Book Review: 'Max and the Millions' By Ross Montgomery

As with all good children’s books these days, this isn’t just a straight yarn. ‘Max and the Millions’ by Ross Montgomery begins by introducing one of the unlikely heroes of the story - a school caretaker with more than just a knack for building intricate models of anything and everything. Next we meet Mr Pitt the typically unlikeable headmaster. And then we encounter the story’s other (full-size) hero: Max, who is hiding in a cupboard. Max loves making models; he’s also deaf. This representation of a ‘minority group’ is important in children’s literature. Montgomery writes sensitively and convincingly about the trials a deaf child might face making this an important lesson in empathy for young readers.

Although this is a story about how a warring society of magically created microscopic people are rescued by a seemingly improbable pair of pre-teen boys and a hoard of pony-obsessed 5 year old girls on a sugar-bender, it is also a story about friendship, fitting in, integrity and small things mattering. Whilst Lower Key Stage 2 children will enjoy the miniature adventures of King Luke and his trusty flea as he fights the Bin King and the Red Queen, they will also be caused to think about how first impressions don’t always count, how kindness and selflessness are key characteristics to develop in oneself and how forgiveness is an essential ingredient for peace and friendship.

The story’s absolute highlight comes when (slight spoiler alert) the tiny Luke becomes king of the united people of The Floor (the minute kingdom the small people inhabit). The power goes to his head and, despite his friend Ivy’s warnings, he forgets the golden rule: do unto others as you would have them do unto you with disastrous consequences. Even if no other part of the book is used as a talking point between adults and children, this part should be; it opens up a safe space in which to discuss politics and has parallels to current situations that are playing out on the world stage. The headmaster’s despotic antics throughout the book also provide opportunities to discuss similar issues.

This well-written book is a great choice for parents and teachers of children who have expressed interest in world affairs but who might be too young to fully understand the complexities and unpleasant details of the situations. It’s also recommended for fans of stories such as Terry Pratchett’s The Carpet People stories – those young but capable readers who are quite at home in stories with impossibly fantastical settings.

From the @BradResearchSch Blog: 9 Things You Didn’t Know About Being A Fluent Reader

My latest blog post for Bradford Research School takes a look at what's going on behind the scenes when someone is reading fluently. In it I suggest that there are 9 things teachers might not consider when teaching and assessing fluency in children's reading. Each of the 9 points is a development of information provided in the EEF's 'Improving Literacy in Key Stage 2' guidance report. The 9 points are as follows, but you'll have to click through to the Bradford Research School blog to find out a little bit more:

1. Decoding and sight recognition both have a part to play
2. There are no quick ways to develop reading fluency
3. The more you read, the more fluent you’ll be
4. You’re not a fluent reader unless you understand what you read
5. In order to read fluently you have to find and infer information
6. Fluent readers bring more to the text than they realise
7. A good vocabulary unlocks fluency
8. Fluency can be modelled
9. Scarborough’s Reading Rope can be used diagnostically

Click here to read the whole article: https://bradford.researchschool.org.uk/2018/03/03/being-fluent-reader/

Revealed: Read For Empathy Guide from EmpathyLab

Those of you who've been reading my blog and interacting with me on Twitter will know my passion for the transformative power of books. One particularly powerful aspect of books is there ability to develop empathy in the reader.

The new Read For Empathy Guide from EmpathyLab is introduced with these brilliant paragraphs:

"Empathy is a human super-power which helps us all understand each other better. It is also an essential social and emotional skill, crucial if children are to thrive.

"We’re not born with a fixed quantity of empathy – it’s a skill we can learn. Excitingly, new research shows that books are a powerful tool to develop it, because in identifying with book characters, children learn to see things from other points of view. So when you read with children you can build their empathy skills at the same time."

At this year's Reading Rocks conference I ran a workshop entitled 'The More-Ness Of Reading' (click the link for a blog version of it) in which the attendees and I explored how books can help us to become more empathetic. I've also written several blog posts on the matter:

Changing Hearts, Minds, Lives and the Future: Reading With Children for Empathy

6 Books That Encourage Children To #ReadForEmpathy

The Best RE Lesson I Ever Taught (Spoiler: It Was A Reading Lesson)

Many of my book reviews focus in on ways that children's books might be used in the classroom to encourage children to develop empathy:

'The Goldfish Boy' by Lisa Thompson

'Cogheart' by Peter Bunzl

'Here We Are' by Oliver Jeffers

'The Skeleton Tree' by Kim Ventrella

'All The Things That Could Go Wrong' by Stewart Foster

(click here for more)

I'm something of a fan of reading for empathy. So I was excited to find that EmpathyLab have published in their guide a list of 30 books to build children’s empathy and all in good time for Empathy Day on 12th June - we teachers and parents can get reading the selection of books now in time for then.

So far, of this list, I've only read 'Grandad’s Island' by Benji Davies, 'My Name is Not Refugee' by Kate Milner, 'Can I Join your Club?' by John Kelly and illustrated by Steph Laberis and 'The Island at the End of Everything' by Kiran Millwood Hargrave although there are a few there I've had my eye on for a while. With having read only 4 out of the 30 so far I've got a lot to be getting on with. I think I will make it my aim to read all the picture books first - hopefully my excellent local library will have them in.

The guide itself contains mini reviews of each of the books, all of which give an idea of how the book might support the development of empathy. The books which have been chosen explore themes of displacement and migration, experiencing and managing emotions and facing challenging circumstances, such as deafness, autism or bereavement.

EmpathyLab Founder Miranda McKearney OBE says: "It’s time to make far more systematic use of books’ power to tackle society’s empathy deficit. This 2018 Read for Empathy Guide is part of an empathy movement to help us understand each other better. We’re seriously delighted to be working with authors, publishers and Peters to launch it in the run up to Empathy Day on 12 June."

Have you read any of the selected books? How would you use them with children to develop empathy?

Which of the selected books are you particularly looking forward to?

I look forward to hearing from you!

How To Use Questioning When Teaching Inference-Making

In my last blog post on inference-making (Questions To Ask When Teaching Inference-Making) I provided lots of questions which might support inference-making, along with some suggested answer structures for teachers and children to use when answering inference questions. In this blog post we will look at how these questions can be used wisely in lessons so that children's inference-making skills are developed.

