A mystery novel for children who don't like mystery novels. Usually, children's books which centre around some sort of mystery to be solved are full of high adventure and often verge on being scary - not for everyone. But 'Talking To The Moon' is different: it takes a family drama, one which many children will relate to and adds a dash of the unknown, enough to keep any reader pondering throughout the book.
Iris is living with her grandma, Mimi, whilst her dad deals with a damp problem in her bedroom at home. She's glad to be out of the house as the two-year-old twins make life very stressful. She loves living with her zany grandma, even if she doesn't really like having to go swimming with her in the sea. However, Iris begins to notice that her grandma's changing behaviour isn't just down to her quirkiness, although she doesn't like to admit it.
The story follows Iris as she tries to discover more about Coral, the girl who is in the photo on the mantlepiece. Joined by her neighbour, the annoying Mason, and in a sequence of happenstance, Iris learns more about what happened to the gap-toothed, red-haired girl who looks just like her.
S.E. Durrant certainly has carved out a style of her own - the simply-written prose, split down into short alluringly-titled chunks, perfectly encapsulates the thought-processes and story-telling ability of a bright child. Characterised by plenty of incidental detail, life for Iris is painted with precision in this compelling but gentle story.
And although this book would be great for children who are sensitive to high jinks escapades of derring-do, it certainly doesn't pull any emotional punches. Once again, S.E. Durrant has written a story full of heart, mind and soul. The pain Iris feels as she navigates family life with a mum who always seems busy and stressed, younger siblings who are never quiet, a lack of meaningful friendships (apart from the one she is trying hard to stop from becoming a friendship) and a grandma who is displaying all the signs of Dementia, is well-communicated, albeit in a sensitive and often humourous way.
'Talking To The Moon' is a great book for developing empathy and for introducing children to literary realism. Given that there are plenty of children's books which fall into a similar category it could also act as a great gateway to a whole range of excellent books. Anyone who has read and enjoyed 'Running On Empty' and/or 'Little Bits of Sky' will definitely enjoy this, as will anyone who loves titles such as 'Wonder', 'The Boy At The Back Of The Class', 'Bubble Boy' or 'Goldfish Boy' (especially seeing as in this one you get a female protagonist!). Perfecct for children in UKS2 and KS3.
Showing posts with label children's literature. Show all posts
Showing posts with label children's literature. Show all posts
Saturday 28 March 2020
Monday 23 March 2020
Book Review: 'After The War' by Tom Palmer
Tom Palmer's latest run of war-themed stories continues with 'After The War: From Auschwitz to Ambleside' - a story focusing in on three Polish teenagers who are brought to the safety of the Lake District for recuperation after Europe is liberated in 1945.
The story follows Yossi and his friends Mordecai and Leo as they arrive on the Calgarth Estate beside Lake Windemere and begin to attempt, with the help of a multitude of kind heroes, to rebuild their shattered lives. As they gain in strength and trust they have to make decisions about what to do and where to go next. Yossi lives in hope that the Red Cross will find his father yet life inevitably must move on whilst the search continues.
In this heartwarming tale of true and beautiful friendship, Tom Palmer communicates to a young audience with crystal-clear clarity the atrocities and the fall-out of war. As seen before in his books, he doesn't avoid the harsh realities, nor does he glorify them or play them down. Instead, he says just the right amount for the intended readership - a real skill. And, given the publisher Barrington Stoke's mission to provide credible, yet easy-to-read books for less confident readers, it is remarkable that a book written in a more simplistic style than others in its category has emotional depth beyond that of its peers.
In fact, perhaps the low use of complex language is all a technique to help us to understand Yossi. Here is a teenager who speaks no English, yet finds himself in the middle of the English countryside. Here is a teenager whose life has been devastated and dominated by cruelty beyond words. The narration of the story only serves to help us to know and love the character as he finds the meaning to life once more, as he learns to express himself to those around him and as he finds and understands himself once more.
With lots of World War Two references, particularly to warplanes, and the trademark sport references (I was pleased to read Yossi's celebration of the bicycle), this is exactly what I wanted from a new Tom Palmer novel. A tale of hope, friendship and altruism that is all too relevant in the current times we are living through.
After the War: From Auschwitz to Ambleside will publish on 7 May 2020 in Barrington Stoke’s middle-grade Conkers series.
The story follows Yossi and his friends Mordecai and Leo as they arrive on the Calgarth Estate beside Lake Windemere and begin to attempt, with the help of a multitude of kind heroes, to rebuild their shattered lives. As they gain in strength and trust they have to make decisions about what to do and where to go next. Yossi lives in hope that the Red Cross will find his father yet life inevitably must move on whilst the search continues.
In this heartwarming tale of true and beautiful friendship, Tom Palmer communicates to a young audience with crystal-clear clarity the atrocities and the fall-out of war. As seen before in his books, he doesn't avoid the harsh realities, nor does he glorify them or play them down. Instead, he says just the right amount for the intended readership - a real skill. And, given the publisher Barrington Stoke's mission to provide credible, yet easy-to-read books for less confident readers, it is remarkable that a book written in a more simplistic style than others in its category has emotional depth beyond that of its peers.
In fact, perhaps the low use of complex language is all a technique to help us to understand Yossi. Here is a teenager who speaks no English, yet finds himself in the middle of the English countryside. Here is a teenager whose life has been devastated and dominated by cruelty beyond words. The narration of the story only serves to help us to know and love the character as he finds the meaning to life once more, as he learns to express himself to those around him and as he finds and understands himself once more.
With lots of World War Two references, particularly to warplanes, and the trademark sport references (I was pleased to read Yossi's celebration of the bicycle), this is exactly what I wanted from a new Tom Palmer novel. A tale of hope, friendship and altruism that is all too relevant in the current times we are living through.
After the War: From Auschwitz to Ambleside will publish on 7 May 2020 in Barrington Stoke’s middle-grade Conkers series.
Friday 17 January 2020
Guest Blog Post: The World of Masks by Anna Hoghton
Click here to read my review of The Mask of Aribella by Anna Hoghton.
In this guest blog post, author Anna Hoghton explains how she researched a key motif in her debut novel for children and shares some of her findings. A great read for anyone who has read the book, or wants to, and for teachers who want to encourage children to research information for their own stories:
Masks are clearly important in the world of my book – I mean, they’re in the title and on the front cover. Given that I was writing about Venice, I always knew I would use masks, it was just a question of how. What did I want masks to mean for my characters?
For inspiration, I investigated into how masks have been used throughout history. Masks have been used for centuries and the oldest mask ever found is from 7000 BC, though the art of mask making is likely to be even older than this. There are as many different styles of masks as there are different cultures and they’ve been used for everything: rituals, ceremonies, hunting, feasts, wars, in performances, theatres, fashion, art, sports, films, as well as for medical or protective reasons. Here are a few examples of how masks have been used by everyone from the ancient Greeks to Spiderman.
Ancient Greece
The iconic smiling comedy and frowning tragedy masks were used in ancient Greek theatre. Paired together, they showed the two extremes of the human psyche. Before this, Greeks also used masks in ceremonial rites and celebrations during the worship of Dionysus at Athens.
West Africa
In West Africa, masks are still used by some tribes (such as the Edo, Yoruba and Igbo cultures) as a way of communicating with ancestral spirits. These masks are skilfully made out of wood and often have human faces, though they are sometimes in the shapes of the animals. Some tribes believe that these animal masks allow them to communicate with the animal spirits of savannas and forests. Some tribes also use war masks with big eyes, angry expressions and bright colours to scare their enemies.
North America
In North America, the skilled woodworkers in coastal Inuit tribes make complex masks from wood, leather, bones and feathers. These masks are cleverly crafted, often with movable parts, and are very beautiful. Used in shamanic rituals, these masks represent the unity between the Inuit people, their ancestors and the animals that they hunt. When people are sick, the masks are also used to exorcize the evil spirits from them.
Oceania
In Oceania, where the culture of ancestral worship is very important, masks are made to represent ancestors. Sometimes these masks are enormous, even six metres high. They are also used to ward off evil spirits.
Latin America
In Latin America, Ancient Aztecs used masks to cover the faces of their deceased. At first these funeral masks were made from leather, but later they were made out of copper and gold.
Venice (of course I had to mention this one)
In the Republic of Venice, the concealment of identity was part of daily activity and used to break down social boundaries. This was useful as it meant state inquisitors could find out truths without citizens knowing who they were. But masks also meant that people could get up to no good... Eventually the wearing of masks in daily life was banned except for during certain months of the year.
However, masks continued to be used in the Commedia dell’Arte - an improvisational theatre that was popular until the 18th century. Their plays were based on established characters with a rough storyline, called Canovaccio. If you’ve read ‘The Mask of Aribella’ that name might sound familiar…
During the Black Death, plague doctor masks were also worn in Venice. These masks had long, white beaks, which were filled with sweet-smelling herbs and used to protect the wearer from breathing in infections, which at the time people believed to be airborne. I’ve used this iconic mask as the Mask Maker’s mask in ‘Aribella’.
