Monday, 8 June 2020

Decolonising and Diversifying the Primary History Curriculum: A Journey (Part 1)

Before you read this, please consume Jeffrey Boakye's 'The long, insidious, shadows of colonialism': https://bigeducation.org/learning-from-lockdown/lfl-content/the-long-insidious-shadows-of-colonialism/

And, if you've got even longer, seek out both Akala's 'Natives' and Reni Eddo-Lodge's 'Why I'm No Longer Talking To White People About Race' who both have a little longer to convince you of why it is necessary that we decolonise the curriculum.

If you're still here, and it is OK not to be because the above articles are far more important than my own, I'd like to mull over what we might do to decolonise and diversify the primary curriculum. Writing this way is my way of thinking things through, but it may help some readers on their own journey. It may be that I get loads wrong - in this case I hope I am told I am wrong by those who know better. Hopefully, in the very least, it can be a conversation starter that moves us all on in our thinking, understanding and actions.

For the purposes of this blog post, I have set a starting point for myself of analysing the subject of History, and more specifically, British History.

In the above article Boakye says: "In education, manifestations of structural racism are both dramatic and visible. We can list them: The pervasive whiteness of our curriculum. The lack of criticality towards Britain’s colonial past. The lack of diversity in texts, narratives and voices."

What I want to consider is how we can begin to make meaningful changes to the curriculum we teach. Rewriting a whole curriculum is something that takes time and collective decisions. So, for practicality, first of all I ask, is it possible to adapt our current curriculum in order to better represent the history of BAME people and to begin to deconstruct systemic racism?

In his book 'Black and British', David Olusoga writes: "Black history is too often regarded as a segregated, ghettoized narrative that runs in its own shallow channel alongside the mainstream, only very occasionally becoming a tributary into that broader narrative. But black British history is not an optional extra. Nor is it a bolt-on addition to mainstream British history deployed only occasionally in order to add – literally – a splash of colour to favoured epochs of the national story. It is an integral and essential aspect of mainstream British history. Britain’s interactions with Africa, the role of black people within British history and the history of the empire are too significant to be marginalized, brushed under the carpet or corralled into some historical annexe."

Firstly, if we are considering adapting the curriculum, we really must be serious about avoiding the pitfalls that Olusoga outlines above:

  1. Black history cannot be optional - it must be insisted on, part of the written, set curriculum, and shouldn't be left to the whims and desires and expertise, or lack thereof, of individual teachers - it almost needs to be set in stone. Why does it have to be there? Look at the last sentence of the Olusoga quote - that's the truth.
  2. Black history should not be seen as a bolt-on - it should not just be 1 lesson in 12 which, for example, highlights a famous black person from history. This will be seen, whether consciously or sub-consciously, as paying lip service to teaching black history. Students under this curriculum will know that it means that it doesn't matter as much as the other 11 lessons.
  3. Black history can, and should be, black British history - there are more easily-accessible resources out there to teach about the American Civil Rights Movement, Rosa Parks and Martin Luther King, but we need to to do better than this. Actually, there would be no black American history if it was not for black British history - we, and other European countries, were the colonisers. The Atlantic slave trade should not be taught as disconnected from the ones who made it all happen - the British, the Spanish, the Portuguese, the French, the Dutch and the Danish. Teaching slavery as something that only happened in America in the cotton fields is dishonest.
Secondly, we must ask if teaching Black history is the same as truly decolonising the curriculum. Actually, if you take Boakye's quote from above, there is a separation between making the curriculum less 'white' and being more critical of Britain's colonial past.

Simply teaching about Mary Seacole, self-funded nurse in the Crimean War, without exploring her parentage (Scottish soldier father who was stationed by the British empire in Jamaica, Jamaican free-woman mother), and how Jamaica came to be peopled by those of African descent, may well be teaching some aspects of black history, but it is not decolonising the curriculum, or attempting at all to deconstruct systemic racism. It is hiding away inconvenient truths about Britain's not-so-great past. Truths that make us feel uncomfortable - that's if we even bother to question and find out about them in the first place.

To us white teachers, it might actually be quite scary to begin to ask the question Why are there black Britons? After all, it all sounds a bit racist to be even be focusing on the colour of their skin, or their ethnicity. It even feels sort of go-back-where-you-came-from - and most of us don't want to be racist at all.

Olusoga recounts how Stuart Hall, British-Jamaican sociologist, "explained to his British readers that the immigrants ‘are here because you were there’". If we pretend to be colour-blind then we ignore too much. He need to see ethnicity in our curriculum, and we need to interrogate and explain how the history of a black British person is deeply connected to any other aspect British history, particularly colonialism, because it inevitably will be. In carrying out this kind of investigation, both at planning stage as teachers, and with the children during lessons, we will begin to decolonise the curriculum.

But in doing that, we will only begin to decolonise the curriculum. The next step would be to call into question the actions of the British empire. I don't think I'm too naive to think that most children, when exposed to the truths of the British empire's modus operandi the world over, will quite quickly identify the injustices, cruelty and immorality.

However, children will not have the chance to identify the above if teachers do not present it to them. And teachers who have also grown up within the British education system have also fallen prey to its whitewashed curriculum and scarce mentioning of the actions of the empire and its colonists, slave traders and apologists. We teachers must educate ourselves. It won't be enough to download a powerpoint from TES about Harriet Tubman and teach through that one afternoon. We have to know so much more. In order to educate or children we must educate ourselves - I can guarantee that there are very few of us who actually know enough history to really begin to make amends - myself included.

My current action - and I believe sharing our actions is a good thing to do, even if it might seem self-centred - is to read the aforementioned David Olusoga book. Now that I am convinced of the need to see colour, and that the curriculum does need a major renovation, I know I must read incessantly to begin to learn everything that my education has so far deprived me of. As I've read I have already identified lots of interesting case studies which can be brought into the current units of work as set out by the National Curriculum. I have noted areas of the History curriculum that most schools cover which should take in significant portions of history which, if taught and critiqued, would be a good step towards providing a decolonised primary curriculum. I already have some ideas forming of how the curriculum at my school, which is by no means devoid of BAME history, can be vastly improved. I also benefit from standing at a point in time where I am currently writing unit overviews which outline the content of each session within the sequence so find myself well placed to really set things in place which ensure a better curriculum for the future.

At the outset I asked is it possible to adapt our current curriculum in order to better represent the history of BAME people and to begin to deconstruct systemic racism? I'm not sure that in the above ramblings I have actually answered that question. Instead I think I may have extracted from the writings of more knowledgeable people than I some principles that might help me as I continue on my journey to having a decolonised and diversified primary curriculum. It remains my quest to continue to learn, to think and to create in order to come closer to answering that question.

And if the answer to the questions ends up being a no? Well, then I suppose a complete rewrite is in order.