Anne Kispal, in her literature review entitled 'Effective Teaching of Inference Skills for Reading', writes: "Underpinning the research reviewed is the assumption that pupils must be explicitly taught the skills they need for comprehension. They cannot be left to pick them up through simple exposure to texts, or through the natural process of maturation." (page 24) It is clear that we should teach children the strategies they need in order to be able to understand what they read - the strategy we are concerned with explicitly teaching here is inference-making.

The questions I shared previously should be used carefully - they are not solely for use in a written comprehension activity which children complete independently. They should also be modelled, discussed, answered orally and asked about aurally-presented texts as well as read texts.

Before we get into the nitty-gritty of the why, I propose a sequence (flexible, of course) to help use inference questions in the most effective way:

1. Teacher reads aloud a part of the text
2. Teacher allows children to read the same part of the text
3. Teacher provides a summary of the text
4. Teacher models inference-making (which might include clarifying word meanings, locating specific information and discussing necessary prior/background knowledge)
5. Teacher provides a second summary of the text which takes what has been inferred into consideration
6. Teacher reads aloud next part of the text
7. Children read next part of the text themselves
8. Children summarise text
9. Children answer inference questions (and any supporting vocabulary, retrieval and background knowledge questions, this could be a written task, or an oral one)
10. Children summarise text a second time taking into consideration what has been inferred
11. Teacher models answers and, if written, children edit their work to improve their answers

Now let's see a break down of why it might be a good idea to roughly follow this sequence when using the inference questions:

1. Teacher reads aloud a part of the text

On the Reading Rockets website (a great and accessible online resource) Judith Gold and Akimi Gibson provide an excellent summary of the research on reading aloud:

"Reading aloud is the foundation for literacy development. It is the single most important activity for reading success (Bredekamp, Copple, & Neuman, 2000). It provides children with a demonstration of phrased, fluent reading (Fountas & Pinnell, 1996). It reveals the rewards of reading, and develops the listener's interest in books and desire to be a reader (Mooney, 1990)."

Whether or not you have the children reading along with you is another matter; David Didau, in his blog post 'The Problem With 'Reading Along'', proposes that we don't because the act of listening and reading at the same time can overload the working memory and hinder comprehension of the text. If that is true, then the next step is an important replacement for children reading along.

Note: during this read-through it is best not to stop reading to ask too many questions. Although Kispal summarises that teachers should "practise inferential questions on aurally presented texts" she also provides these cautionary notes on questioning:

• not to interrupt pupils by asking questions during reading time
• not to launch into questioning too soon afterwards. The teacher must allow time for consolidation of what has been read as a mental representation
• practise inferential questions on aurally presented texts

(page 38)

With the first bullet point above in mind Kispal also reports that "the only condition that was found [by Hannon and Daneman (1998)] to significantly encourage inferencing was that of integrating questions into the text combined with allowing longer reading time" (this was in a study of university students rather than young children).

(page 42)

2. Teacher allows children to read the same part of the text

An end goal of reading instruction is to ensure that children can independently decode and understand something. Once the reading has been modelled it is a good idea for children then to have a go themselves in preparation for times when they won't have an adult to read for them. Typically we might ask children to do this in silence, but this isn't the only way. Re-reading aloud to a partner or to themselves has added benefits.

The Key Stage 2 Literacy Guidance Report from the EEF mentions that one way to improve fluency is for children to read aloud the same text that they have just had read to them. It also summarises research that shows that "a fluent reading style supports comprehension because pupils’ limited cognitive resources are freed from focusing on word recognition and can be redirected towards comprehending the text." (page 11)

If re-reading a text develops fluency and fluency supports comprehension of the text then that is definitely something we should be building in to our reading lessons. This time spent re-reading also allows children to consolidate what they have heard and read (see Kispal's cautionary notes above).

3. Teacher provides a summary of the text

In his book 'Reading Comprehension: Assisting Children with Learning Difficulties' Gary Wooley outlines how mental models, or representations, are created by the reader:

"While reading, skilled readers normally develop a text-based model, which is a mental representation of the actual text discourse. The text-based model incorporates propositions extracted from the reading of successive sentences that are sometimes supplemented by inferences that are necessary to make the text more coherent."

I suggest that before a teacher models the inference-making that will lead to the creation of a more complex situation model (more on this in step 5) they should model a summary of the text to help children who have not developed a sufficient enough text-based model from which to begin to draw inferences. Providing summaries of the text for children is known to be a useful strategy to help EAL learners and so might they be for others learning reading comprehension strategies.

4. Teacher models inference-making

Kispal writes that "teacher modelling is regarded as the first step in training children to ask and answer questions of this type of themselves... Teachers should attempt to find texts rich in inferencing possibilities and to have in mind which inferences they will elicit in discussion."
(page 30)

The literature review then goes on to suggest that to show inference-making in use teachers should "model inferencing by asking relevant questions aloud and answering them" and that they should "think thoughts aloud to show how teacher arrives at an inference." 
(page 51)

Inference-making relies on the reader having done other things with the text such as clarifying word meanings, locating specific information and discussing necessary prior/background knowledge so these processes may need to be modelled also. When considering the activation of prior knowledge Kispal's review of research makes the following suggestions to take into consideration when discussing questions:

• pupils generate initial associations 
• they discuss and clarify their collective knowledge 
• they reformulate knowledge, clarifying what they now know as a result of discussion

(page 39)

According to Kispal's review of literature, whilst modelling and discussing inference-making teachers should ask "questions about relationships between characters, goals and motivations" and ask "questions that foster comprehension monitoring, such as Is there information that doesn’t agree with what I already know? Are there any ideas that don’t fit together (because of contradictions, ambiguous referents, misleading topic shifts)? Is there any information missing or not clearly explained?" Teachers should always be asking "‘How do you know?’ whenever an inference is generated in discussion of a text." Teachers can also "show examples of how all types of questions can be derived from a text" using the question words (i.e. who, ‘when, why).
(page 38)

Questions that can be used to support systematic and structured teaching of the wide variety of inferences can be downloaded here: https://www.tes.com/teaching-resource/questions-to-support-inference-making-11825987

5. Teacher provides a second summary of the text which takes what has been inferred into consideration

In point 3 we looked at how teachers might share a summary of the text for the purpose of aiding the development of a text-based model. Once a text-based model has been created, and further inferences have been made, a situation model can then be developed.