Nowadays, masks are the fodder of superheroes such as Spiderman and Zorro who wear masks to protect their identities. Masks were used interestingly in the new ‘Watchmen’ TV series, which imagines a world where police also wear masks to protect their identities. There are several great lines, such as: "You can't heal under a mask [...] Wounds need air." and ‘Masks allow men to be cruel’.
So, in conclusion, masks can, and have, been used for many different purposes, even within a particular culture. I love the empowering, spiritual side of masks and decided to use masks in my story as a tool that could not only hide their wearers (by making them ‘unwatchable’), but also help them become more fully themselves and access the unique strengths inside of them. We all wear masks to greater or lesser extents in our lives. At the start of the novel, Aribella is hiding from the people around her. However, throughout the course of the book, she learns to trust her own power. When she eventually gets a mask of her own, one that is made for her, and puts it on, she knows she will never hide again. I think lots of young people could learn to trust themselves a little more and drop some of the false masks that we all hide behind in order to fit in. Imagine a world where we all fearlessly showed our true selves and unique powers? What a magical place that would be.
THE MASK OF ARIBELLA by Anna Hoghton is out now in paperback (£6.99, Chicken House)
In this guest blog post, author Anna Hoghton explains how she researched a key motif in her debut novel for children and shares some of her findings. A great read for anyone who has read the book, or wants to, and for teachers who want to encourage children to research information for their own stories:
Masks are clearly important in the world of my book – I mean, they’re in the title and on the front cover. Given that I was writing about Venice, I always knew I would use masks, it was just a question of how. What did I want masks to mean for my characters?
For inspiration, I investigated into how masks have been used throughout history. Masks have been used for centuries and the oldest mask ever found is from 7000 BC, though the art of mask making is likely to be even older than this. There are as many different styles of masks as there are different cultures and they’ve been used for everything: rituals, ceremonies, hunting, feasts, wars, in performances, theatres, fashion, art, sports, films, as well as for medical or protective reasons. Here are a few examples of how masks have been used by everyone from the ancient Greeks to Spiderman.
Ancient Greece
The iconic smiling comedy and frowning tragedy masks were used in ancient Greek theatre. Paired together, they showed the two extremes of the human psyche. Before this, Greeks also used masks in ceremonial rites and celebrations during the worship of Dionysus at Athens.
West Africa
In West Africa, masks are still used by some tribes (such as the Edo, Yoruba and Igbo cultures) as a way of communicating with ancestral spirits. These masks are skilfully made out of wood and often have human faces, though they are sometimes in the shapes of the animals. Some tribes believe that these animal masks allow them to communicate with the animal spirits of savannas and forests. Some tribes also use war masks with big eyes, angry expressions and bright colours to scare their enemies.
North America
In North America, the skilled woodworkers in coastal Inuit tribes make complex masks from wood, leather, bones and feathers. These masks are cleverly crafted, often with movable parts, and are very beautiful. Used in shamanic rituals, these masks represent the unity between the Inuit people, their ancestors and the animals that they hunt. When people are sick, the masks are also used to exorcize the evil spirits from them.
Oceania
In Oceania, where the culture of ancestral worship is very important, masks are made to represent ancestors. Sometimes these masks are enormous, even six metres high. They are also used to ward off evil spirits.
Latin America
In Latin America, Ancient Aztecs used masks to cover the faces of their deceased. At first these funeral masks were made from leather, but later they were made out of copper and gold.
Venice (of course I had to mention this one)
In the Republic of Venice, the concealment of identity was part of daily activity and used to break down social boundaries. This was useful as it meant state inquisitors could find out truths without citizens knowing who they were. But masks also meant that people could get up to no good... Eventually the wearing of masks in daily life was banned except for during certain months of the year.
However, masks continued to be used in the Commedia dell’Arte - an improvisational theatre that was popular until the 18th century. Their plays were based on established characters with a rough storyline, called Canovaccio. If you’ve read ‘The Mask of Aribella’ that name might sound familiar…
During the Black Death, plague doctor masks were also worn in Venice. These masks had long, white beaks, which were filled with sweet-smelling herbs and used to protect the wearer from breathing in infections, which at the time people believed to be airborne. I’ve used this iconic mask as the Mask Maker’s mask in ‘Aribella’.
Nowadays, masks are the fodder of superheroes such as Spiderman and Zorro who wear masks to protect their identities. Masks were used interestingly in the new ‘Watchmen’ TV series, which imagines a world where police also wear masks to protect their identities. There are several great lines, such as: "You can't heal under a mask [...] Wounds need air." and ‘Masks allow men to be cruel’.
So, in conclusion, masks can, and have, been used for many different purposes, even within a particular culture. I love the empowering, spiritual side of masks and decided to use masks in my story as a tool that could not only hide their wearers (by making them ‘unwatchable’), but also help them become more fully themselves and access the unique strengths inside of them. We all wear masks to greater or lesser extents in our lives. At the start of the novel, Aribella is hiding from the people around her. However, throughout the course of the book, she learns to trust her own power. When she eventually gets a mask of her own, one that is made for her, and puts it on, she knows she will never hide again. I think lots of young people could learn to trust themselves a little more and drop some of the false masks that we all hide behind in order to fit in. Imagine a world where we all fearlessly showed our true selves and unique powers? What a magical place that would be.
THE MASK OF ARIBELLA by Anna Hoghton is out now in paperback (£6.99, Chicken House)
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Saturday 4 January 2020
Book Review: 'The Mask Of Aribella' by Anna Hoghton
Choosing the islands and lagoon of Venice for the setting of a magial middle grade escapade was a stroke of genius. The surrealness of such a location makes the events of the story seem entirely plausible: very surely an only-just teenager in that strange place could find out they are a member of a magical order and that actually, they are the one to avert the catastrophe that is looming over the people of Venice.
It's on the eve of Aribella's 13th birthday that, in a fit of rage, she discovers she has the power to conjure fire. Very quickly she is whisked away into an ever-present but invisible parallel world where she discovers there is more to her unique city than meets the eye. But it is clear that not all is well, and is the way with such tales, she finds it is up to her and her new-found friends to save the day.
With the odd hint of certain giants of the genre, albeit with an Italian twist, this story is bound to enchant anyone within just a few pages. The story skims along at a cracking pace, yet, just as with the wooden piles on which Venice is built, there are foundations that run deep - the power of friendship and family, trust and responsibility provide a solid base for this dark tale of good versus evil.
Not only is this a fantasy adventure, it will also have its readers guessing whodunnit-style as to who is really responsible for the sinister goings on. As I read, I mentally drew up my own list of suspects and weighed up their motives, questioning their behaviour and coming to my own conclusions about who is behind the appearance of spectres in the lagoon, the disappearance of all the animals and the too-regular appearance of the Blood Moon. I, of course, was wrong, but that made the ending all the more satisfying - and there was more than one goosebump moments as the elements of the plot came together in the final moments.
A strong start for children's publishing in 2020 and a great introduction to Anna Hoghton, a new voice in children's fiction.
Published by Chicken House · 2nd January 2020 · Paperback · £6.99 · 9+ year olds
It's on the eve of Aribella's 13th birthday that, in a fit of rage, she discovers she has the power to conjure fire. Very quickly she is whisked away into an ever-present but invisible parallel world where she discovers there is more to her unique city than meets the eye. But it is clear that not all is well, and is the way with such tales, she finds it is up to her and her new-found friends to save the day.
With the odd hint of certain giants of the genre, albeit with an Italian twist, this story is bound to enchant anyone within just a few pages. The story skims along at a cracking pace, yet, just as with the wooden piles on which Venice is built, there are foundations that run deep - the power of friendship and family, trust and responsibility provide a solid base for this dark tale of good versus evil.
Not only is this a fantasy adventure, it will also have its readers guessing whodunnit-style as to who is really responsible for the sinister goings on. As I read, I mentally drew up my own list of suspects and weighed up their motives, questioning their behaviour and coming to my own conclusions about who is behind the appearance of spectres in the lagoon, the disappearance of all the animals and the too-regular appearance of the Blood Moon. I, of course, was wrong, but that made the ending all the more satisfying - and there was more than one goosebump moments as the elements of the plot came together in the final moments.
A strong start for children's publishing in 2020 and a great introduction to Anna Hoghton, a new voice in children's fiction.
Published by Chicken House · 2nd January 2020 · Paperback · £6.99 · 9+ year olds
Thursday 2 January 2020
Book Review: 'Empire's End - A Roman Story' by Leila Rasheed
There are over 30 other books in Goodreads' Roman Britain in YA & Middle Grade Fiction Listopia list, some by eminent writers such as Rosemary Sutcliff. So why do we need another book which falls into this (very niche) category?