I would love to hear from any readers who have been prompted by any thoughts or questions about the primary curriculum during the reading of this, or indeed during the last few days. I know that my own musings will be hugely enhanced by some collaboration and discussion, and as mentioned at the start, I am open to criticism (although would request, if I may, that it remains constructive and is conducted in a respectful manner). Crucially, I acknowledge the fact that as a white British male, my curriculum design, even after reading books by people who know what they're talking about, might still not cut the mustard - I will need to listen to the voices of those who are most negatively affected by the current colonised curriculum. Please do speak and join with me in this journey.

Next I will most likely tackle the question if it is possible to adapt the current curriculum, in what ways would we go about doing that? in which I will hopefully be able to share some specific examples pertaining to specific units within the primary history curriculum of how the curriculum could be decolonised and diversified. In doing so I am sure that I will be able to share a great many resources that are already in existence, as well as perhaps some of my own ideas.

Wednesday, 3 June 2020

#BlackLivesMatter - A Pledge

I had a rough night last night - couldn't sleep properly. Dreams were haunted. And I knew it would be so. I went to bed with thoughts of Bunce Island (I started reading Black and British by David Olusoga), Cyntoia Brown (we watched the Netflix documentary which I've subsequently found out was not approved by her) and the lack of representative diversity in our SLT running around my head (this was the topic of conversation with my wife before we went to sleep). I was afraid to go to sleep because I knew it would be disturbed.

But, if that's all I've got to be afraid of, then I'm priviliged. This privilege is something I am aware of already, but when I compare my fears to those of people who see George Floyd being murdered by police and know that it could happen to them because of the deep-seated racism that exists at a systemic level, I have to remind myself that I can cope with a rough night.

However, it is right that I should be disrupted - this should be my burden. As a white middle-class male I have benefited from the privilege that comes with that all my life and I know I've not done anywhere near enough to advocate for people who don't have that privilege.

When it comes to being an ally, I know that loving music of black origin isn't enough. As Clara Amfo said, "We black people get the feeling that people want our culture but they do not want us. In other words, you want my talent but you don't want me.". I do think I've learned from Hip Hop particularly a little of what life for black people is like as they experience the systemic racism around them but if I'm honest, I've still come away with a false overall impression of life as a black person being a pretty cool thing. I am ashamed to admit this, but it is important that I do.
In the last couple of years I have begun to try to educate myself by reading both 'Why I'm No Longer Talking To White People About Race- by Reni Eddo-Lodge and 'Natives' by Akala. I've been heartened to see that many have pointed towards these volumes, as well as others, as being a good starting point for white people who 'want to do something'. Education is the best starting point, as illustrator Dapo Adeola said:
It's because of my reading of the aforementioned books that when I watched this clip of George The Poet on Newsnight, that I already knew that the presenter was wrong in her question:
I was pleased to see that many others appear to have finally taken up the responsibility to self-educate: Amazon's best seller list this morning featured 'Why I'm No Longer Talking To White People About Race' at number 1, as well as 'Me and White Supremacy' by Layla F Saad, Natives by Akala, 'How To Argue With A Racist by Adam Rutherford and other books by black authors, fiction and non-fiction.
The BAMEed network website has a really good booklist aimed at educating teachers, or anyone who is wanting to learn more about how systemic racism is: https://www.bameednetwork.com/books/

But even this reading of books is not enough, I know. I'm not sure exactly where the quote comes from, but this from Angela Davis is key: "In a racist society, it is not enough to be non-racist, we must be antiracist."

What does it look like for me to be antiracist? This is a big question, and one that I can't answer immediately. This list of ten things from BAMEed is a good starting point for me, and anyone finding themselves in a similar position:

The above document can be downloaded as a PDF here: https://www.bameednetwork.com/resources/

I think the important next step here is to recognise that being an ally, an advocate and an activist starts where one is already: in my home, with my daughters, with my friends and family, in my church, in my job as a school leader, and so on - this is reflected in points 4, 5 and 9. This will require an ever-shifting mindset; a constantly growing set of filters for thought processes: as I learn more about the history of racism and just how systemic it is, I will need to reflect this in how I think and how I make decisions.

The part of discovering and taking these next steps that is very nuanced is that which is outlined in point 8. I am not complaining about the difficulties that might be involved in trying to be an ally instead of a saviour - this is part of my role, and I would like to gladly take this on. I know as a school leader I have institutional power, even having 25k followers on Twitter means that I do - with this power comes responsibility but not ultimate responsibility - nowhere near. I must listen to the voices of black people, Asian people, and anyone who does not share my own ethnicity but I must not rely solely on them to tell me what to do - that is not their responsibility. There is enough information out there to guide me as to what my responsibility it, however I will always be ready to listen when they are ready to talk, always ready to learn when they are ready to teach.

I am aware that this blog post is probably riddled with my white privilege in ways which I cannot yet see. If you are reading this and you can see something that I can't - in the way I've phrased something, in omissions, in things I've written that don't mark me as a true ally, then I ask that you call me on it - this is how I will learn, this is how I will change.

Thank you for taking the time to read this - I pray it has not been an egocentric virtue signalling session, but a true pledge to do better.

I'd also love you to have a read of my wife's take on this matter over on her blog: White supremacy is in my blood; we need to get uncomfortable fast to defeat it

Monday, 1 June 2020

Empathy Day: Guest Post by Planet Omar Author Zanib Mian

Empathy is a vital human force. One that creates happier children, stronger communities and a better world. It’s come into sharp focus during the pandemic and right now, we’ve never needed it more. Empathy is being able to imagine and share someone else’s feelings.

The good news is that it's a skill you can learn, and Empathy Day on 9 June aims to help everyone understand and experience its transformational power. Empathy Day focuses on how we can use books to step into someone else’s shoes. Scientists say that we can train our brain with stories – the more you empathise with characters, the more you understand other people’s feelings.

Empathy Day was established by not-for-profit EmpathyLab, who are on a mission to inspire the rising generation to drive a new empathy movement. On 9 June they will host a day of brilliant online events and home-based celebrations to help children READ, CONNECT AND ACT using empathy. Children can join in whether they're at home or at school, and authors, illustrators, schools and libraries across the country will all be taking part.

To mark the countdown to Empathy Day, Zanib Mian, whose book Planet Omar: Accidental Trouble Magnet is included in EmpathyLab’s Read for Empathy Collection, has chosen an extract from their book and tells us why they feel it’s a powerful read to develop empathy.


Extract from Planet Omar: Accidental Trouble Magnet, Chapter 8

One afternoon, when we were doing an art lesson about Picasso, Mrs Hutchinson was so excited about how he made everything abstract that her curls started dancing with joy. She asked us to paint self-portraits just like his. Charlie and I were having loads of fun giving ourselves colourful triangle noses and weird-shaped eyes, when Daniel walked past our desk and sent the dirty water pot tumbling onto my painting.

‘Oops, clumsy me …’

There he was again with the upside-down talking. It definitely wasn’t an oops moment, it was a hey, let’s ruin Omar’s painting on purpose moment.

Charlie’s mouth dropped open in surprise and my heart took a little dip, as if it was falling into a different and less comfy place in my chest.