In his book 'Reading Comprehension: Assisting Children with Learning Difficulties' Gary Wooley outlines how situation models (a kind of mental model or representation) are created by the reader:

"In contrast [to text-based models], situation models include elaborative inferences that integrate prior knowledge with text-based information.teacher modelling is regarded as the first step in training children to ask and answer questions of this type of themselves.

"Thus, the construction of a situation model is a dynamic constructive process that is determined by the interaction of the reader, the text structures, and the semantic content. 

"In constructing a situation model the reader is required to search for coherence at the local and global levels and to infer meanings that are often implied by drawing from their existing background knowledge. While doing this, the reader actively constructs the situation model by using information within the text and also information from stored prior knowledge. Thus, the main difference between text-based and the situation model is assumed to be one of inference making, the text-based model is inferentially light while the situation model is inferentially dense." 

It seems important to reassess the mental models that are created after making new inferences from the text.

6. Teacher reads aloud next part of the text

See point 1

7. Children read next part of the text themselves

See point 2

8. Children summarise text

See point 3. Children, having had this modelled to them, have a chance to practise their own summary to aid their text-based mental model before they answer any inference questions. This could be done in writing or verbally.

9. Children answer inference questions

This could be with support, without support, in pairs, independently, as a group, as a written task or as an oral task. Children may also need to understand the vocabulary used in the text, retrieve information from the text and link their background knowledge to the text - this could be done through discussion or by a structured sequence of questions (see my idea of scaffolding inference).

Kispal summarises that paired or group work allows pupils share the thought processes that led them to make inferences and that the younger the children, the more aural work they should undertake.

(page 51)

Kispal also writes that research on inference-making suggests that we should "train pupils to acquire the habit of asking themselves why-questions occasionally while they are reading, as these are most supportive of understanding". Another suggested strategy is to ask "pupils [to] generate questions using these question words [who, when, why etc] from a text and group members answer."

(page 38)

10. Children summarise text a second time taking into consideration what has been inferred

See point 5. Children, having had this modelled to them, have a chance to practise their own summary to aid their mental situation model once they have answered the inference questions. This could be done in writing or verbally.

Summary

Whilst structures like the one I've suggested can be useful, it is only there as a suggestion and will need to be adapted according to need. Having said that, this sequence takes into account many research-based practices which aid in the teaching of inference-making and therefore should be a good solid starting point for reading lessons that focus on inference-making (and probably other reading comprehension strategies). Use with discretion not because I said so!

For an example of how this might work with a real class novel, please see my planning for the first 10 chapters of 'My Dad's A Birdman' by David Almond. 5 whole lessons are focused on making inferences about characters' motives and a further 5 lessons focus on making inferences about characters' feelings. In the teachers notes I have not included information about the text summaries but every other part of the sequence is detailed.

If you would like Aidan to work with you on developing reading at your school, please visit his website at https://www.aidansevers.com/services and get in touch via the contact details that can be found there.

Questions To Ask When Teaching Inference-Making

This blog post is now available at my new blog: 

https://www.aidansevers.com/post/questions-to-ask-when-teaching-inference-making

If you would like Aidan to work with you on developing reading at your school, please visit his website at https://www.aidansevers.com/services and get in touch via the contact details that can be found there.

Reading Comprehension: A Structured Way Of Teaching Inference-Making

Following on from my blog post entitled 'Research Findings: Are There Different Skills Within Inference?' this blog post provides practical advice about how inference-making might be taught in a structured and simple way. If you are interested in the research base for what I put forward in this blog post then do read 'Research Findings: Are There Different Skills Within Inference?' first. 

Based on my reading of research, and on my analysis of my own experience of teaching inference-making, I put forward that when we make inferences we are thinking about why things are or are not so. To break that down I also suggest that:

• Inference-making can revolve around actions such as what is (or is not) said, done, thought, felt, believed, perceived and so on. Inference-making is also about why, how, when and where these actions take place. These action-based inferences might pertain to actions in the past or the present, or to intended actions.
• Inference-making might also involve events (or happenings, or occurrences) such as what happens or does not happen. Inference-making is also about why, how, when and where these occurrences take place. There are obvious crossovers here with how the actions of a story's characters, or a text's subject, influence events. Making inferences about events might focus more on things that happen with or without human influence e.g. as a result of natural processes or a sequence of other events.
• Thirdly, inference-making might be about the state of things. These inferences might refer more to inert, insentient things such as places, buildings and objects and could focus on why things are as they are, what they are, how they came to be and where they are. In a way, Class 8: Instantiation of Noun (see my previous blog post) is actually an example of this. Using the same example, and posing is as a question that a reader might ask themselves: What is breakfast? It is bacon and eggs. In the same way Class 1: Referential is an example of making an inference about a thing's state: What is it? It is a fork.

If at least the majority of inferences that we make whilst reading revolve around a verb, including forms of the verb 'to be', then we have a sensible starting point to teaching inference-making. There may be disagreement about whether or not inference can be learned, but what is certain is that it can be modelled by teachers and practised by children in simple comprehension lessons where questions are posed and answered. Since much of reading instruction follows this process it would make sense to be a little more deliberate about teaching inference-making, especially as it is not always easy to do - the very nature of it means that information is not always explicit and takes more finding.

Reading lessons involving comprehension questions, I'd be willing to bet, often follow one of the two patterns:

• a sequence of questions that naturally arise from the text, usually a mixture of different reading skills
• a more deliberate set of questions that aim to allow children to practise a specific set of reading skills

These are fine if your aim is for children to have a complete understanding of a piece of text, or if you are giving children the chance to practise a range of skills after they've had specific skills teaching. What I suggest, at least for lessons where you intend to teach reading skills, is that individual skills are modelled by the teacher and practised by the children. If, for example, you wanted children to get better at making inferences you would model inference-making and then make provision for children to practise inference-making.