Well, Leila Rasheed has an important story to tell. Scholastic's Voices series focuses specifically on 'the unsung voices of our past' - in this particular book it's the voice of a young Libyan Roman woman who finds herself at the empire's end - in Britain. She has accompanied her father, a doctor, who is an aide to Septimius Severus, a Roman Emperor originally from Libya, and his powerful and influential Syrian wife, Julia Domna.
Not only do we get a much more diverse cast than in other historical novels, and are allowed to hear the stories of those who history doesn't always like to remember, but we also hear it from the pen of an author who herself grew up in Libya and who describes herself (on her Twitter bio at least) as British-Asian European.
CLPE's Reflecting Realities survey of ethnic representation in UK children's books found that in 2018 only 4% of children's books published featured a Black, Asian and minority ethnic (BAME) main protagonist. The BookTrust Represents research into representation of people of colour among children’s book authors and illustrators found that in 2017 less than 6% of book creators were from a BAME background. That's why we need this book.
But this doesn't just fill a void in the market, this is a seriously good book. The gripping and fast-paced story is all carefully interwoven with historical fact: a Roman emperor from Libya did live and die in York, archaeological research has shown that those with black African heritage did live in Britain during the Roman period and that people from all over the Roman provinces ended up marrying each other and having children.
In 'Empire's End' Rasheed imagines how one such character may have ended up in Britain, despite having been born in North Africa. Although slavery is a key theme in the book, it is important that we follow the story of a high status a BAME character - as we've mentioned before, it is these stories that are seldom told. As Camilla's destiny is linked to that of the struggle for power in the Roman Empire, nothing is very certain for her as she travels the world and settles in a place that seems as far from home as she can imagine. The story twists and turns, painting vivid characters and their realities in a human way against the backdrop of one of the Roman Empire's trickiest times.
Young readers will be thrilled to find this combination of qualities in one fairly short story which is bound to hold the attention of even the most flighty of readers. And with this being the fourth book in the series, there is already plenty for readers to go back and discover. A fantastic first read for 2020.
Well, Leila Rasheed has an important story to tell. Scholastic's Voices series focuses specifically on 'the unsung voices of our past' - in this particular book it's the voice of a young Libyan Roman woman who finds herself at the empire's end - in Britain. She has accompanied her father, a doctor, who is an aide to Septimius Severus, a Roman Emperor originally from Libya, and his powerful and influential Syrian wife, Julia Domna.
Not only do we get a much more diverse cast than in other historical novels, and are allowed to hear the stories of those who history doesn't always like to remember, but we also hear it from the pen of an author who herself grew up in Libya and who describes herself (on her Twitter bio at least) as British-Asian European.
CLPE's Reflecting Realities survey of ethnic representation in UK children's books found that in 2018 only 4% of children's books published featured a Black, Asian and minority ethnic (BAME) main protagonist. The BookTrust Represents research into representation of people of colour among children’s book authors and illustrators found that in 2017 less than 6% of book creators were from a BAME background. That's why we need this book.
But this doesn't just fill a void in the market, this is a seriously good book. The gripping and fast-paced story is all carefully interwoven with historical fact: a Roman emperor from Libya did live and die in York, archaeological research has shown that those with black African heritage did live in Britain during the Roman period and that people from all over the Roman provinces ended up marrying each other and having children.
In 'Empire's End' Rasheed imagines how one such character may have ended up in Britain, despite having been born in North Africa. Although slavery is a key theme in the book, it is important that we follow the story of a high status a BAME character - as we've mentioned before, it is these stories that are seldom told. As Camilla's destiny is linked to that of the struggle for power in the Roman Empire, nothing is very certain for her as she travels the world and settles in a place that seems as far from home as she can imagine. The story twists and turns, painting vivid characters and their realities in a human way against the backdrop of one of the Roman Empire's trickiest times.
Young readers will be thrilled to find this combination of qualities in one fairly short story which is bound to hold the attention of even the most flighty of readers. And with this being the fourth book in the series, there is already plenty for readers to go back and discover. A fantastic first read for 2020.
Sunday 22 December 2019
Book Review: 'The Star Outside My Window' by Onjali Q. Rauf
As an adult reader, I found this book a difficult one to read - difficult but compelling, yet strangely heartwarming. However, what is apparent to grown ups will certainly be less so for younger readers - the age range the book is really intended for.
The difficult thing about it is that the clues are all there as to what Aniyah and Noah have been through prior to the events in the story. I remember saying when Lisa Thompson's 'The Light Jar' was published that I hadn't encountered themes of domestic violence in a children's book before - in The Star Outside My Window it is a much more central theme.
In its plot, there are definite reminders of Onjali's previous book 'The Boy At The Back Of The Class' - a group of optmistic children hatch a hare-brained, heart-filled scheme to ensure that justice is done. Aniyah, Noah and their new foster brothers Ben and Travis, run away on Halloween and head to London to gate-crash the naming ceremony of a brand new star which is travelling closer to earth than any other star has before.
With the scientific element of the story being quite fantastical, and the terrible realities of domestic violence being ever present, a balance is created. Aniyah's love of astronomy brings another dimension too - there are plenty of great factoids scattered throughout the story. But it is the narrator's voice which really sets this story firmly in place as appropriate for the intended age group despite its upsetting premise. The child's point of view which Rauf adopts, and carries off so well (as she also did in her first book), makes for a gentle and palatable yet serious treatment of the subject matter.
Books which tackle ideas about what happens after death are usually problematic: more often than not, they push one particular, definite idea or another - beliefs which definitely wouldn't align with everyone's way of thinking, therefore alienating potential readers. In 'The Star Outside My Window' a new precendent is set: all it portrays is one child's own rationalisation of what they think has happened to their mum - an idea forged in the furnaces of grief and the only thing that makes sense to them at the time. The author pushes no religious or secular beliefs, she just tells the story of one little girl, struggling to come to terms with what has happened.
And whilst the bulk of this review has focused on the deep and meaningfuls of this book, it really must be said that it is a rip-roaring, heart-in-mouth adventure too - will they really make it all the way to the Royal Observatory, Greenwich from Waverley Village in Oxfordshire in time without being caught? The odds are stacked against them but you'll cheer repeatedly as they thwart well-meaning citizens who only want to keep them safe, and you'll laugh as squirrels - yes, squirrels! - pretty much save the day in the nick of time.
This certainly is one of 2019's must-read books, but perhaps one that parents and teachers might want to exercise caution with. To help with potential upset, and to promote growth of empathy, the book actually contains a few helpful sections pre- and postscript about the nature of the story and domestic abuse, as well as information for how to get help if aspects of the story ring true for its readers - a thoughtful and essential addition to this brave new book.
Orion Children's Books - 3rd October 2019 - Price: £6.99 - ISBN-13: 9781510105140
The difficult thing about it is that the clues are all there as to what Aniyah and Noah have been through prior to the events in the story. I remember saying when Lisa Thompson's 'The Light Jar' was published that I hadn't encountered themes of domestic violence in a children's book before - in The Star Outside My Window it is a much more central theme.
In its plot, there are definite reminders of Onjali's previous book 'The Boy At The Back Of The Class' - a group of optmistic children hatch a hare-brained, heart-filled scheme to ensure that justice is done. Aniyah, Noah and their new foster brothers Ben and Travis, run away on Halloween and head to London to gate-crash the naming ceremony of a brand new star which is travelling closer to earth than any other star has before.
With the scientific element of the story being quite fantastical, and the terrible realities of domestic violence being ever present, a balance is created. Aniyah's love of astronomy brings another dimension too - there are plenty of great factoids scattered throughout the story. But it is the narrator's voice which really sets this story firmly in place as appropriate for the intended age group despite its upsetting premise. The child's point of view which Rauf adopts, and carries off so well (as she also did in her first book), makes for a gentle and palatable yet serious treatment of the subject matter.
Books which tackle ideas about what happens after death are usually problematic: more often than not, they push one particular, definite idea or another - beliefs which definitely wouldn't align with everyone's way of thinking, therefore alienating potential readers. In 'The Star Outside My Window' a new precendent is set: all it portrays is one child's own rationalisation of what they think has happened to their mum - an idea forged in the furnaces of grief and the only thing that makes sense to them at the time. The author pushes no religious or secular beliefs, she just tells the story of one little girl, struggling to come to terms with what has happened.
And whilst the bulk of this review has focused on the deep and meaningfuls of this book, it really must be said that it is a rip-roaring, heart-in-mouth adventure too - will they really make it all the way to the Royal Observatory, Greenwich from Waverley Village in Oxfordshire in time without being caught? The odds are stacked against them but you'll cheer repeatedly as they thwart well-meaning citizens who only want to keep them safe, and you'll laugh as squirrels - yes, squirrels! - pretty much save the day in the nick of time.