It seemed like Charlie could tell exactly how I was feeling. Because he leaned in to whisper, ‘He’s just a big frogspawn head. I bet you can paint a new one even better!’ And he gave me the biggest toothy grin I’d seen yet.

I imagined what Picasso looked like. I wondered if he looked like some of his paintings, all out of shape, but happy. Happier than all the other paintings from those old days. And then I thought, hey, what if some kid had ruined Picasso’s painting at school one day, which is why it came out all different and weird and that’s what made him famous? So I took my paintbrush, I grabbed it like it was alive and like it was the first time I ever held a paintbrush, and I painted.

When Mrs Hutchinson saw my work, her curls almost rose to the ceiling.

‘Omar, Omar,’ she said. ‘You DID this?’

‘Yes, Miss.’

‘It’s … wow. It’s brilliant!’

Daniel’s face was red. Like the beetroots my dad will never eat. He passed me a note.

It said:

WATCH OUT

Zanib Mian writes:

As I wrote this, I felt sad for Omar. But I also felt very proud of both Omar, and his new best friend Charlie, for how they handled the situation.

When Daniel tips over the paint pot, Omar recognises his emotions and allows himself to feel them, which is always the first step towards moving on from them. He didn’t use words like, ‘I felt sad,’ or ‘I felt upset.’ But we know how he felt because of the way he describes his heart falling into a different, and less comfy place in his chest. Unfortunately, everyone has probably experienced one of those moments when someone has said or done something, that made their heart ‘drop’ like that, with disappointment, sadness or discomfort, which is why readers might empathise with Omar at this point.

The reason I chose this extract to write about for Empathy Day however, isn’t solely for the empathy that it may elicit from readers. It’s because the way Charlie reacts upon seeing this happen to his friend is one of the most gorgeous Charlie moments in the book! Charlie is an amazing friend to Omar during this incident. He’s there for Omar. He sees Omar. He recognises how Omar might be feeling, and he does something to help him through. That is a wonderful example of showing empathy towards others. It’s a complete empathetic reaction.

What I love most is how this scene displays what showing empathy for someone can do. Encouraged by Charlie’s words, Omar regains his spirit and produces a piece of art more brilliant than before!
That’s the beauty of empathy – it has a great power to change every situation for the better.

For the first time this year, EmpathyLab will host its Empathy Day programme online to support families at home. Schools and libraries across the country will also be offering a wide range of home learning and story-time activities.

Prior to the big day, EmpathyLab are hosting a Countdown Fortnight on their social media channels (26 May-8 June). Highlights include brand-new empathy-themed illustrations from leading artists, short stories from favourite authors and video readings of empathy-boosting books and poems from the writers themselves. Families can also download a new Family Activities Pack, featuring 14 writing, drawing, crafting, listening and reading activities to do at home: https://www.empathylab.uk/family-activities-pack

Events on 9 June will begin at 9:30am with Children’s Laureate and best-selling author Cressida Cowell, who will introduce Empathy Day. The day’s activities, designed to introduce children to the concept and importance of empathy and how to put it into action, include a draw-along with Rob Biddulph, a poetry challenge with Sarah Crossan, Empathy Charades with Joseph Coelho, exercises on listening with Jo Cotterill and Robin Stevens, before rounding up the day with an activity on putting empathy into action with Onjali Rauf and Sita Brahmachari. Finally, an evening event with Cressida Cowell, Muhammad Khan and psychologist Professor Robin Banerjee aimed at parents, teachers and librarians will address the science that drives EmpathyLab.

The full programme can be found HERE https://bit.ly/EmpathyDay2020

Join in with the #EmpathyDay social media campaign and share your #ReadforEmpathy book recommendations.

Tuesday, 26 May 2020

Book Review: 'The Dog Runner' by Bren MacDibble

The fact that I read this review copy just over a year of it being published is testatment to the fact that I loved Bren MacDibble's last book so much that I knew I had to keep this on my TBR&R (To Be Read and Reviewed) pile until I had the time to give it the attention I suspected it might deserve.

I'm glad I kept it there on the shelf, ready for such a moment: the moment being lockdown during a worldwide pandemic straight after I'd read Jack London's 'The Call of the Wild' (Goodreads review here). It's funny how things conspire together - I think I may have read this book very differently had we not been a couple of months into COVID-19 restrictions.

You see, 'The Dog Runner' is set in Australia in the near future following the spread of a fungus which has killed pretty much all plant life, but crops in particular. People in cities are struggling to survive and the best hope is out in the country where fewer people are competing for resources. Ella and her half-brother, Emery, head out on a treacherous journey in the hope of making it to Emery's mum's house. They leave behind their dad who is searching for Ella's mum after she was designated as a key worker and drafted who-knows-where to work for 8 months.

Picking up on key themes from 'How To Bee', MacDibble once again excels as she tells a tale laced with environmental and family themes. It is no mistake that readers of this will close the book with thoughts and questions in their heads: Should I begin to learn how to survive without all the things I currently take for granted? Do I need to learn how to grow my own food? What does family really mean? Who would I want to be with if I was in a similar situation?

If you've read post-apocalyptic or dystopian fiction before, or indeed films within these genres, then you'll have a pretty good idea of the kind of plot line you'll find in 'The Dog Runner'. Two kids on the run, fighting for survival against both the elements and potential enemies, placing all their hope and energies into reaching a place where they think they will be safe the the forseeable future. The Australian setting, the dog team, the nature of the disaster that has become the world and the family scenarios are the context in which the adventure unfolds.

But this certainly isn't a depressing book. It is full of light and beautiful moments between the characters, and between them and their dogs. Seeds of hope are sewn throughout the book - indeed, there are some positive plot twists where ordinarily you might expect events which plunge the protagonists further into the pit - and, ultimately it is not all doom and gloom in the end.

The real beauty of the book is that there is a message of hope for the reader - the events of the book are something that we can perhaps avoid, and if not, can be prepared for. It celebrates togetherness and collaboration and it encourages responsibility when it comes to food. On this second point, the story could germinate further exploration of where the food we rely on for life comes from and how it is produced, and what are alternatives might be if we want to live more sustainably.

All in all, a cracking adventure with plenty of tension and a novel setting for the action to take place. 'The Dog Runner' is an ideal introduction to a genre which is popular for teens and adults, but less so for younger readers. Suitable for children aged 10+.

Friday, 22 May 2020

What will we do to best support the mental and emotional wellbeing of children on the reopening of schools?


My colleague Yasemin Cevik asked me to join this Teachmeet but unfortunately I had to decline her offer. Instead I wrote a quick answer to the question that is up for debate. I tried to take one particular angle, expecting that other speakers would pick up on other aspects of the answer to this question. It's about Bradford but it goes for all children:

“What will we do to best support the mental and emotional wellbeing of Bradford’s children on the reopening of schools?”

I think the key word here is ‘best’ as it acknowledges that there is no perfect way to do this – we can only do our best. As teachers we often strive for perfection – it’s because we care so much – but perfection is unattainable.

That sounds pretty pessimistic but if we want mental and emotional wellbeing for Bradford’s children then we need to pay a lot of mind to the mental and emotional wellbeing of Bradford’s education workers.