But, even this presents a problem: not all inferences are the same. A teacher might model an inference about why something happened and then give children practise questions about how someone feels. This won't allow a child to practise particular skills; only children who are already very skilled in making inferences will be able to answer them and in this case the child would need some more challenging work.

Children will probably benefit best from having the chance to practise specific inferences based on the different types of inference-making listed above. If teachers can provide questions that are of a similar structure, and provide structures for the answers too, then children who are at the learning stage of inference-making might have a better of chance of being able to make inferences whenever they are reading.

If you would like Aidan to work with you on developing reading at your school, please visit his website at https://www.aidansevers.com/services and get in touch via the contact details that can be found there.

This blog post is the second in a series of three:

Part 1: Research Findings: Are There Different Skills Within Inference?
Part 3: Questions To Ask When Teaching Inference-Making

See also:

Scaffolding Inference - my blog post about how first asking vocabulary and retrieval questions can guide children towards answering inference questions.

Research Findings: Are There Different Skills Within Inference?

In her literature review 'Effective Teaching of Inference Skills for Reading' (https://files.eric.ed.gov/fulltext/ED501868.pdf) Anne Kispal asks are there different skills within inference? and goes on to define and exemplify the most frequently cited inference types:

Coherence inferences maintain textual integrity. For example, in the sentence 'Peter begged his mother to let him go to the party', the reader would have to realise that the pronouns ‘his’ and ‘him’ refer to Peter to fully understand the meaning.

Elaborative inferences enrich the mental representation of the text, e.g: 'Katy dropped the vase. She ran for the dustpan and brush to sweep up the pieces'. The reader would have to draw upon life experience and general knowledge to realise that the vase broke to supply the connection between these sentences.

Local inferences create a coherent representation at the local level of sentences and paragraphs. This class of inferences includes:

1. coherence inferences (described above).
2. “case structure role assignments”, e.g. Dan stood his bike against the tree. The reader needs to realise that the tree is assigned to a location role.
3. some “antecedent causal” inferences, e.g. He rushed off, leaving his bike unchained. The reader would need to infer that Dan was in a hurry and left his bicycle vulnerable to theft.

Global inferences create a coherent representation covering the whole text. The reader needs to infer overarching ideas about the theme, main point or moral of a text by drawing on local pieces of information (thus supporting my theory that one must be able to make inferences before trying to summarise a piece of text).

In 'Constructing Inferences During Narrative Text Comprehension' Graesser, Singer and Trabasso identify 13 classes of inference:

In all but two (or three) of the inferences in the right-hand column it is interesting to note that each class of inference contains a verb, and therefore is concerned with something being so. We might assume that most inferences are about action, state or occurrence.

The two (or three) classes of inference which appear not be concerned with something being so (or are not about action, state or occurrence) is Class 1: Referential, Class 8: Instantiation of Noun Category and potentially Class 5: Thematic.

These thirteen classes can be linked to Kispal's summary of the most frequently cited inference types:

"The order in which the inference classes are listed in Table 1 is not altogether arbitrary. Inference classes 1, 2, and 3 are needed to establish local coherence, whereas inference classes 3 and 4 are critical for establishing explanations. Classes 4,5, and 6 are important for establishing global coherence. Classes 7 through 11 are elaborative inferences that are not needed for establishing coherent explanatory meaning representations. Classes 12 and 13 address the pragmatic communicative exchange between reader and author." (Graesser, Singer and Trabasso, 1994)

Whilst the authors state that "these classes do not exhaust all of the potential inferences during comprehension" they provide a very good starting point to thinking about teaching inference-making at a primary level.

So, by and large, when we make inferences we are thinking about why things are or are not so.

If you would like Aidan to work with you on developing reading at your school, please visit his website at https://www.aidansevers.com/services and get in touch via the contact details that can be found there.

This blog post is the second in a series of three:

Part 2: Reading Comprehension: A Structured Way Of Teaching Inference-Making
Part 3: Questions To Ask When Teaching Inference-Making

See also:

Scaffolding Inference - my blog post about how first asking vocabulary and retrieval questions can guide children towards answering inference questions.

Book Review: 'Night Speakers: Sleepless' by Ali Sparkes

The Breakfast Club meets The Rest Of Us Just Live Here, but for a slightly younger audience. An unlikely trio of youngsters are drawn together by a mysterious commonality: they all wake up at exactly 1:34 am every night. Something strange is going on, and they're desperate to discover exactly what. Together, meeting secretly in the dead of night whenever they can, they are drawn into an adventure as supernatural elements of the world around them are revealed.

A heady mix of the regular teenager's everyday struggles - problems with parents, troubles at school, awkward friendships - and ancient superstitions, beliefs and beings, Night Speakers: Sleepless is an incredibly moreish book. Ali Sparkes expertly tantalises the reader with a gradual release of information that often allows the reader to feel like they are just one tiny step ahead of the book's protagonists. Sparkes lets the reader believe the reality of what is happening before the characters do, making for a very satisfying read. Although this is true, there is enough suspense left too - not every event can be expected; a perfect mixture from a skilful author.

The beauty of nature is brought alongside the clamour of urban life as the three young people discover they have powers and abilities which allow them to communicate with nature. Although pegged as appealing to animal lovers, this is not your typical animal story. In fact, the fauna concerned in this story act quite as they should where other books might have had them too anthropomorphised; this treatment of the animals in the story makes for an almost believable fantasy. 

With the classroom in mind, Night Speakers: Sleepless would be a fantastic book for character study, setting description and creating tension. There are excellent passages which would stand alone as short texts for a variety of different teaching purposes. Year 6, 7 and 8 children and their teachers would enjoy making comparisons between this and other fantasy adventures set in the real world.

A hugely climactic, cinematic ending brings brief calm before a nosedive into an unsettling cliffhanger as the book's surprise fourth main character speaks menacingly, suggesting that the business of this book, the first in a series of five, is not yet done. Sparkes has certainly created an intriguing enough world for the follow-up tome to be highly anticipated by readers of Night Speakers: Sleepless.

Book Review: 'Make Me Awesome' by Ben Davis

In this hilarious send up of self-help guides and larger-than-life celebrity life coaches Ben Davis introduces Freddie, gamer and son of a failed antiques dealer, and Chuck Willard, 'inspirer and giver of dreams'.