This certainly is one of 2019's must-read books, but perhaps one that parents and teachers might want to exercise caution with. To help with potential upset, and to promote growth of empathy, the book actually contains a few helpful sections pre- and postscript about the nature of the story and domestic abuse, as well as information for how to get help if aspects of the story ring true for its readers - a thoughtful and essential addition to this brave new book.
Orion Children's Books - 3rd October 2019 - Price: £6.99 - ISBN-13: 9781510105140
Friday 20 September 2019
Extract From 'Guardians Of Magic' by Chris Riddell
An extract from Chris Riddell's latest book 'Guardians of Magic', the first book in the new 'The Cloud Horse Chronicles' series:
Chapter 1: The Runcible Spoon
Zam Zephyr woke early and climbed out of bed, careful not to disturb the other apprentice bakers of Bakery No. 9, who were still fast asleep around him.
It was the day before the Grand Duchess of Troutwine's Tea Ball and Zam was too excited and nervous to stay in bed. Today, they would bake for the tea ball tomorrow. All twelve bakeries in the city competed for the honour of making the most delicious treats for the ball. If anything went wrong again, after last year's disaster that put Bakery No. 9 at the bottom of the heap, Zam and his friends would be sent home in disgrace. The thought of his father's disappointed face was too much to bear. No, Zam thought. He would do anything he could to make sure that his baking was perfect.
In the corner of the attic dormitory, his best friend Langdale the goat boy was gently snoring. Beneath the flour-sack blanket, his hooves twitched as he dreamed of chasing blue butterflies through the summer pine forests of the Western Mountains. In the other corner, the two Shellac sisters clutched the comfort shawl they shared. In the cots in between, the gnome boys from the Grey Hills slept soundless and still, five to a blanket, their small grey-tufted heads just visible.
Looking out of the window, Zam could see the golden roofs of the palaces glittering in the early morning sunlight. He gazed up at a billowing cloud and made a wish: 'To bake the best gingerbread ever, he whispered. 'Cloud horse, cloud horse, far from view, make this wish of mine come true.'
Zam took his apron and cap from the hook and crept out of the attic, leaving his friends to their dreams.
Zam ran all the way down the stairs to the basement, opened the door to the flavour library, and stepped inside. This was his favourite place. He loved how precise, tidy and ordered everything was here. He smiled to himself. With everyone asleep upstairs, it was the perfect time of day to practise without any interruptions.
Shelves lined the basement walls from floor to vaulted ceiling. Looking up through the glass paving stone, Zam could see the shadows of feet walking overhead as people passed the doors of Bakery No. 9.
The shelves around him were stacked with jars of all shapes and sizes, each clearly labelled.
Zam selected the jars he needed, opening each one in turn and taking pinches of the powders they contained. Carefully, he placed the spices on little squares of baking parchment, which he folded neatly and placed in different pockets of his apron. Satisfied with his choices, Zam crossed the stone floor to a large chest of drawers set in an alcove. He opened a drawer labelled 'Index of Crusts' and selected one with crinkle-cut edges and memorized the baking instructions written in small lettering on the underside.
‘For a crumbly texture, short, intense mixing and slow bake in quiet oven ... Zam read. The memory of the calm, reassuring sound of the head baker's voice filled his head, as it always did when Zam read his recipes. 'For a more robust biscuit, easeful mixing with broad, generous spoon and a short, fierce bake in busy oven...
‘Broad, generous spoon,' Zam repeated to himself, returning the crinkle-cut crust to the drawer and closing it. He looked up and was about to select one of the wooden spoons, which hung from the hooks in the ceiling, when he trod on something. It was a large spoon he hadn't noticed lying on the flagstone floor.
'That is so careless,' Zam muttered, picking it up. The spoon was broad and long handled, carved from a single piece of wood, by the look of it. Zam turned it over. It was a slotted spoon, full of small holes, with three large ones near the base of the handle.
‘Easeful mixing with broad, generous spoon,' the head baker's voice sounded in Zam's head.
‘Perfect,' he said, wiping the spoon on his apron before slipping it into a pocket.
He selected a favourite battered old book from a shelf: The Art of Baking. “There you are," he said happily and climbed the back stairs to the kitchen.
An hour later, the other apprentice bakers had been woken by the six o'clock gong and were filing in, putting on their caps and rubbing the sleep from their eyes. Balthazar Boabab, the head baker of Bakery No. 9, followed them into the kitchen smiling.
'Good morning, apprentices!' he said cheerfully, peering over the top of his half-rim spectacles. “As you know, the twelve bakeries of Troutwine are baking for the Grand Duchess's Tea Ball tomorrow, and we all have our parts to play.W
The head baker smiled again, a little ruefully this time. 'Bakery No. 1 is doing the first tiers. Bakery No. 2 the second and third tiers. Fillings are being produced by bakeries No. 3, 4 and 5. While No. 6, 7 and 8 are baking pastry shells and meringues. - Bakeries No. 10 and 11 are fruitcake and turnovers, and Bakery No. 12 is making floating islands...' Balthazar Boabab took a deep breath. 'This means, once again, Bakery No. 9 is picking up the crumbs…'
The apprentice bakers began to mutter. It wasn't fair. They had tried so hard, but they weren't being given a chance.
'I know, I know ...' said the head baker. 'It's not ideal, but after last year's cake collapse and exploding-eclair incident, Bakery No. 9 has a lot to prove ...'
'But that wasn't our fault,' protested one of the gnomes.
'The last head baker didn't pay off the League of Rats, said Langdale the goat boy, stamping his hooves, "and they ruined everything…'
'Nothing was proved,' said Balthazar gently. 'I am head baker now, and things are different, aren't they?'
Zam and the other apprentices nodded. It was true. Bakery No. 9 had changed since Balthazar Boabab had taken over: no more bullying, tantrums or random punishments. The kitchen was a happy place, and everyone was respected and baking beautifully. It was just as well. A year ago, after the disaster of the last tea ball, Bakery No. 9 had almost been shut down and everyone sent home. If Balthazar hadn't joined them from the fashionable Bakery No. 12, the apprentices would have had no future. None of them wanted to let him down.
"But what about the rats?' asked Langdale anxiously.
‘Let me worry about them,' said the head baker, doing his best to sound cheerful. ‘After all, we have heard nothing from the rats since I arrived.
Meanwhile, you have baking to do. We will be making the crusts as well as gingerbread and some spun-sugar decorations. And, at the tea ball itself –
Balthazar cleared his throat; even he couldn't sound cheerful about the next bit – 'Bakery No. 9 will be doing the washing-up.
The apprentice bakers groaned.
‘Langdale and the Shellac sisters are on shortcrust pastry shells,' Balthazar instructed. 'Gnomes are on glazed piecrust. Zam, are you confident to bake the gingerbread and help me with the spun sugar?'
'Yes, head baker,' said Zam excitedly. “I've already been down in the flavour library ...
‘Baker's pet,' muttered Langdale.
Balthazar gave the goat boy a stern look. But before he could say anything, an unexpected sound silenced them all.
In the shop, the doorbell had rung, and now they could hear the scritch-scratch of claws on the floorboards.
'I smell a rat,' said Langdale.
Publishing 19th September 2019 | Hardback, £12.99 | Macmillan Children’s Books | ISBN 9781447277972
Chapter 1: The Runcible Spoon
Zam Zephyr woke early and climbed out of bed, careful not to disturb the other apprentice bakers of Bakery No. 9, who were still fast asleep around him.
It was the day before the Grand Duchess of Troutwine's Tea Ball and Zam was too excited and nervous to stay in bed. Today, they would bake for the tea ball tomorrow. All twelve bakeries in the city competed for the honour of making the most delicious treats for the ball. If anything went wrong again, after last year's disaster that put Bakery No. 9 at the bottom of the heap, Zam and his friends would be sent home in disgrace. The thought of his father's disappointed face was too much to bear. No, Zam thought. He would do anything he could to make sure that his baking was perfect.
In the corner of the attic dormitory, his best friend Langdale the goat boy was gently snoring. Beneath the flour-sack blanket, his hooves twitched as he dreamed of chasing blue butterflies through the summer pine forests of the Western Mountains. In the other corner, the two Shellac sisters clutched the comfort shawl they shared. In the cots in between, the gnome boys from the Grey Hills slept soundless and still, five to a blanket, their small grey-tufted heads just visible.
Looking out of the window, Zam could see the golden roofs of the palaces glittering in the early morning sunlight. He gazed up at a billowing cloud and made a wish: 'To bake the best gingerbread ever, he whispered. 'Cloud horse, cloud horse, far from view, make this wish of mine come true.'
Zam took his apron and cap from the hook and crept out of the attic, leaving his friends to their dreams.
Zam ran all the way down the stairs to the basement, opened the door to the flavour library, and stepped inside. This was his favourite place. He loved how precise, tidy and ordered everything was here. He smiled to himself. With everyone asleep upstairs, it was the perfect time of day to practise without any interruptions.
