gap that exists between rich and poor and as such would be a good way to help children feel empathy for children and adults les fortunate than themselves. From my review: "The subject of domestic abuse – both physical and emotional, towards adults and children – makes this a tough read in places, particularly for the aforementioned age bracket. I would suggest that this book is better suited to teenage readers for this reason."

The Phantom Lollipop Man - Pamela Butchart

From my review: "Despite this looking like a funny book, it actually tackles quite a serious subject matter – so much so that I actually almost had a little cry at the end... It ends up as an exploration of loneliness and old age and is a gentle reminder to any reader to value all members of society, especially those at risk of becoming marginalised. This aspect of the book makes it fully rounded and a perfect read for anyone in lower key stage two..."

The Fox Girl And The White Gazelle - Victoria Williamson

Featuring a Syrian refugee and a girl experiencing severe domestic issues this book is a must-read for upper key stage two children. From my review: "This is a book that I wish every child would read. Politically and socially our children need to be living the out the story in this book if the world is going to have any sort of peaceful future. The book's dual message that differences ought to be celebrated and common ground should be sought is too important for this generation to miss out on. Books such as this are a safe space in which to explore the everyday issues that children might face - we must get these books into their hands."

The Mystery Of The Colour Thief - Ewa Jozefkowich

This is book about how a child deals with the illness of a parent. It also features a positive-thinking wheelchair user and a whole lot of kindness and hope. From my review: "In this beautifully-written story debut author Ewa Jozefkowicz deftly explores issues that young children may well come up against in real life. 'The Mystery of the Colour Thief' will bring comfort to those with similar experiences to those portrayed and will help those who haven't to be that little bit more understanding of those who have."

Illegal - Eoin Colfer, Andrew Donkin and Giovanni Rigano

As Andrew Donkin explains in his guest blog post for me: "We wanted to show our readers the situations that Ebo and Kwame find themselves in and invite our readers to imagine how the brothers might be feeling. We wanted to ask our readers to empathise with them and to imagine how they would feel in their place." From my review: "Rather than seeking to cash in, as the media did for a while, Eoin Colfer, Andrew Donkin and Giovanni Rigano seek to humanise the stories from the news reports. Human beings respond well to narratives and by telling the story of Ebo and Kwame, two brothers attempting to make it from Africa to Europe, the creators of 'Illegal' succeed in making real two of the nameless, faceless victims of whom we read in our newspapers."

Max and the Millions - Ross Montgomery

From my review: "Max loves making models; he’s also deaf. This representation of a ‘minority group’ is important in children’s literature. Montgomery writes sensitively and convincingly about the trials a deaf child might face making this an important lesson in empathy for young readers... [children will] be caused to think about how first impressions don’t always count, how kindness and selflessness are key characteristics to develop in oneself and how forgiveness is an essential ingredient for peace and friendship."