Things aren’t going too well for Freddie Smallhouse. His dad left his successful job to set up his own business which failed and now they’re living at Uncle Barry’s but he’s about to kick them out. Freddie enrols on Chuck’s Complete Road To Awesomeness programme and sets about trying to make the family’s fortune. One failure after another doesn’t perturb our hero, not when he’s got Chuck’s AWESOME tips and advice to hand.

In this laugh-out-loud tall tale Freddie learns about friendship, integrity and true success as he muddles his way through his response to his dad’s despondency. Amongst the hilarity (the headteacher is called Mr. Bümfacé – pronounced ‘Boomfachay’) there’s a really touching story of how a not-quite-yet teenager might try crazy things in an attempt to deal with a difficult home situation.

‘Make Me Awesome’ is an easy read yet the age of the protagonist (he’s at secondary school), and a couple of the jokes (reference to the rude channels on TV and perverts, for example), mean that this would be really suitable for reluctant KS3 readers as well as KS2 children. With better, slightly more sophisticated jokes than a David Walliams and more plausibility than a Diary of a Wimpy Kid book, ‘Make Me Awesome’ will go down very well with those children looking for a funny, quick read.

Book Review: 'The Light Jar' by Lisa Thompson

Very early on you know something is not right - the nighttime escape with hastily packed bags, the feverish glances in the rear view mirror; Nate's mum's paranoia seeps through the pages. And as soon as you hear of Nate's dad leaving and mum's new man Gary you marvel at Lisa Thompson's bravery: tackling a subject like domestic abuse in a story aimed at 9 to 12 year olds? But she does it so beautifully. And it is important that she does - books should tell all stories.

Once again displaying her knack for weaving intriguing mystery into a story about terrible real life events - one that still has many blindingly bright and brilliant moments - Lisa Thompson leaves the reader in a quandary: they want to know more, but they're scared of what they might discover. Where has mum gone? Why did they leave home in the dead of night and turn up to this decrepit cottage? Why does Kitty avoid her own home? These questions and more make 'The Light Jar' a one-sitting type of book - the urge to read on and on is overpowering.

Brimming with clever imagery and metaphors 'The Light Jar' will get minds young and old alike thinking about the significance of Nate's favourite book, of the chicken and the light jar and the magic fortune telling ball toy. Readers will experience the satisfaction of solving the mystery of Nate's new friend Kitty's treasure and will be left wondering just how real Sam and his friends are. This finely-crafted multi-dimensional story will introduce children to the necessity (and joy) of flicking back through previously-read pages to put the pieces of the puzzle together.

'The Light Jar' is a book that digs deep into human emotion, validating the gamut of thoughts and feelings that children the world over will feel on a day-to-day basis. And with all the current news of young people's mental health issues, books like these are crucial in normalising and validating the responses our children have to difficult life circumstances; 'The Light Jar' will provide illumination in the darkness of some of its readers' lives.

Serious, uplifting, mysterious: a combination I've not found served up quite like this before. 'The Light Jar' is a special book and is certainly a must read for 2018. I can confidently say that not much will top it this year.

'The Light Jar' was published in paperback on 4th January 2018 by Scholastic (9781407171289 £6.99)

I'm Sorry I Haven't A Clue: Oracy Games For The Classroom

Hello and welcome to another blog post on thatboycanteach.blogspot.com, the blog that has done for teachers 'what being hit repeatedly on the head with a large croquet mallet does for small frogs... or so I'm told'. You join me here today as I consider what teachers can learn from the long-running BBC Radio 4 panel game 'I'm Sorry I Haven't A Clue'.

Whilst the chairman always introduces the teams as being given silly things to do, the entertainment is usually derived from witty and clever wordplay which demonstrate the competitors' mastery of the English language. Both the EEF's KS1 and KS2 literacy guidance reports have the development of pupils' speaking and listening skills (or oracy skills) as their first recommendation - in the KS2 document the emphasis is on developing pupils' language capability.

The KS2 guidance specifically mentions the benefit of collaborative approaches to improving oracy skills:

The impact of collaborative approaches on learning is consistently positive, but it does vary so it is important to get the detail right. Effective collaborative learning requires much more than just sitting pupils together and asking them to collaborate; structured approaches with well-designed tasks lead to the greatest learning gains. Effective collaboration does not happen automatically so pupils will need support and practice. Approaches that promote talk and interaction between learners tend to result in the best gains. The following should be considered when using a collaborative learning approach:

• Tasks need to be designed carefully so that working together is effective and efficient, otherwise some pupils will try to work on their own. 

• Competition between groups can be used to support pupils in working together more effectively within their group, though over-use of competition can focus learners on the competition rather than succeeding in their learning, so it must be used cautiously. 

• It is particularly important to encourage lower achieving pupils to talk and articulate their thinking in collaborative tasks, as they may contribute less.

•  Professional development may be needed to support the effective use of these strategies.

Now obviously the games that the participants play on ISIHAC aren't research-based but if we apply the principles above, and pay heed to the warnings too, we should be able to use some of them to promote a collaborative approach to improving oracy skills, and as a result improve reading and writing skills as well.

Without further ado, the games:

Ad-Lib Poetry: The teacher (or another child) reads or invents a line of poetry. Children than take it in turns to continue the poem, one line at a time. The focus could be on rhyming words, adjectives, synonyms or telling a story. This game does not have a strong competitive element.

Cheddar Gorge:  Children all start with 10 points. By taking it in turns to say a word each, children should aim not to be the one who completes a sentence. If the word they say finishes a complete and grammatically correct sentence they lose a point. The main tactic is to try to force the next person to complete the sentence. This game has a focus on correct grammar and syntax and might help children to assess whether or not a sentence has been completed. Teachers could record the sentences and model correct punctuation. As an extension to this children could be permitted to name a punctuation mark instead of giving  a word - this would allow for the inclusion of parenthesis and other clauses.

Compressed Works: Children give brief synopses of films and books whilst other children guess the title. Similar to this is Rewind where children explain the plot of a book or film as if everything happened in reverse order. This could be played in pairs, groups or as a whole class and gives children the opportunity to practise summarisation - an important and often difficult reading skill.