Shelves lined the basement walls from floor to vaulted ceiling. Looking up through the glass paving stone, Zam could see the shadows of feet walking overhead as people passed the doors of Bakery No. 9.
The shelves around him were stacked with jars of all shapes and sizes, each clearly labelled.
Zam selected the jars he needed, opening each one in turn and taking pinches of the powders they contained. Carefully, he placed the spices on little squares of baking parchment, which he folded neatly and placed in different pockets of his apron. Satisfied with his choices, Zam crossed the stone floor to a large chest of drawers set in an alcove. He opened a drawer labelled 'Index of Crusts' and selected one with crinkle-cut edges and memorized the baking instructions written in small lettering on the underside.
‘For a crumbly texture, short, intense mixing and slow bake in quiet oven ... Zam read. The memory of the calm, reassuring sound of the head baker's voice filled his head, as it always did when Zam read his recipes. 'For a more robust biscuit, easeful mixing with broad, generous spoon and a short, fierce bake in busy oven...
‘Broad, generous spoon,' Zam repeated to himself, returning the crinkle-cut crust to the drawer and closing it. He looked up and was about to select one of the wooden spoons, which hung from the hooks in the ceiling, when he trod on something. It was a large spoon he hadn't noticed lying on the flagstone floor.
'That is so careless,' Zam muttered, picking it up. The spoon was broad and long handled, carved from a single piece of wood, by the look of it. Zam turned it over. It was a slotted spoon, full of small holes, with three large ones near the base of the handle.
‘Easeful mixing with broad, generous spoon,' the head baker's voice sounded in Zam's head.
‘Perfect,' he said, wiping the spoon on his apron before slipping it into a pocket.
He selected a favourite battered old book from a shelf: The Art of Baking. “There you are," he said happily and climbed the back stairs to the kitchen.
An hour later, the other apprentice bakers had been woken by the six o'clock gong and were filing in, putting on their caps and rubbing the sleep from their eyes. Balthazar Boabab, the head baker of Bakery No. 9, followed them into the kitchen smiling.
'Good morning, apprentices!' he said cheerfully, peering over the top of his half-rim spectacles. “As you know, the twelve bakeries of Troutwine are baking for the Grand Duchess's Tea Ball tomorrow, and we all have our parts to play.W
The head baker smiled again, a little ruefully this time. 'Bakery No. 1 is doing the first tiers. Bakery No. 2 the second and third tiers. Fillings are being produced by bakeries No. 3, 4 and 5. While No. 6, 7 and 8 are baking pastry shells and meringues. - Bakeries No. 10 and 11 are fruitcake and turnovers, and Bakery No. 12 is making floating islands...' Balthazar Boabab took a deep breath. 'This means, once again, Bakery No. 9 is picking up the crumbs…'
The apprentice bakers began to mutter. It wasn't fair. They had tried so hard, but they weren't being given a chance.
'I know, I know ...' said the head baker. 'It's not ideal, but after last year's cake collapse and exploding-eclair incident, Bakery No. 9 has a lot to prove ...'
'But that wasn't our fault,' protested one of the gnomes.
'The last head baker didn't pay off the League of Rats, said Langdale the goat boy, stamping his hooves, "and they ruined everything…'
'Nothing was proved,' said Balthazar gently. 'I am head baker now, and things are different, aren't they?'
Zam and the other apprentices nodded. It was true. Bakery No. 9 had changed since Balthazar Boabab had taken over: no more bullying, tantrums or random punishments. The kitchen was a happy place, and everyone was respected and baking beautifully. It was just as well. A year ago, after the disaster of the last tea ball, Bakery No. 9 had almost been shut down and everyone sent home. If Balthazar hadn't joined them from the fashionable Bakery No. 12, the apprentices would have had no future. None of them wanted to let him down.
"But what about the rats?' asked Langdale anxiously.
‘Let me worry about them,' said the head baker, doing his best to sound cheerful. ‘After all, we have heard nothing from the rats since I arrived.
Meanwhile, you have baking to do. We will be making the crusts as well as gingerbread and some spun-sugar decorations. And, at the tea ball itself –
Balthazar cleared his throat; even he couldn't sound cheerful about the next bit – 'Bakery No. 9 will be doing the washing-up.
The apprentice bakers groaned.
‘Langdale and the Shellac sisters are on shortcrust pastry shells,' Balthazar instructed. 'Gnomes are on glazed piecrust. Zam, are you confident to bake the gingerbread and help me with the spun sugar?'
'Yes, head baker,' said Zam excitedly. “I've already been down in the flavour library ...
‘Baker's pet,' muttered Langdale.
Balthazar gave the goat boy a stern look. But before he could say anything, an unexpected sound silenced them all.
In the shop, the doorbell had rung, and now they could hear the scritch-scratch of claws on the floorboards.
'I smell a rat,' said Langdale.
Publishing 19th September 2019 | Hardback, £12.99 | Macmillan Children’s Books | ISBN 9781447277972
Labels:
book,
books,
children's books,
children's literature,
Chris Riddell,
reading
Wednesday 10 July 2019
Children's Books Reviewed By Children #2
In our house we have recently revamped the bedtime routine to contain A LOT more reading. This was partly out of necessity - the nights are so light that they couldn't go to sleep as early as they do when it is dark. They were also doing some pretty wild stuff pre-bedtime which DID NOT make them at all calm or ready to sleep. The answer: you already know: reading, of course!
As a result, my three children have read a ridiculous number of books and now they have industriously written a whole host of comments about the books for you. Here are the books they've chosen along with a few of their thoughts on them:
When Tyler is sent to summer camp, she can’t resist packing one of her latest science projects – the Hologramaphone 3000. Problem is, some of the phone’s functions have EXTREME side-effects, the kind that can turn your best-friend into a ferocious werewolf!
But when Tyler, Dylan and Ashley band together, there’s no problem that they can’t solve – no matter how big, hairy, and terrifying.
You would definitely so love it! I would probably say ages from 6 -10. Well, maybe. Apart from that, I would still recommend it to friends and family. - A, 7
I liked the part where they sneak into Pipper's office to get Tyler's Hologramaphone 2000 because Courtney and Pipper suddenly come in and Courtney starts talking about how clever she is. There's a really funny bit where Courtney says: "You can't say werewolves are real until you've actually see one." That bit's soooo funny! This book is 10/10 is for 7-13 year-olds. My favourite character is Courtney because she is show-y-off-y and funny. Enjoy! - I, 8
A swimming lesson takes an exciting turn when Fliss is magically whisked away to the Indian Ocean! There she finds a young dolphin in trouble and she knows she has to help. But she’s scared of deep water, and who knows what other animals there might be out there! Can Fliss face her fears and save her new friend?
A beautifully detailed book. I liked the bit where Fliss swam right up to the tiger shark and bopped it on the nose, just to save Spinner. I think Fliss was very brave to swim out of her depths, right next to a whale shark! I liked how welcoming and kind the author made Izad. I also liked how the author explained about the reef and how beautiful it was. I would highly recommend this book to friends and family. I think it was a very good book! It was awesome! - I, 8
The Flute by Ken Wilson-Max, Illustrated by Catell Ronca (Tiny Owl)
Hear the whisper of the flute and see how it floats like a butterfly or blows like cold, grey wind. Discover how music can make you move and feel!
"I like Tiny Owl - he's a good book owl, isn't he?"
This book is about playing the flute. The flute makes nice noises but the sounds are like colours. It makes me feel like I want to play the flute and make a nice song with it. I like the part at the end where is says 'And a lilac sigh' because it has lots of colours. I like the colours in this book. - J, 5
Click here to watch a video of Ken Wilson Max reading The Flute.
The Bolds' Great Adventure by Julian Clary, Illustrated by David Roberts (Andersen Press)
Fasten your seatbelts - it's a special adventure for World Book Day with Teddington's wildest family! Learn just how our intrepid hyenas managed to get from their African safari park onto the plane and off to their new home in England. It's quite a remarkable, and some would say, unbelievable tale - but there are many laughs along the way!
The Bolds are Hyenas. One day, the find some safari clothes lying near a river. There they found clothes, keys and passports. So they decided to travel to England. When they get there, they get things so muddled up! Mum poops in the shower, eats a wooden fruit and other bad stuff!
I liked the jokes that Mr. Bold makes up - they are very extremely funny!
This book is all about trying hard and listening and it is very fun.
Thank you for making this book, Julian Clary and David Roberts! - A, 7
The Hideaway Deer by Holly Webb, Illustrated by James Brown (Stripes)
When Lola moves house she can’t help feeling sad to leave her old friends and life behind. She’s always been shy and worries it’ll be hard to make friends at her new school. It’s not all scary, though. Lola loves her new home with its rambling garden and the deer that sometimes wander in through the broken fence.
Then one day she comes across a fawn who seems to be in trouble. Lola is determined to do everything she can to help the terrified little deer, but will she be able to do it on her own?