‘You can’t pour from an empty cup’, goes the saying. And it is true for this situation that we find ourselves in. Teachers who are striving for perfection and setting themselves unattainable goals are not going to experience good mental and emotional wellbeing. And, once we have more children back in (the word ‘reopening’ is incorrect – we have been open the whole time), teachers, co-teachers, leaders and other school staff are going to need to be emotionally strong and resilient so that the children have the chance of experiencing the same.

Yes, there are plenty of things we can do directly for the children: a Recovery Curriculum, as written about by Barry Carpenter (1), covers most of what school staff need to think about in terms of emotional wellbeing, and we must take care of all the logistics of keeping the school a safe place to be so as to curb the spread of virus (2). But in doing all of these things, the school staff who are responding to this unprecedented situation put their own mental health on the line.

This must be a key concern for school leaders, and for those who wish to be a supportive colleague regardless of their position. We are all in this together and everyone involved will need support. Headteachers will benefit from an appreciative word from a recently qualified teacher. Regular check-ins from a more experienced teacher will be essential for trainee teachers. Mentors and coaches will need to cast aside their regular agenda in order to focus on how their mentees and coaches are coping with the changes in policy and practice. A little encouraging message from colleagues will be a balm to the soul of members of SLT, working away in the background on the nitty gritty of wider opening.

My point is this: we can all help each other to weather this storm and as we help each other, we will be best placed to help the children. Kindness is essential at this time. Yes, kindness to ourselves – get your sleep, eat well (but don’t forgo all treats), exercise, watch your favourite series, get outside, keep in touch with family – but kindness to each other, too.

Empathy will be key. Never suppose you know how someone is feeling – although we are experiencing the same pandemic, we are not all experiencing the pandemic in the same way. Take the time to find out how people have felt during all its different stages, and make sure you know where they’re at presently. Don’t assume to know based on your own experience. This goes for staff and for children.

Much of the time when we open schools to more children should be spent in this exploratory manner. With adults it might be more obvious, with children it could be more subtle. Make time for discussions which allow children to air their views – do this in different group sizes, or 1-to-1 if necessary. Allow your story reading to flow into conversations about how the characters’ experiences mirror the children’s own thoughts and feelings. Make time for collaborative activities (they can still be socially distanced if you want to go for that), team quizzes and games and other activities where children connect with one another mentally and emotionally. Whatever the activity, allow people the chance to share, and be sensitive to their needs as they do.

We can best support the mental and emotional wellbeing of Bradford’s children on the reopening of schools by taking care of the members of staff who will be taking care of them and by knowing and taking into account of each individual’s experience of the last couple of months. Empathy and kindness will be king upon wider opening – any school who attempts anything other than this will take a hit in the years to come, both in staff and pupil wellbeing.
______________________________________________________________________________

1. Carpenter, R: A Recovery Curriculum: Loss and life for our children and schools post pandemic (https://www.ssatuk.co.uk/blog/a-recovery-curriculum-loss-and-life-for-our-children-and-schools-post-pandemic/)
2. Gov.uk: Coronavirus (COVID-19): implementing protective measures in education and childcare settings (https://www.gov.uk/government/publications/coronavirus-covid-19-implementing-protective-measures-in-education-and-childcare-settings)

Wednesday, 20 May 2020

Book Review: Mohinder's War by Bali Rai

I love a historical novel set in World War Two so when I saw that Bali Rai had written another (read my review of his excellent Now Or Never - A Dunkirk Story) I jumped at the chance of reading and reviewing it.

Mohinder's War follows the story of Joelle, a French/British girl living in France during the Nazi occupation. She, her family and their friends are a part of the resistance and when a downed RAF pilot needs hiding, he is taken into the home of the Bretons and concealed in their cellar.

The pilot is Mohinder Singh, a character based on a real life RAF pilot who flew in the Second World War. He and Joelle strike up a friendship - Joelle keeping him company and sharing her local knowledge, and Mohinder teaching her about his homeland and Sikh faith and opening her eyes to philosophies regarding life:

'We are all family,' he said. 'Every man, woman and child on this earth. I believe that all of creation is one whole. We are bound together, each of us, by invisible links, and all are equally important.'

During the course of the story, as result of key events (desparately trying to avoid spoilers here but there is treachery), their friendship develops into something much more resembling a father/daughter relationship - an interesting, rarely explored dynamic between two unrelated characters. This aspect of the story is executed particularly well with some genuinely lovely moments between Joelle and Mohinder, resulting in a very ultimate act of commitment and love (again, trying to avoid spoilers).

I would advise caution when choosing to give or read this book to children - it actually contains some quite starkly violent scenes, ones which in the context may not have been out of the ordinary, but which could be shocking to children living in a time and place of peace. Seeing as the action focuses not on warfare between soldiers, but civilian acts of resistance and episodes of violence against civilians, this less familiar territory should be carefully trodden. Having said that, with the right adult guide, the content of this book would be suitable for 11+ children who have some historical understanding of the time period.

That aside, this is a heartwarming tale of friendship, bravery and derring-do. Joelle and Mohinder use their wits to work together, defying all odds in their bid to escape France to the safety of Britain. With an exciting climax sure to ignite the imaginations of young readers, this is a fantastic adventure story which provides a much-needed window into a World War which has, to greater or lesser extent, been whitewashed: Bali Rai's latest book is a welcome addition to the bookshelf.

'Mohinder's War' will be available on 11/6/2020 and is part of Bloomsbury's Flashbacks series.

Friday, 15 May 2020

From @TeachPrimary Magazine: Sounds Like A Plan

"Enjoyment and engagement of learning can, and should be, intrinsic: the act of learning is enjoyable and engaging, providing that you are actually learning."

Read my latest article for Teach Primary Magazine for free online, pages 50 and 51:

https://aplimages.s3.amazonaws.com/_tp/2020/0515-NewIssue/TP-14.4.pdf?utm_source=TPNewsletter&utm_medium=20200515&utm_campaign=Issue11

"Imagine a way of working that was not only more responsive to children’s needs, but was also better for teacher wellbeing. If there was such a way, surely we’d all want to be doing it? I’d like to suggest it is possible; that by planning learning sequences and designing lessons flexibly we can provide for individual needs without it being a huge burden on our time and energy.

In order to ensure that our planning and teaching doesn’t impact negatively on our wellbeing, we have to find an efficient way to work. And in order for something to be efficient, it usually needs to be simple. However, teaching can often be overcomplicated by myriad solutions for how to engage children, manage behaviour, include technology, make links to other subjects, and so on."

If you would like Aidan to work with you on developing pedagogy at your school, please visit his website at https://www.aidansevers.com/services and get in touch via the contact details that can be found there.

Wednesday, 13 May 2020

Achieving Unity Through Harmony And The Recognition of Individuality


If you would like Aidan to work with you on developing teachers at your school, please visit his website at https://www.aidansevers.com/services and get in touch via the contact details that can be found there.