Letter Writing: Similar to Cheddar Gorge, children take it in turns to say a word, this time 'writing' as famous or historical person to another such person, usually about something they are known for. This can be played in teams with the two teams taking the roles of the two correspondents. Letter Writing could be a good game to use in history lessons or in response to the class novel with children taking on the role of the book's characters. This could be simplified for any style of writing so that children orally co-create a piece of work prior to recording it in writing. One tactic in this game is to add in conjunctions, adverbs and adjectives to prolong the sentences. Another variation is Historical Voicemail  where children suggest messages that might have been left on the answerphones and voicemails of historical figures.

Uxbridge English Dictionary: Children come up with new definitions of words based on the parts of the words. This is potentially difficult so this game might need some preparation in the form of teachers selecting words that would work well. This is a word play game which requires children to know meanings of other words, rather than the one they are redefining. A health warning exists here: it might be wise to supply true meanings as well so that children don't believe that their new definitions are correct.

What's the Question? Either the teacher or a child supplies an answer to a question. Children then have to make suggestions as to what the question could have been. Plausible or funny answers can be accepted. This game might get children thinking about cause and effect and is a great opportunity for them to ensure that their questions are succinct and linked well to the answer.

Word for Word: Children take it in turns to say a word. The aim is to say a word that has no association to the previous word. If another child can prove, however ingeniously, that the word a child say is associated with the previous word, then they gain a point. This game could develop children's vocabulary as they hear words that others know and by trying to find links children will think carefully about word meanings.

Click here to listen to examples of the show on the BBC iplayer (may not be suitable for children)

On The @TES Blog: Six Books That Chart My Reading Evolution

Another personal blog post about reading (sorry). This one was hugely enjoyable to write due to the fact that books are not just bound and covered collections of paper with words printed on them - they are intertwined with life's real events and characters. I could not have picked six books without thinking particularly of my dad and my wife as well as times and places in my life.

I hope you enjoy reading about the six books that chart my evolution as a reader; I'd love to hear about the books that you'd consider to be elementary in your growth as a lover of books.

https://www.tes.com/news/school-news/breaking-views/six-books-chart-my-teacher-a-reader-evolution

My #52Books2017 (And Why I Won't Be Doing #52Books2018)

In 2016 I accepted my first reading challenge (from @saysmiss), set myself the target of reading 50 books and proceeded to beat that target. In 2017 I decided to try for 52 - 1 a week - and set about encouraging others to do the same. So far I've read 63, with a couple of others on the go that might get finished before the year ends.

A great motivation for me has been to have a better knowledge of children's literature, as well as to be genuine in my enthusiasm for reading when teaching it to children (read more in my blog post 'Being a Reading Teacher'). However, what began in 2016 in 2017 has become an indispensable habit. Reading to my target in 2017 has been a product not of hard work but of a matter of course. I am a reader.

Having said this, my original motivation still shines through in my reading list this year - I largely read children's books. I see this as a duty but I also love them intensely.

I'm often asked for book recommendations and I happily oblige but when it comes down to making top ten lists I'm hopeless! But look at the average of ratings I've given - 4.2. Read almost anything from this list because I've more than likely enjoyed it.

In 2018 I won't be setting a challenge - after two years of challenging myself I have created a reader in myself and no longer need a challenge to continue my habit. This might mean I read fewer books, longer books, more varied books - who knows? I may just read a similar selection of books and that's OK too. But if you are looking to train yourself to become a reader, setting yourself a challenge is a good way of doing this - some on Twitter are doing #52Books2018 and on Goodreads you can set any number of books as you want.

I regret that I have not tracked the excellent picturebooks that I've read this year - this was because I felt that they shouldn't count towards my 52 (a downside of doing such a challenge). However, there are some reviews of picturebooks here in my book reviews thread: https://thatboycanteach.blogspot.co.uk/search/label/Book%20review

Now for the books I've read, loosely categorised. I have provided links to ones I've reviewed:

Young Adult

Island – David Almond
The Rest of Us Just Live Here – Patrick Ness
Northern Lights (His Dark Materials, #1) – Philip Pullman
More Than This – Patrick Ness

Middle Grade

Cogheart (The Cogheart Adventures, #1) – Peter Bunzl
Holes (Holes, #1) – Louis Sachar
Kensuke's Kingdom – Michael Morpurgo
The Girl of Ink and Stars – Kiran Millwood Hargrave
Eragon (Inheritance, #1) – Christopher Paolini
Mold and the Poison Plot – Lorraine Gregory
The Wonderling – Mira Bartok
The Light Jar – Lisa Thompson
Sky Song – Abi Elphinstone

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Stormwalker – Mike Revell
Skeleton Tree – Kim Ventrella
The End of the Sky (A Slice of the Moon #2) – Sandi Toksvig
The Kites Are Flying! - Michael Morpurgo
The Island at the End of Everything – Kiran Millwood Hargrave
All The Things That Could Go Wrong – Stewart Foster
Moonlocket (The Cogheart Adventures, #2) – Peter Bunzl
Time Travelling with a Hamster – Ross Welford
The Last Wild – Piers Torday
The Bubble Boy – Stewart Foster
It Ain't So Awful, Falafel – Firoozeh Dumas
Hitler's Canary – Sandi Toksvig
Who Let the Gods Out? (Who Let the Gods Out?, #1) – Maz Evans
The Night Spinner (Dreamsnatcher #3) – Abi Elphinstone
The Shadow Keeper (The Dreamsnatcher, #2) – Abi Elphinstone
Watership Down – Richard Adams
The Goldfish Boy – Lisa Thompson

Younger Children’s

Coming to England: An Autobiography - Floella Benjamin
Dragons at Crumbling Castle – Terry Pratchett
The Worst Witch – Jill Murphy
The Great Cat Conspiracy – Katie Davies
The Children of Noisy Village – Astrid Lindgren
The Reluctant Dragon – Kenneth Grahame
The No. 1 Car Spotter and the Car Thieves (No.1 Car Spotter, #3) - Atinuke
The Firework-Maker's Daughter – Philip Pullman