This book is amazing! It's all about a deer who has lost her mum. Her name is Dapple.
This book is all about growing up, leaving your animal friend and moving places.
I liked the bit when Lola stands in front of her class and talks about freeing the deer. - A, 7
Aunt Amelia by Rebecca Cobb (Macmillan)
When Mum and Dad go away for the night, Aunt Amelia comes to look after one very cross little girl and boy. They do NOT want to be looked after and, even worse, Mum has left a list of boring instructions. But Aunt Amelia turns out to be rather different from expected . . . and a LOT more fun!
It's about Aunt Amelia coming to babysit the children. Mum and dad give her a list but they do everything wrong and they have loads of fun! They have fun swinging on trees; they have fun going on Aunt Amelia's back in the pond; they have fun eating loads of ice cream and they have fun eating sweets! At the end, they get ready for mum and dad coming back and they sweep and mop the house. I like everything about this book! - J, 5
My Babysitter Is A Robot by Dave Cousins, Illustrated by Catalina Echeverri (Stripes)
When Grandma creates a robot babysitter for twins Jake and Jess, chaos ensues!
Robin is embarrassing, clumsy and, worst of all, programmed to make them do their homework. They're also pretty sure he thinks their dog is a baby. The twins decide they have to do something before everyone realizes that Robin is a robot. But getting rid of their new babysitter will mean putting aside their sibling squabbles and working together, which might be an even bigger challenge...
My Babysitter Is A Robot is so good! This story is all about a robot who is very strict. I liked it when they were at the school fair and Robin did knock down the coconuts because the children found out that the coconuts were glued on! I also liked the part when they put salt in the sugar bowl for Olivia's party buns! - A, 7
Star Friends: Moonlight Mischief by Linda Chapman, Illustrated by Lucy Fleming (Stripes)
When the residents of Westcombe enter the Best Kept Village competition, they appear to have a helping hand – someone has tidied the village overnight! No one knows who has mowed the lawns and painted the fences but the town is looking neater than ever. Then pets and toys start to go missing. The villagers are upset and worried, and the Star Friends suspect that dark magic is involved. They're going to have to use all of their skills to solve this latest mystery...
In Star Friends: Moonlight Mischief someone's doing dark magic! There are shades in dolls and the dolls come alive! First, they do a good thing, then bad, good, bad.
This book is all about dark magic, powerful girls and trying hard.
I really liked it when they were having to fight the shades. Oh, the book is so good! - A, 7
The Nothing To See Here Hotel by Steven Butler, Illustrated by Steven Lenton (Simon & Schuster)
Welcome to The Nothing to See Here Hotel! A hotel for magical creatures, where weird is normal for Frankie Banister and his parents who run the hotel.
When a goblin messenger arrives at The Nothing to See Here Hotel, announcing the imminent arrival of the goblin prince Grogbah, Frankie and his family rush into action to get ready for their important guest. But it soon becomes obvious that the Banister family are going to have their work cut out with the demanding prince and his never-ending entourage, especially when it turns out the rude little prince is hiding a secret..
I liked the bit where Mrs V gobbles Grogbah up in her sleep. I also like how the Molar Sisters speak - 'Thith ith amathing!' - they speak like that because they have lost so many teeth! It's good when the pirates come and have a fight with the goblins! It turns out that Grogbah has the encrusted diamond aaaaaaaaaaaaall along! This book is 10/10 and is for 7s and over. My favourite character is Nancy because she is a very calm, lovely spider. This book is amazing. - I, 8
Action Stan by Elaine Wickson, Illustrated by Chris Judge (OUP Oxford)
Stan and his little brother Fred are off on a school trip to an outdoor adventure camp. Stan has been asked to keep an eye on Fred and his friends while they're away . . . what could possibly go wrong!?
Packed full of infographics, charts, and diagrams, this hilarious and visually-exciting book will have huge appeal for young readers.
Charts - WOW! I liked the bit where Stan joins the dogs and he wears all the funny clothes. This book is definitely 10/10 and I'd say it's for 8-13 year olds. My favourite character is Maddies because she is dressed in black and the only streak of colour is purple in her hair. She chews bubblegum and stands up for her sister Billie. I also like the bits where calls Jess Alaska. - I, 8
The Travels of Ermine: Trouble in New York by Jennifer Gray, Illustrated by Elisa Paganelli (Usborne)
Meet Ermine. She may be small but she’s on a BIG journey around the world.
Ermine the Determined is off to explore NEW YORK.
She can’t wait to visit Central Park Zoo, ride in a yellow taxi, and zoooom to the top of the Rockefeller building!
But when her suitcase is switched, Ermine finds some robbers are hot on her tail…
I really like how Barry does his burps and tummy rumbles - they're so funny! Also, all the time in the book Barry and Harry are trying to get the diamond all along and Ermine doesn't even know!
I like the accidental trick where Ermine scatters nails on the floor and puts glue on the floor. She also puts chili sauce on the hotdog and fizzymints in the Coca-Cola. I think think this book should be for 7-10s and it's definitely a 10/10! Enjoy! - I, 8
As a result, my three children have read a ridiculous number of books and now they have industriously written a whole host of comments about the books for you. Here are the books they've chosen along with a few of their thoughts on them:
You’ve Been Were-Wolfed by Tom McLaughlin (OUP Oxford)
When Tyler is sent to summer camp, she can’t resist packing one of her latest science projects – the Hologramaphone 3000. Problem is, some of the phone’s functions have EXTREME side-effects, the kind that can turn your best-friend into a ferocious werewolf!
But when Tyler, Dylan and Ashley band together, there’s no problem that they can’t solve – no matter how big, hairy, and terrifying.
You would definitely so love it! I would probably say ages from 6 -10. Well, maybe. Apart from that, I would still recommend it to friends and family. - A, 7
Little Dolphin Rescue by Rachel Delahaye (Little Tiger Press)
A swimming lesson takes an exciting turn when Fliss is magically whisked away to the Indian Ocean! There she finds a young dolphin in trouble and she knows she has to help. But she’s scared of deep water, and who knows what other animals there might be out there! Can Fliss face her fears and save her new friend?
A beautifully detailed book. I liked the bit where Fliss swam right up to the tiger shark and bopped it on the nose, just to save Spinner. I think Fliss was very brave to swim out of her depths, right next to a whale shark! I liked how welcoming and kind the author made Izad. I also liked how the author explained about the reef and how beautiful it was. I would highly recommend this book to friends and family. I think it was a very good book! It was awesome! - I, 8
The Flute by Ken Wilson-Max, Illustrated by Catell Ronca (Tiny Owl)
Hear the whisper of the flute and see how it floats like a butterfly or blows like cold, grey wind. Discover how music can make you move and feel!
"I like Tiny Owl - he's a good book owl, isn't he?"
This book is about playing the flute. The flute makes nice noises but the sounds are like colours. It makes me feel like I want to play the flute and make a nice song with it. I like the part at the end where is says 'And a lilac sigh' because it has lots of colours. I like the colours in this book. - J, 5
Click here to watch a video of Ken Wilson Max reading The Flute.
The Bolds' Great Adventure by Julian Clary, Illustrated by David Roberts (Andersen Press)
Fasten your seatbelts - it's a special adventure for World Book Day with Teddington's wildest family! Learn just how our intrepid hyenas managed to get from their African safari park onto the plane and off to their new home in England. It's quite a remarkable, and some would say, unbelievable tale - but there are many laughs along the way!
The Bolds are Hyenas. One day, the find some safari clothes lying near a river. There they found clothes, keys and passports. So they decided to travel to England. When they get there, they get things so muddled up! Mum poops in the shower, eats a wooden fruit and other bad stuff!
I liked the jokes that Mr. Bold makes up - they are very extremely funny!
This book is all about trying hard and listening and it is very fun.
Thank you for making this book, Julian Clary and David Roberts! - A, 7
The Hideaway Deer by Holly Webb, Illustrated by James Brown (Stripes)
When Lola moves house she can’t help feeling sad to leave her old friends and life behind. She’s always been shy and worries it’ll be hard to make friends at her new school. It’s not all scary, though. Lola loves her new home with its rambling garden and the deer that sometimes wander in through the broken fence.
Then one day she comes across a fawn who seems to be in trouble. Lola is determined to do everything she can to help the terrified little deer, but will she be able to do it on her own?
This book is amazing! It's all about a deer who has lost her mum. Her name is Dapple.
This book is all about growing up, leaving your animal friend and moving places.
I liked the bit when Lola stands in front of her class and talks about freeing the deer. - A, 7
Aunt Amelia by Rebecca Cobb (Macmillan)
When Mum and Dad go away for the night, Aunt Amelia comes to look after one very cross little girl and boy. They do NOT want to be looked after and, even worse, Mum has left a list of boring instructions. But Aunt Amelia turns out to be rather different from expected . . . and a LOT more fun!