Tuesday, 12 May 2020

Patience (In School Leadership)


If you would like Aidan to work with you on developing leaders at your school, please visit his website at https://www.aidansevers.com/services and get in touch via the contact details that can be found there.

@thatboycanteach on The Well Teacher Podcast

Teacher and author Jamie Thom invited me onto his podcast to discuss all things teacher wellbeing - I had a great time chatting to him and would like to thank him for the opportunity! Listen in below:

From: http://www.slowteaching.co.uk/2020/05/11/take-control-work-life-balance/

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One thing I know I have been notoriously bad at in my teaching career has been finding a balance. I have always struggled with switching off from the all-consuming nature of teaching, and in proactively managing work demands.

This week’s episode of ‘The Well Teacher Podcast’ is for anyone else who has struggled with this perfectionism strand that haunts so many teachers. Aidan Severs, who writes the very popular thatboycanteach.co.uk blog has made teacher wellbeing one of his major focusses as a deputy head and a writer.

In this episode we unpick how to step away from technology and become a digital minimalist, we explore how minimalism could be applied to teaching in general, examine what it takes to say no and push back on the demands of teaching and discover why Aidan will no longer be teaching lessons dressed as an elephant.

If that isn’t a reason to listen, I don’t know what is! It is an episode packed full of practical and easy to implement tips, I hope you find it helpful!

If you would like Aidan to work with you on developing wellbeing at your school, please visit his website at https://www.aidansevers.com/services and get in touch via the contact details that can be found there.

Sunday, 10 May 2020

#DailyWritingChallenge: Dreams

This blog post doesn't really belong here, but here it is anyway.

Hannah Wilson's #DailyWritingChallenge theme for Friday was 'Dreams' and this is a version of the strange dream I had last night:

He is late down again. I call up for him, as usual. He comes down, dragging his blanket with him, yawning and rubbing his eyes – like a just-woken child from a cartoon. The full cliché. The sight of him simultaneously annoys me and fills me with an overwhelming feeling of utter devotion.

It is just me and him now. Inseparable, others say. But there is a greater truth to it than that. There is no choice in the matter. He is there with me, and we have grown to like it that way.

I sit at the table, writing. Writing is my way of making sense of this world and these things that have happened. He drags himself to the bench and sits down. It’s what I wanted. I can’t stand him staying in bed, lazily. I can’t stand being down here on my own.

Today is the day – we can’t stay here longer, really. I think through our itinerary – always worrying that I’ve got a time wrong, that connections will be missed, that the destination won’t be everything I’ve built it up to be.

We’re all packed and ready to go. I take a last look around – I’ve been taking last looks around for a week now, thinking of all that I will miss about this place. About the memories that cling to the furniture and haunt the dusty corners. He isn’t there in all the memories, but I’m the one who tells the stories round here so if I want him there, he is.

Walking to the station, dragging bags behind me, I lose myself in daydreams. Daydreams of how we’ll thrive and prosper in the new place. Of how we will find friends, family even. Of how we’ll be taken care of.

Sitting back in the rough, prickly seats of the train gives me chance to write again. He sits next to me wittering on about what he sees out of the window and asking a million questions. All the things he wants to know about everything and nothing. Are we there yet? Can we have the snacks now?

Later on, we arrive. I slump down on the bed, exhausted. The bags left strewn around.

I get up to unpack – there are drawers and a wardrobe. I tell him to do his too because if I didn’t his stuff would stay in bags forever. He unzips the holdall I’ve been humping around for him all day, opens it up and begins to pull out his things. Except they’re not his things. They’re mine, and they’re useless. All the things I knew to leave behind. The things that wouldn’t be useful here. What’s more, they are the things that would drag me back, time and time again, to the old times.

I snatch up the bag, pulling item after item out of the bag. I fling them across the room, not caring where they land. “Where are your clothes?” I scream. “What do you expect to wear?” I ask. He stands there, not saying anything, voiceless.

I turn away, snatch up my journal and begin scribbling away, my pen scratching across the page, ink blotching and faltering. How could he be so stupid? Why did he do this to me? Doesn’t he know that if it wasn’t for me he wouldn’t even be here?

And when I turn around again, calmed by my scrawling, he is gone. And I know he isn’t coming back. I know I’ve written him out, that in my anger I’ve severed the ties that bound us. Those comforting cords that formed my safety net.

I also know that trying to bring him back into my life is fruitless – miracles don’t happen anymore. He was real to me and it was a real life that was lost. Just because I am the author of it all doesn’t mean that I can defy the laws of nature.

I am alone now, and it was my own anger, my own lack of love that made it that way. My fault. The pen is mightier than the sword, they say – and it might be true. Certainly, the one who wields either should be exceedingly careful: violent and regretful actions can be executed by both.

However, should I have had only a sword, I would still have him. He’d still be here and I wouldn’t be all alone again.

Friday, 1 May 2020

Being A Reading Teacher 2020


Back in the summer of 2016 I blogged about how I'd become a Reading Teacher (with a capital R and T, as Teresa Cremin says). I reflected on how prior to that year, and therefore for quite a huge chunk of my career as a teacher, I had not even been able to class myself as a reader, let alone a Reading Teacher. I went on to outline the benefits of being a Reading Teacher that I had experienced in the 8 months since I had taken up reading again.

I re-read that blog post today, maybe for the first time since 2016. So complete is my transformation that I was shocked to even recall that there was a time when I was not a reader, nor a Reading Teacher.

Back then, I recommended that anyone wanting to develop a reading habit should join Goodreads, and I'd echo that today as it has been a boon to my development as a reader. There's a part of my character that really likes the challenge of trying to read a certain number of books and another part which likes to document my own progress.

Over the years my reading interests have meandered but never waned. Sometimes I read a lot of picture books. Other times I read a string of Middle Grade novels. After that I often get MG fatigue and read something a little more grown up, a little more factual, a little different, at least.

I've tried to read outside of my comfort zone without running roughshod over my rights as a reader. I read what I want (but not when I want - life dictates otherwise) and I follow my fancy: the next book on my TBR pile is not always the next book I read. If I get into Viking-themed children's literature then the next few books might just have to be along those lines too. Invariably this kind of activity causes me to side-step into reading of adult non-fiction related to the subjects and themes of the children's books I've been reading. One book inspires the next in one way or another.

I'm writing this as a reflective and celebratory post, so I am sorry if it comes across as smug and showboaty. But I'm also writing it because in the intervening years I think I have noticed a problem.

I have been fairly vocal about my love for reading, not only on social media but in the schools I have worked at and have worked up a reasonable reputation as someone who loves reading (I won nerdiest teacher award the year I left my previous place and my #shelfie was easy for the children to guess because it contained many children's books). But I think I may have given a false impression: namely that I have always been a reader and that it comes naturally to me. Children and colleagues do not know that I consciously transformed myself into a reader. I suppose I suspect that this makes going from zero to being a full-on reader is unattainable - that in some ways my obsession and fervour is actually a stumbling block to others.