Education

What Does This Look Like In The Classroom?: Bridging The Gap Between Research And Practice – Carl Hendrick & Robin Macpherson
100 Ideas for Primary Teachers: Mindfulness in the Classroom (100 Ideas for Teachers) – Tammie Prince
Making Every Primary Lesson Count: Six Principles to Support Great Teaching and Learning – Jo Payne & Mel Scott
Hopeful Schools – Mary Myatt

Non-Fiction

Land Rover: The Story of the Car that Conquered the World – Ben Fogle
Quiet: The Power of Introverts in a World That Can't Stop Talking – Susan Cain
The Empathy Instinct: How to Create a More Civil Society – Peter Bazalgette
True Friendship – Vaughan Roberts
The Joy of Service – Julian Hardyman
Reasons to Stay Alive – Matt Haig
The Big Ego Trip – Glynn Harrison
Soldier Spy: The True Story of an Mi5 Office Risking His Life to Save Yours – Tom Marcus

Adult Fiction

Utopia – Thomas More
Go Set a Watchman – Harper Lee
Chocky – John Wyndham
Who Was Betty? – Laura Jukes
A Clockwork Orange – Anthony Burgess
Transreality – Chris Lackey
The Handmaid's Tale – Margaret Atwood
Towards the End of the Morning – Michael Frayn
The War of the Worlds – H.G. Wells
The Picture of Dorian Gray – Oscar Wilde
Rivers of London (Peter Grant, #1) – Ben Aaronovitch
The Colour Of Magic (Discworld, #1) – Terry Pratchett

So with no challenge and a huge 'to read' pile (I received quite a few books at Christmas) I look forward to next year - what will I read? What will you read?

Book Review: 'Urban Jungle' by Vicky Woodgate

Publishers Big Picture Press do not disappoint: they produce very big books full of wonderful pictures and this one by Vicky Woodgate is no exception. 'Urban Jungle' is an oversized non-fiction book which explores the fauna of the world's major cities.

Did you know that Spinybacked orbweavers can be found in Lima, Peru? Or that Milk sharks patrol the waters around Mumbai? Or that Vancouver is home to Bobcats, Coyotes, seals, bears, skunks, turtles and Rufous hummingbirds? With each turn of a page the reader encounters the surprising inhabitants of some of the world's busiest cities and surrounding urban areas. 

Each page begins with clear geographical summary of each city, a map of where in the country or continent it can be found and a plethora of stylistic animal illustrations. A particularly nice touch is the 'Animal Stories' box that can be found on each page where a particular animal is highlighted, sometimes with a funny story that made the news and often with tales of historical significance or surprising facts about the creatures.   

The book is split into sections based on continent and each part opens with a double page map - the book doesn't skimp the geography side of things. Urban Jungle definitely isn't just a book about animals; it's a brand new beast combining an Atlas with a natural history book, although it perhaps couldn't be used as either - it must be treated as something different.

With publishers pushing he boundaries of what non-fiction books look like this is an exciting time to be a child who loves to gather facts. With maps and animals being popular obsessions for primary aged children this book is sure to be a hit both at home and in the classroom and will hold up to repeat reads such is the wealth of information contained.

Book Review: 'The Elephant in the Room' by James Thorp and AngusMackinnon

This surprising and striking book appears to stand alone in today's picturebook market - there certainly aren't many books like it, illustrated in an psychedelic style reminiscent of The Beatle's Yellow Submarine film but with an even trippier colour pallete. This is a book which aesthetically stands out a mile and its eye catching design will draw children in, keen to know what this strange-looking book is all about.

Featuring a rhyming text (and a rather nice, but perhaps not always child-friendly Art Deco typeface) the story gets as bizarre as the illustrations themselves. But this bizarre story will be all too familiar to adults who, with a wry smile, will read this aloud to children and recognise the narrative: something gets broken and the culprit makes up all sorts of excuses in order to escape punishment. This story concludes however with a stronger moral message for adults as Father Giant realises that maybe he had been too busy and the accident had happened because he hadn't been with the children. It is certainly food for thought for the grown up who might be reading this to younger children.

However, subtext aside, children hearing the story and taking it face-value will laugh uproariously at its silliness and witty wordplay - lots of lovely alliteration and rhymes (rowdy cloudiness, yucky yakkiness) and made up words (squinching) will delight young minds ready to soak up new and imaginative language. They will identify with the protagonists and the feeling of guilt that comes with accidental misdemeanours and might even begin to question the folly of not telling the truth in such situations.

The Elephant in the Room, a title which bears multiple significance, is like one of those brilliant children's films which is clearly intended to entertain adults just as much as the kids. As C.S. Lewis said “A children's story that can only be enjoyed by children is not a good children's story in the slightest.”. James Thorp and Angus Mackinnon have produced a good children's story. Highly recommended.

Book Review: 'Sky Song' by Abi Elphinstone

Once you've understood the particular brand of magic (which is not believed in even by many of the inhabitants of Abi Elphinstone's new fantasy world) you'll be taken on an adventure of discovery, unity and salvation. An evil queen is taking the voices of the icy land's adult subjects (literally in the story, but this metaphor would be exciting to explore with young readers) in order to gain immortality and Eska, although initially imprisoned, must do something about it.

Sky Song capers around the fringes of what has been termed Theological Fantasy with its undertone of the importance of belief, yet Elphinstone has no religious agenda to push. It plays with concepts from Greek and Roman mythology, traditional fairy tales and some more recent literary triumphs and blends them cohesively for a younger audience, than say, His Dark Materials was intended for. 

Whilst Erkenwald definitely feels like a realm that could be further explored, Eska and her eagle companion Balapan certainly give it a good initial once-over, encountering on the way, in the manner of all good expeditions, a number of problems which they must overcome, often with the help of Flint, his puppy pebble and his sister, Blu. The animal companions and the magic ways that some of the group's problems are solved definitely aim this book squarely at 8 to 10 year olds.

But this story, like all the best books, does more than just describe an adventure. It speaks of growing up and discovering one's own capabilities, facing adversity and the importance of companionship and collaboration. Sky Song is an important lesson in why tribalism, whilst comfortable, will not save the day - a political message that might give children a starting point to thinking about what their role on the world stage might be. Flint's character provides hope that people can change their ideological views in order to become more mindful of others. The character of his sister Blu, based on Elphinstone's own relative who has Down's Syndrome, is also a possible discussion starter for readers to explore and change their thoughts about those with genetic disorders and resulting learning difficulties.