It's about Aunt Amelia coming to babysit the children. Mum and dad give her a list but they do everything wrong and they have loads of fun! They have fun swinging on trees; they have fun going on Aunt Amelia's back in the pond; they have fun eating loads of ice cream and they have fun eating sweets! At the end, they get ready for mum and dad coming back and they sweep and mop the house. I like everything about this book! - J, 5
My Babysitter Is A Robot by Dave Cousins, Illustrated by Catalina Echeverri (Stripes)
When Grandma creates a robot babysitter for twins Jake and Jess, chaos ensues!
Robin is embarrassing, clumsy and, worst of all, programmed to make them do their homework. They're also pretty sure he thinks their dog is a baby. The twins decide they have to do something before everyone realizes that Robin is a robot. But getting rid of their new babysitter will mean putting aside their sibling squabbles and working together, which might be an even bigger challenge...
My Babysitter Is A Robot is so good! This story is all about a robot who is very strict. I liked it when they were at the school fair and Robin did knock down the coconuts because the children found out that the coconuts were glued on! I also liked the part when they put salt in the sugar bowl for Olivia's party buns! - A, 7
Star Friends: Moonlight Mischief by Linda Chapman, Illustrated by Lucy Fleming (Stripes)
When the residents of Westcombe enter the Best Kept Village competition, they appear to have a helping hand – someone has tidied the village overnight! No one knows who has mowed the lawns and painted the fences but the town is looking neater than ever. Then pets and toys start to go missing. The villagers are upset and worried, and the Star Friends suspect that dark magic is involved. They're going to have to use all of their skills to solve this latest mystery...
In Star Friends: Moonlight Mischief someone's doing dark magic! There are shades in dolls and the dolls come alive! First, they do a good thing, then bad, good, bad.
This book is all about dark magic, powerful girls and trying hard.
I really liked it when they were having to fight the shades. Oh, the book is so good! - A, 7
The Nothing To See Here Hotel by Steven Butler, Illustrated by Steven Lenton (Simon & Schuster)
Welcome to The Nothing to See Here Hotel! A hotel for magical creatures, where weird is normal for Frankie Banister and his parents who run the hotel.
When a goblin messenger arrives at The Nothing to See Here Hotel, announcing the imminent arrival of the goblin prince Grogbah, Frankie and his family rush into action to get ready for their important guest. But it soon becomes obvious that the Banister family are going to have their work cut out with the demanding prince and his never-ending entourage, especially when it turns out the rude little prince is hiding a secret..
I liked the bit where Mrs V gobbles Grogbah up in her sleep. I also like how the Molar Sisters speak - 'Thith ith amathing!' - they speak like that because they have lost so many teeth! It's good when the pirates come and have a fight with the goblins! It turns out that Grogbah has the encrusted diamond aaaaaaaaaaaaall along! This book is 10/10 and is for 7s and over. My favourite character is Nancy because she is a very calm, lovely spider. This book is amazing. - I, 8
Action Stan by Elaine Wickson, Illustrated by Chris Judge (OUP Oxford)
Stan and his little brother Fred are off on a school trip to an outdoor adventure camp. Stan has been asked to keep an eye on Fred and his friends while they're away . . . what could possibly go wrong!?
Packed full of infographics, charts, and diagrams, this hilarious and visually-exciting book will have huge appeal for young readers.
Charts - WOW! I liked the bit where Stan joins the dogs and he wears all the funny clothes. This book is definitely 10/10 and I'd say it's for 8-13 year olds. My favourite character is Maddies because she is dressed in black and the only streak of colour is purple in her hair. She chews bubblegum and stands up for her sister Billie. I also like the bits where calls Jess Alaska. - I, 8
The Travels of Ermine: Trouble in New York by Jennifer Gray, Illustrated by Elisa Paganelli (Usborne)
Meet Ermine. She may be small but she’s on a BIG journey around the world.
Ermine the Determined is off to explore NEW YORK.
She can’t wait to visit Central Park Zoo, ride in a yellow taxi, and zoooom to the top of the Rockefeller building!
But when her suitcase is switched, Ermine finds some robbers are hot on her tail…
I really like how Barry does his burps and tummy rumbles - they're so funny! Also, all the time in the book Barry and Harry are trying to get the diamond all along and Ermine doesn't even know!
I like the accidental trick where Ermine scatters nails on the floor and puts glue on the floor. She also puts chili sauce on the hotdog and fizzymints in the Coca-Cola. I think think this book should be for 7-10s and it's definitely a 10/10! Enjoy! - I, 8
Thursday 4 July 2019
Questions I Asked Myself When Writing Check Mates by Stewart Foster
I asked Stewart Foster to let us inside the mind of an author at work. One thing that potentially hinders us when we create their own writing is that they don't know the questions to ask themselves as they write. If a writer isn't asking these kinds of questions they could miss out on really ensuring their writing connects with its audience and fulfils its purpose. So, see what Stewart thought about whilst he wrote 'Check Mates' and use his questions as inspiration for your own as you write.
1. Is the beginning quick enough to hold readers attention? My answer to this is to go to dialogue as soon as I can.
2. Will the reader engage with the characters? This is not the same as ‘like’. Again, the answer is to go to dialogue. I find it the best way to ‘hear’ my characters.
3. Do I have Felix’s voice right? The funny thing about this, as with all my books, is that I only knew I had it right when I was no longer conscious of doing it.
4. Was Granddad too much of the perceived stereotypical German. The answer in the first draft was yes, so I dumbed down his accent, and simply had a key phrase ‘I am thinking…’ which I found endearing and quite funny.
5. Was I just writing a series of activities that I found funny, but didn’t move the story forward? Answer, yes, a little. So, I cut out the Go-Karting and car cleaning chapters. Maybe they will see light one day, as I really did like the Go-Karts, but as they say, ‘you have to kill your darlings.’
6. Was the Stasi section too much of an info-dump? I’m terrible about this when I think I spot it in other books, but the truth is, I’m a terrible reader, so I’m no judge at all. In this case I had my daughter read it, and she said it was fine.
7. After the ‘Fall out between Felix’s friend, Jake, and Granddad, how do I get them to make up, without having three chapters of people apologising? This was probably the bit I got most stuck on, and it stopped me for a few days. Then suddenly it came to me, and as with most writing problems, one solution can often solve three things. So, my favourite chapter in Check Mates is the scene with the chess board, under the tree.
8. Am I making it too sad? In order to address this, I broke a rule and went back and read a few chapters (I never go back and read as I write). Luckily, and perhaps vainly, I found myself laughing at my own jokes. Well someone has to! But this meant I knew it was a good balance of sadness and humour.
9. This wasn’t so much a question, as a problem, and that was how to avoid the cliché ending. Luckily the ending came to me when I was out cycling, and to be honest, the ending even surprised me. Of course, I can’t tell you it, as….well, it would spoil the fun!
Sunday 23 June 2019
Book Review: 'The Adventures of Harry Stevenson' by Ali Pye
Adults love to recommend children's books. But what do kids actually think about them? For this review I decided to get my daughter's thoughts as well as give my own. And it only seemed right to let my daughter (who is in year 2) share her thoughts first:
Harry is a guinea pig who is always getting lost. Billy and Harry are best friends who always tell each other everything.
At Billy's birthday party Harry floats away and although he is scared he is determined to get back to Billy.
This book is about friendship, finding your feet and it talks a lot about a football team called 'The Sparky F.C'.
The illustrations of Harry are really cute and they are really interesting to look at.
It is simple enough for 7-11s to read but definitely entertaining.
Harry Stevenson is a really good book and it is very enjoyable to read!
And here's my review:
Harry Stevenson is a guinea pig - of course he is, what else would he be with such a name? Harry lives with Billy and is pretty much his best friend and confidant. In this new book from author and illustrator Ali Pye we get not one, but two of Harry's charming and barmy adventures.
In the first story, Billy and his family move house and in a bizarre twist of fate (or twist of the cage's latch) Harry gets left behind. Of course, he finds his way back but not without severely spooking a dog, having a close shave with a cat and ending up in a box of pizza (which he doesn't even eat as he sticks closely to a proper guinea pig diet).
The second story also sees Harry let loose in the outside, this time in an even more crazy set of circumstances - Ali Pye's illustration of a beat up VW van in hot pursuit of an airborne rodent is one I'd love to have a print of!
Speaking of the illustrations, their screenprint-style of limited, but bright, colour palette are what makes the book immediately appealing - so much so that when my copy arrived it was promptly removed from my shelf and read within a 24 hour period by my 7 year old daughter.
Once the illustrations have hooked in their readers young and old, all will delight in the warmly told stories of a boy and his guinea pig. Pye opens up the mind of a devoted pet and confirms what everyone who keeps an animal secretly hopes - that they completely understand their humans and their complicated lives and love them unconditionally. Harry's mixture of wisdom (when it comes to how Billy must be feeling about loving house, starting a new school and hoping that his football team win) and daftness (when he dreams he's eating spaghetti but is in fact chewing the strings of helium balloons) is quite delightful!