I need to rectify this. I need to be brave enough to share my story - to show that changes can be made to one's habits. I think those who feel like there is no time in life to become a reader might need to hear my experience of how changing habits can make more time for reading. Or perhaps I'm just assuming too much that I can change other people? Even if I don't need to explicitly share these things, I certainly don't want to act in a way that puts other people off finding their own obsession with reading.

Another point of reflection for me is that, since writing, I have become class-less. I now no longer have so many opportunities to speak to children about my love for books. Sure, every day that I sit in the canteen and eat with the children I ask them about the books they are reading and engage with them on the subject. I get down on my knees at the bookshelves when children are choosing books and pick out a few recommendations - some children even know to come and find me for this purpose.

If my school is to be one where Reading Teachers lead in the classroom then the school needs a Reading Deputy to lead it. A Reading Deputy who finds and creates more opportunities in the day to share the book love with the children. If you are a class-less teacher who still manages to do this I'd be very interested to hear from you - Simon Smith and Karl Duke, I'm looking to you guys as I know you are doing fantastic things. But I know that there will be many other SLT members and other non-class-based members of staff who manage to take a lead on reading - please get in touch with your tips and advice for me!

There is a part of me which is satisfied that I managed to bring myself on this journey, regardless of whether or not others join me. But there still remains the desire to share this passion - and it will be this desire, this passion, that wins over the satisfaction of knowing that I myself am a reader. I understand the benefits of reading and I want other people to experience them too - that's no bad thing. So forgive me once more if this post was just some self-congratulatory tosh, but I can't stop talking up reading and trying to get other people on their own journey as readers.

Must dash - there are books to be read.

If you would like Aidan to work with you on developing reading at your school, please visit his website at https://www.aidansevers.com/services and get in touch via the contact details that can be found there.

Friday, 10 April 2020

Book Review: 'Survival In Space: The Apollo 13 Mission' by David Long

I've read quite a lot of children's non-fiction books about space, and whilst many are excellent, they can usually be put into one of two categories: easy-to-read but fact-light or fact-heavy but harder-to-read. This book, 'Survival In Space: The Apollo 13 Mission', sits very nicely in the middle: packed with astounding facts but extremely simply written - and that is by no means an insult. To be able to convey such information in such a way that young children (or older ones who struggle with reading) can understand it is a rare skill.

Beginning with a few chapters of background information - the space race, the Apollo 11 moon landings - the book then gets into the real story, one that is less often told to children: that of Apollo 13 (more recently of Tom Hanks film fame). The story contains everything that fiction has and more: the narrative non-fiction writing is woven with straight non-fiction, providing those amazing titbits of information that will make readers gasp aloud and then find someone to tell the fact to. For example, did you know that 'when a spacecraft re-enters the Earth’s atmosphere, it is travelling at nearly seven miles a second'? Wow! Perfect for information-hungry young minds.

David Long's story-telling takes a very conversational tone which will make the reader feel like they are talking to someone they are familiar with - an enthusiastic teacher or a knowledgeable relative. (example: You might think the easiest thing would be for them to just turn the rocket around and fly back to Earth, but things are never that simple when you’re this far out in space.) The writing prompts questioning and provokes a level of engagement that other books lack. What's for certain is that this is not a boring book.

The book is brilliantly illustrated by Stefano Tambellini. Some of the illustrations are in the form of diagrams, others depict events from the story - both serve to enhance to the text as well as to break it up, making this 80-pager a far less daunting read. The book is split into super-manageable chapters too and the story is well-paced to ensure that readers are nothing but gripped.

Perfect for KS2 readers, as well as some expert readers in KS1, the book is being published to coincide with the 50th anniversary of the launch of the Apollo 13 mission. This is a perfect time to learn about the bravery of the crew and the initiative taken by NASA staff, ultimately ensuring that no lives were lost - and as your children might be too young to watch the film, 'Survival In Space: The Apollo 13 Mission' by David Long is the perfect resource!

Read the first chapter now on Barrington Stoke's website: https://www.barringtonstoke.co.uk/books/survival-in-space-apollo-13/

https://issuu.com/barringtonstoke/docs/survival_in_space_the_apollo_13_mission_chapter_sa

Thursday, 9 April 2020

Book Review: 'Now or Never - A Dunkirk Story' by Bali Rai

It's hard to write an enthusiastic review about a story so terrible. Terrible because the horrific events which inspired this telling are true. Not terrible because it is told badly - not at all.

The evacuation of Dunkirk took place in the May and June of 1940. It saw the evacuation of over 330,000 troops to Britain as Nazi German forces closed in, however 68,000 men were captured or killed during the operation. Bali Rai's tale of Private Fazal Khan, a member of the Royal Indian Army Service Corps, and his journey to Dunkirk is an enlightening but sadenning one. He, his company and their mules, under the leadership of the wonderful Captain Ashdown, trek across France, braving one of the worst winters on record and the constant terror of German airstrikes, not to fight but to flee.

However, despite the awful circumstances of that first year of the second world war, there are incredible moments of light in this brilliant book. The fact that this story is even being told - how men from all over the then British Empire signed up, feeling like they were doing their duty - is a major positive. There's also the flashbacks to a young Fazal's life when lessons he learnt from his grandfather come in handy as he deals with death and destruction at the hands of an enemy. Then, when you are expecting racist antagonism from all quarters, you read of kind, humane characters who accept the Indian soldiers as equals and who treat them with great respect.

There is, however, a realistic depiction of prejudice and discrimination coming from individuals and of systemic racism coming from the British government. Yet, again, there are some lovely moments where Fazal and his best friend Mush get the opportunity to teach the British soldiers a little more about the culture and religion (both are Muslims) giving this story a spiritual backbone that isn't always found in children's books.

This is a frightening story, one which doesn't avoid the horrors of the war. Nor is it gory, thus making it an appropriate read for children in upper key stage 2 and beyond. It is the sort of novel, however, which shouldn't be read lightly - there are serious issues to discuss here and I'd expect most children who read it would want to talk it through during and after reading. This would be ideal as a class read for those studying WW2 at school - especially as it presents a very different perspective of the war. A totally recommended read, just not an easy one.

This book is the first in Scholastic's Voices series. Click here to read my review of  'Empire's End - A Roman Story' by Leila Rasheed, the latest book in the series.

Tuesday, 7 April 2020

Book Review: 'Wink' by Rob Harrell

'Wink' by Rob Harrell tells the story of a pre-teen boy who is diagnosed with a rare form of cancer, one which has attacked the gland that produces tears. It is a book that made me both laugh and cry in equal measure and it deserves a huge audience.

Imagine if you will, a less saccharine version of RJ Palacio's hit MG novel 'Wonder' - that's what this is. It's all very real and very raw which is not surprising since it is semi-autobiographical in a sense: the author was inspired to write the book after suffering the exact same cancer as the book describes, albeit when he was 37 and not 11.

As main character Ross tells us about the present situation - the treatments and the trials and tribulations of school life and friendships - he intersperses it with flashbacks of the diagnosis, the medical decision-making process and how he shared his news with his family and friends. I'm not sure exactly if the voice that Harrell gives to Ross is realistic, but it certainly is brilliantly hilarious - full of sarcasm, often playing on stereotypical relationships between children and their parents, as well as with their peers at school.