Children who were a few years ago obsessed with Frozen, or those who have recently discovered and loved the more accessible parts of Narnia, or those looking to move on from reading short myths and fairy tales will find their perfect next book in Sky Song. Fans of Abi Elphinstone's Molly Pecksniff character will find another well-rounded female lead character to follow and be inspired by. With Sky Song, Abi Elphinstone invites her young readers into a new and exciting world which will not only thrill and entertain but might set children on the path to discover more of the brilliant fantasy fiction available for advancing readers.

Scaffolding Structures for Reading Comprehension Skills

This is a very different blog post to the sort I normally write; it represents some very hypothetical thinking and the purpose of writing it is to open it up to discussion. My hypothesis is that the reading skills outlined in the English Reading Test Framework for KS2 (and KS1) might be best taught in a particular order. I also hypothesise that when teaching particular skills (represented as being higher up the model pictured) teachers can guide children through how to use other skills (lower down the model) to arrive at a better ability to practice and use the skills that are higher up the model. First of all, here's the model I've put together to which I refer:

Skills (taken from English Reading Test Framework for KS2) are listed in the order that they might best be taught. This suggested order is based on the idea that some reading skills might be required prior to developing others. The most basic skills are towards the bottom.

The inclusion of 2d (inference) may depend on the text type. For example, in many non-fiction texts there is no requirement to infer information, only to retrieve it. In these cases the 2d (inference) step/building block can be skipped.

The only reading skill from the test framework which isn’t included here is 2h (make comparisons within the text). It is possible that texts can be compared at many different levels, for example, the vocabulary used can be compared (2a), summaries of plot can be compared (2c) or structure of the text can be compared (2f). The skill of making comparisons (2h) could be seen as a ‘floating’ skill – one which could be applied in different ways alongside other reading skills.

All of the following symbols and colours refer to the Reading Roles, a system I designed to make the different skills memorable for children and teachers. Read more about the Reading Roles here: http://thatboycanteach.blogspot.co.uk/2016/12/reading-roles-cognitive-domains-made.html

2d – Inference (this one is lots of detail here: http://thatboycanteach.blogspot.co.uk/2016/10/scaffolding-inference-trialling.html)

In order for children to begin to make inferences they need to at least be able to retrieve information in the text, and before this they need to be able to understand what the words mean.

(2a)       give/explain the meaning of words in context

(2b)       retrieve and record information/identify key details from fiction and non-fiction

(2d)       make inferences from the text/explain and justify inferences with evidence from the text

2f and 2g are very interlinked as they are both about meaning – one with a focus on word and phrase choice, and one with a focus on content choice. It is possible that 2g and 2f should precede 2d in the teaching sequence but if making inferences is one way in which we take information from a text, then arguably we need that information to make meaning; we can then go on to identify and explain how that meaning is enhanced through word choice and how the content included contributes to the meaning. The fact that these skills are not included in the KS1 test framework might suggest that this is correct, and that these are more advanced skills than making inferences.

2g – Author’s purpose

(2a)       give/explain the meaning of words in context

(2b)       retrieve and record information/identify key details from fiction and non-fiction

(2d)       make inferences from the text/explain and justify inferences with evidence from the text

(2g)       identify/explain how meaning is enhanced through choice of words and phrases

2f – Language structure and choice

(2a)       give/explain the meaning of words in context

(2b)       retrieve and record information/identify key details from fiction and non-fiction

(2d)       make inferences from the text/explain and justify inferences with evidence from the text

(2g)       identify/explain how meaning is enhanced through choice of words and phrases

(2f)        identify/explain how information/narrative content is related and contributes to meaning as a whole

Once children understand word meanings, can find and infer information, explain how language has been used to communicate meaning and, as a result, can understand the meaning of a whole piece of text, then they can begin to summarise the text, or make predictions based on their understanding. It might not be necessary to summarise a text before making a prediction, and the ability to summarise a text should not rely on the ability to make predictions based on it. These two skills are both included in the KS1 test framework, but children at this stage summarise and make predictions based only on word meaning, information retrieval and inference (missing out 2f and 2g) – summaries and predictions at this stage might be at a simpler level. It is probably true that in KS2 similar summaries and predictions could be made, without paying heed to 2g and 2f.

2c - Summarising

(2a)       give/explain the meaning of words in context

(2b)       retrieve and record information/identify key details from fiction and non-fiction

(2d)       make inferences from the text/explain and justify inferences with evidence from the text

(2g)       identify/explain how meaning is enhanced through choice of words and phrases

(2f)        identify/explain how information/narrative content is related and contributes to meaning as a whole

(2c)       summarise main ideas from more than one paragraph

2e – Predicting

(2a)       give/explain the meaning of words in context

(2b)       retrieve and record information/identify key details from fiction and non-fiction

(2d)       make inferences from the text/explain and justify inferences with evidence from the text

(2g)       identify/explain how meaning is enhanced through choice of words and phrases

(2f)        identify/explain how information/narrative content is related and contributes to meaning as a whole

(2e)       predict what might happen from details stated and implied

The model suggests that an understanding of word meaning is core to all reading – this model assumes that children already have the skills of decoding, sight recognition and phonological awareness. The model only includes reading skills outlined by the test framework and does not include factors such as the necessity of activating prior background and literacy knowledge when reading.

The model also suggests that there is a hierarchy of reading skills and that children might benefit from having some reading skills taught before others.

It also suggests that when requiring a child to work on a skill which is ‘higher up’ the model that they work through a sequence of skills usage in order to initially scaffold their ability to exercise the ‘higher’ skill. For example, if requiring a child to summarise a passage, they might first answer questions about the vocabulary used, the information contained within (given both literally and inferentially) and what the authors purpose was with regards to structure and language choices.

This model focuses on the following strands of Scarborough’s reading rope: vocabulary, verbal reasoning and language structures:

I hope I have made my thinking clear in this blog post and I would really appreciate any thoughts about what I have proposed. If you can back any of your comments either with research or with case studies from experience then even better!

If you would like Aidan to work with you on developing reading at your school, please visit his website at https://www.aidansevers.com/services and get in touch via the contact details that can be found there.