Having said that, pretty much any stereotypes that exist in the story are smashed by the end - the bully, the grumpy old man, the embarassing dad, the scary-looking punk, the popular girl and the stepmum are all allowed to let their true colours shine. In fact, in a book about a boy who is scared about how his public image is affected by his cancer treatment, the focus is more on how he percieves others than one would expect.

The story provides a great case study in how to talk to someone who is going through a tough time. Ross is annoyed in equal measure by the constant questions about how he's doing and the total lack of engagement (as displayed by one of his best friends, Isaac). However, the tightrope is walked perfectly by his other best friend, Abby, who knows him well enough to know when to sit and listen, when to talk and when to challenge Ross for his own selfishness.

Inter-generational friendships abound in 'Wink' too - most notably as Ross gets to know his radiation technician and Jerry, a much older cancer patient who he bumps into every time he's at the clinic. Both storylines are heartwarming, but for different reasons. Frank, the guy who gives Ross his radiation therapy, introduces Ross to music - hard, angry music which speaks right into Ross' life and situation - and eventually becomes Ross' guitar teacher. Jerry, in his gruff old way, provides Ross with the grounding he needs - advice he can take from someone who has been through it.

The whole story ends in riotous, harmonious dischord - a true real life ending. Ross gets to rock out at the school talent contest, showing the real bullies what's what and who's who, sending his best friend Abby off to her new home and gaining a new true friend in the process. It truly is bittersweet.

Recommended for the upper end of the Middle Grade range (so, year 6 to 8 in English money), this is an story is one that needs to be heard. Navigating illness and the potential of death is a tricky topic for children of this age, and one that is dealt with pretty strangely sometimes in popular media. 'Wink' walks the line perfectly and could teach adults and youngsters alike a thing or two about how to come to terms with such difficult issues.

Oh, and there's also really cool comics throughout the book featuring Ross' own character, Batpig!

Wink was published in the UK on 31st March 2020 by Hot Key Press

Saturday, 4 April 2020

Book Review: 'Viper's Daughter' by Michelle Paver

I'll admit from the outset of this review that despite being an avid reader of children's books I'd never read a Chronicles of Ancient Darkness book before, not even 2004's 'Wolf Brother' which kicked off the whole series. Now, after an 11-year hiatus, Michelle Paver is back with 'Viper's Daughter', which, thankfully, I can confirm, works brilliantly as a standalone novel.

I'm often wary of children's books involving magic (although I do read a lot of them) but this one is different. The magic is deeply rooted in a spirituality which pervades all human life in the time period the story is set in - a pre-agricultural Stone Age. And it is spirituality which marks this book out as different to so many novels written for this age range: the idea that strongly-held beliefs could guide someone's life choices to such a degree as they do for those in Torak's world is alien to many children today. Making sense of how humanity interacts with the natural world surrounding it, the 'religion' followed may be fictitious but it could help children to empathise with and understand those who follow modern religions.

But I digress. The acknowledgement, worship and fear of higher forces lends credibility to the magic in this book. Those who are more open to understanding nature are more able to work with it and use it to bring about change - in this sense, the magical ability of some of the book's characters is believable,  and not just convenient to ensure the plot progresses. As for the plot, it's a classic good vs. evil, overthrow the villain type affair - and an exeedingly good one which is set in a vividly-painted world.

As he tracks his 'mate' Renn, Torak's epic journey with Wolf takes him from his native forest into the arctic regions, encountering different clans and a surprising and awesome array of wildlife (including an exciting encounter with a now extinct species) on his way. Despite depicting a very hard way of life, Paver's descriptions of survival in the great outdoors is inspiring. Releasing into a nation of people confined to their homes, this book will surely make the young reader re-assess their current way of living, and at the very least will ready young minds for exploring nature more deeply, either during their daily allowed exercise, or in more depth once the lockdown is over.

Equity between male and female is a surprising theme in the story. And whilst the topic is dealt with in a light-handed way, it is there nontheless - the contrast drawn between the parity and respect that Torak and Renn share and the way that one particular clan treats their womenfolk. And for one character it is a story of emancipation and empowerment - an important storyline for children living in a modern society which still has some way to go before fairness reigns.

Perfect for children in UKS2 and KS3, this is a fantastically unique fantasy story which speaks to heart, mind, body and soul. A story in the vein of the greatest and oldest adventure epics, and importantly, one that raises many pertinent questions for our own life and times. I shall certainly be seeking out the other books in this series, such was the excellence of this one.

Published by Head of Zeus/Zephyr books on 02 April 2020 * 256pp * £7.99 * 9781789542400

Wednesday, 1 April 2020

Book Review: 'DustRoad' by Tom Huddleston

This book is so cinematic I ate popcorn as I read it, I kid you not. Every page sees the reader's retinas seared with images so lucid, if not a little hazy from desert dust, that it is impossible not to feel like you are living the action.

And in 'DustRoad', action there is a-plenty. Huddleston, it appears, is a master of the set-piece - something that not many authors these days seem to even deem necessary. In that sense it harks back to the old days of serialised children's stories - the ones that were published a chapter a week and that probably would have been cut if readers lost interest. Whether it's a Mad Max-style car chase, a bull ring event (albeit without any livestock, only crazy cars) or a pirate attack on an ark, within a page or two the action is taken to boiling point by way of razor-sharp writing.

It's not just the action that is written with such precision - descriptions of post-apocolyptic places pull on the memories and ideas we have of cities and landscapes that exist somewhere in the world. Despite being so distorted by a world ravaged by rising water levels and the fall out of humanity, the locations of this all thriller, no filler adventure are as clear as day. It doesn't matter that none of us have ever seen a half-subemerged plexglass globe that acts as a parliament building, you'll know exactly what it looks and feels like when you read about it.

Whilst the first novel in this series, FloodWorld, seemed very bleak and devoid of hope, there is something about this one that seems much more optmistic. Sure, the odds are more than stacked against Kara, Joe and Nate as they travel thousands of miles, often apart from each other, in their attempt to bring about a little more piece in the fractured world they inhabit, but their determined outlook and their wiliness brings them through. Yet, not all is well, not by a long stretch. The book is punctuated by stabs of realism - in such utter brokenness, how could a few kids really make a difference?

Yet difference they do make - a powerful message to the young readers of this book. Joe, Kara and Nate may not be able to save the world in 309 pages, but they can make a sizeable contribution to what this reader hopes will be eventual salvation. But for that, we willhave to wait for book 3... that's assuming this is a trilogy!

The cast our heroes encounter on their way is brilliant too - an unearthly quintumverate of rebellious leaders, a scary but kind dump-dwelling artist, a gang of teenage petrolheads and some seemingly back-from-the-dead meglomanics (not all of whom have retained a full desire for power) all feature in this blockbuster of a novel.

If there's one book I've read this year that needs the Steven Spielberg treatment, it's this one - the hardwork of making it screen-ready has already been done. Recommended for fans of Philip Reeves' Mortal Engines and Fever Crumb sequences as well as for fans of high octane blockbusters.

Give that at the time of writing cinemas are closing and the world seems as dystopian as some of us have ever known it, it's the perfect time to self-isolate with a book that at least reminds us that things could perhaps be worse!

Saturday, 28 March 2020

Book Review: 'Crater Lake' by Jennifer Killick

You, or your child, may want to exercise caution when choosing to read this book.

Let's take the context first: it's a year 6 residential that goes very wrong. If a year 6 child reads this this year they are going to be super upset that because of COVID-19 they are most likely going to miss their summer residential. However, if a year 5 child reads this they will most likely want to avoid next year's residential like the plague. Simultaneously, Montmorency school's outward bound trip to Crater Lake is the stuff of nightmares and dreams come true.

Do you really want a distraught year 6 or a petrified year 5 on your hands?

Secondly, the events are pretty horrifyingly terrible - if this stuff really ever happened there would be no school trips ever again. There would be no amount of risk assessing that could convince a teacher to put children in such danger - forget risk assessing, teachers would need to be succession planning. However, the almost-nonchalant approach to averting crisis that the main character, Lance, takes, is most certainly likely to make any upper key stage 2 reader supremely confident in his or her own ability to casually battle parasitic aliens.

Do you really want to be scared out of ever running a residential again? Do you really want to give a child the confidence to take insanity-level risks?

I'm going to suppose the answers to the above questions are all affirmative and go on with this review.

'Crater Lake' is not one of those books where you wait around for ages for something to happen. Killick makes short work of introducing the characters - after a few pages you feel like you've been at school with the kids for 6 years and it's not long before their coach hits a bloodstained crazy dude who warns them not to go to Crater Lake. Inevitably the tropey evil assistant head pushes on with the visit and the children arrive at the world's weirdest outdoor residential centre.

With bags of humour (seriously) and never a dull moment, Lance guides his friends and the reader on a textbook how-to-evade-crazy-evil-non-humans mission to save year 6 and get out of the place. And this book has heart too: as the friends work together, they discover even more about each other than they ever knew before. As the plot thickens, their insecurities fade and as they trust each other in defeating their enemy together, they trust each other with their life stories. Sounds cheesy, but it isn't - in amongst the sci-fi horror there are brilliant moments of realism that all school children of a certain age will easily identify with.

I would suggest that anyone who wants to tear their way through a rip-roaring adventure story should read this book, but I have an even more specific recommendation: for reluctant readers who are fans of roleplay computer games and action movies, this might just be the book that turns them on to reading forever. Just as Point Horror and Goosebumps recruited swathes of cool kids to reading in the 90s, Jennifer Killick's latest novel could do the same in the 2020s - here's to hoping!

Book Review: 'Talking To The Moon' by S.E. Durrant

A mystery novel for children who don't like mystery novels. Usually, children's books which centre around some sort of mystery to be solved are full of high adventure and often verge on being scary - not for everyone. But 'Talking To The Moon' is different: it takes a family drama, one which many children will relate to and adds a dash of the unknown, enough to keep any reader pondering throughout the book.

Iris is living with her grandma, Mimi, whilst her dad deals with a damp problem in her bedroom at home. She's glad to be out of the house as the two-year-old twins make life very stressful. She loves living with her zany grandma, even if she doesn't really like having to go swimming with her in the sea. However, Iris begins to notice that her grandma's changing behaviour isn't just down to her quirkiness, although she doesn't like to admit it.

The story follows Iris as she tries to discover more about Coral, the girl who is in the photo on the mantlepiece. Joined by her neighbour, the annoying Mason, and in a sequence of happenstance, Iris learns more about what happened to the gap-toothed, red-haired girl who looks just like her.

S.E. Durrant certainly has carved out a style of her own - the simply-written prose, split down into short alluringly-titled chunks, perfectly encapsulates the thought-processes and story-telling ability of a bright child. Characterised by plenty of incidental detail, life for Iris is painted with precision in this compelling but gentle story.

And although this book would be great for children who are sensitive to high jinks escapades of derring-do, it certainly doesn't pull any emotional punches. Once again, S.E. Durrant has written a story full of heart, mind and soul. The pain Iris feels as she navigates family life with a mum who always seems busy and stressed, younger siblings who are never quiet, a lack of meaningful friendships (apart from the one she is trying hard to stop from becoming a friendship) and a grandma who is displaying all the signs of Dementia, is well-communicated, albeit in a sensitive and often humourous way.

'Talking To The Moon' is a great book for developing empathy and for introducing children to literary realism. Given that there are plenty of children's books which fall into a similar category it could also act as a great gateway to a whole range of excellent books. Anyone who has read and enjoyed 'Running On Empty' and/or 'Little Bits of Sky' will definitely enjoy this, as will anyone who loves titles such as 'Wonder', 'The Boy At The Back Of The Class', 'Bubble Boy' or 'Goldfish Boy' (especially seeing as in this one you get a female protagonist!). Perfecct for children in UKS2 and KS3.

Monday, 23 March 2020

Book Review: 'After The War' by Tom Palmer

Tom Palmer's latest run of war-themed stories continues with 'After The War: From Auschwitz to Ambleside' -  a story focusing in on three Polish teenagers who are brought to the safety of the Lake District for recuperation after Europe is liberated in 1945.

The story follows Yossi and his friends Mordecai and Leo as they arrive on the Calgarth Estate beside Lake Windemere and begin to attempt, with the help of a multitude of kind heroes, to rebuild their shattered lives. As they gain in strength and trust they have to make decisions about what to do and where to go next. Yossi lives in hope that the Red Cross will find his father yet life inevitably must move on whilst the search continues.

In this heartwarming tale of true and beautiful friendship, Tom Palmer communicates to a young audience with crystal-clear clarity the atrocities and the fall-out of war. As seen before in his books, he doesn't avoid the harsh realities, nor does he glorify them or play them down. Instead, he says just the right amount for the intended readership - a real skill. And, given the publisher Barrington Stoke's mission to provide credible, yet easy-to-read books for less confident readers, it is remarkable that a book written in a more simplistic style than others in its category has emotional depth beyond that of its peers.

In fact, perhaps the low use of complex language is all a technique to help us to understand Yossi. Here is a teenager who speaks no English, yet finds himself in the middle of the English countryside. Here is a teenager whose life has been devastated and dominated by cruelty beyond words. The narration of the story only serves to help us to know and love the character as he finds the meaning to life once more, as he learns to express himself to those around him and as he finds and understands himself once more.

With lots of World War Two references, particularly to warplanes, and the trademark sport references (I was pleased to read Yossi's celebration of the bicycle), this is exactly what I wanted from a new Tom Palmer novel. A tale of hope, friendship and altruism that is all too relevant in the current times we are living through.

After the War: From Auschwitz to Ambleside will publish on 7 May 2020 in Barrington Stoke’s middle-grade Conkers series.