Unlike many books aimed at this age range (I'd say 6-9ish), it's one that will appeal to grown ups as well as children. It's funny without being silly, or rude, and far-fetched in such a heart-warming way that no one could dislike it! It falls into the category of 'great books to introduce children to reading chapter books', of which I've not yet read enough - thanks Ali for writing a good one!
Harry is a guinea pig who is always getting lost. Billy and Harry are best friends who always tell each other everything.
At Billy's birthday party Harry floats away and although he is scared he is determined to get back to Billy.
This book is about friendship, finding your feet and it talks a lot about a football team called 'The Sparky F.C'.
The illustrations of Harry are really cute and they are really interesting to look at.
It is simple enough for 7-11s to read but definitely entertaining.
Harry Stevenson is a really good book and it is very enjoyable to read!
And here's my review:
Harry Stevenson is a guinea pig - of course he is, what else would he be with such a name? Harry lives with Billy and is pretty much his best friend and confidant. In this new book from author and illustrator Ali Pye we get not one, but two of Harry's charming and barmy adventures.
In the first story, Billy and his family move house and in a bizarre twist of fate (or twist of the cage's latch) Harry gets left behind. Of course, he finds his way back but not without severely spooking a dog, having a close shave with a cat and ending up in a box of pizza (which he doesn't even eat as he sticks closely to a proper guinea pig diet).
The second story also sees Harry let loose in the outside, this time in an even more crazy set of circumstances - Ali Pye's illustration of a beat up VW van in hot pursuit of an airborne rodent is one I'd love to have a print of!
Speaking of the illustrations, their screenprint-style of limited, but bright, colour palette are what makes the book immediately appealing - so much so that when my copy arrived it was promptly removed from my shelf and read within a 24 hour period by my 7 year old daughter.
Once the illustrations have hooked in their readers young and old, all will delight in the warmly told stories of a boy and his guinea pig. Pye opens up the mind of a devoted pet and confirms what everyone who keeps an animal secretly hopes - that they completely understand their humans and their complicated lives and love them unconditionally. Harry's mixture of wisdom (when it comes to how Billy must be feeling about loving house, starting a new school and hoping that his football team win) and daftness (when he dreams he's eating spaghetti but is in fact chewing the strings of helium balloons) is quite delightful!
Unlike many books aimed at this age range (I'd say 6-9ish), it's one that will appeal to grown ups as well as children. It's funny without being silly, or rude, and far-fetched in such a heart-warming way that no one could dislike it! It falls into the category of 'great books to introduce children to reading chapter books', of which I've not yet read enough - thanks Ali for writing a good one!
Sunday 16 June 2019
Book Review: 'The Longest Night of Charlie Noon' by Christopher Edge
Thinking back on this book there are certain things which I'm really unsure of: when was it actually set? I'd assumed here and now, but as I've thought about the mind-bending events of the story I'm now not so sure. Did some of it occur in the imagination or were there actually slips in time? A book that keeps you thinking long after you've read the last page has got to be a book worth reading.
In fact, the questions it leaves you with really give you no option but to read it again. As someone with a To Be Read pile that takes up an entire bookshelf (and that's just the children's books) re-reading is not usually an option, but in this case I think I'll have to. The knowledge that Christopher Edge has put together one of his playlists to accompany the book is another point in favour of picking up this excellent novel again, especially as it contains The Cure, Paul Weller, Beastie Boys, James, The Kinks... the list goes on.
Charlie and Dizzy are lost in the woods, looking for some strange symbols that they think might be clues as to who lives in the woods - is it spies, or is it monsters? Or is it Old Crony? And Jonny, the school bully, has ended up with them too. But as night falls (or does it?) things begin to get strange. Trippy even. And suddenly the book is kind of a World War 2 novel - but not one like you've ever read before.
The children experience strange things which are genuinely quite scary - nightmares become a kind of questionable reality where neither the characters or the reader can quite understand what is going on. However, Edge has written it cleverly enough for readers to begin to build up a picture of what might be going on - especially those who have some background knowledge of theories about time, Greek mythology and World War 2. But for those who don't know what's going on, nearly all is explained - perhaps that second read-through will reveal all, though?
And it's not just the intrigue of the plot that makes this such a captivating read - the writing itself is so evocative. I would defy anyone not to feel transported to those woods with those children on that night:
"Above our heads comes a sudden hushing of leaves, the treetops swaying with a leathery creak... Beneath the tunnel of leaves, dappled light swirls along the path like reflections on a river, but beyond this, the thick ferns and bushes straggle into shadow."
The Longest Night of Charlie Noon takes a look at how, with the benefit of understanding the bigger picture of life, some things which once seemed so important become trivial - what's the point in being at enmity with those around you when the world holds much greater enemies and threats? But it does the opposite too: if you can change the small things in life, then perhaps you can change the big things too - once one has changed one's own world, maybe they can go on to change things in the wider world.
In fact, the questions it leaves you with really give you no option but to read it again. As someone with a To Be Read pile that takes up an entire bookshelf (and that's just the children's books) re-reading is not usually an option, but in this case I think I'll have to. The knowledge that Christopher Edge has put together one of his playlists to accompany the book is another point in favour of picking up this excellent novel again, especially as it contains The Cure, Paul Weller, Beastie Boys, James, The Kinks... the list goes on.
Charlie and Dizzy are lost in the woods, looking for some strange symbols that they think might be clues as to who lives in the woods - is it spies, or is it monsters? Or is it Old Crony? And Jonny, the school bully, has ended up with them too. But as night falls (or does it?) things begin to get strange. Trippy even. And suddenly the book is kind of a World War 2 novel - but not one like you've ever read before.
The children experience strange things which are genuinely quite scary - nightmares become a kind of questionable reality where neither the characters or the reader can quite understand what is going on. However, Edge has written it cleverly enough for readers to begin to build up a picture of what might be going on - especially those who have some background knowledge of theories about time, Greek mythology and World War 2. But for those who don't know what's going on, nearly all is explained - perhaps that second read-through will reveal all, though?
And it's not just the intrigue of the plot that makes this such a captivating read - the writing itself is so evocative. I would defy anyone not to feel transported to those woods with those children on that night:
"Above our heads comes a sudden hushing of leaves, the treetops swaying with a leathery creak... Beneath the tunnel of leaves, dappled light swirls along the path like reflections on a river, but beyond this, the thick ferns and bushes straggle into shadow."
The Longest Night of Charlie Noon takes a look at how, with the benefit of understanding the bigger picture of life, some things which once seemed so important become trivial - what's the point in being at enmity with those around you when the world holds much greater enemies and threats? But it does the opposite too: if you can change the small things in life, then perhaps you can change the big things too - once one has changed one's own world, maybe they can go on to change things in the wider world.
Saturday 15 June 2019
Book Review: 'Lubna and Pebble' by Wendy Meddour & Daniel Egnéus
There are plenty of books out there that tell the story of how a child befriends an inanimate object, but none are as pertinent or as substantial as 'Lubna and Pebble' by Wendy Meddour & Daniel Egnéus.
The title page gives the adult reader a good idea of the story's context: a beautiful illustration of a boat, laden with passengers, Arabic script on its hull, is seen from below the waves as sunlight pierces the water's surface. The boat is painted with flowers - this is a story of hope, yet it is the story of a small girl running from the certain horrors (never explicit) of her home land. Children will need to read the story to understand all that this image depicts.
Lubna and her Daddy are searching for safety. But where are her brothers? And where is her mother? And how will she and her father weather the winter in the camp? Pebble will help. And Daddy. Young children will identify with Lubna as she speaks to her pebble but the surprise they find in her not having a cuddly toy to provide solace will spark conversations, allowing empathy and understanding to grow.
The comfort that is afforded Lubna allows her to pass the kindness on when she meets Amir. With illustrations that are rich in imagery and simple but powerful text, even the youngest readers will feel the emotions at play here. Not only should they begin to understand, at an appropriate level, of the plight of other children in the world, they are also shown that kindness costs nothing.
Although there are plenty of picture books out there that aim to open the eyes of more privileged children, there are few which manage to achieve that with this level of simplicity and implicitness. Egnéus' imagery cleverly weaves motifs of hope - glowing light and blooming flora - with a use of colour that speaks to children's hearts. The text nearly always leaves the reader wanting to know more: why did they arrive on the beach at night? Why were Daddy's arms salty? What was the World of Tents? Why did they have to stay in the tent during winter? In this way, Meddour sensitively allows the difficult answers to be discussed between the adult who knows the child reader best, never presuming to be the one who knows how best to tackle the issues.
In a culture of entitlement, books like these are so important for our children. Although this could be read alone, I'd recommend that it is one that adults take the time to read with children. If you are struggling to explain the plight of refugees to your children then this book is a brilliant starting place.
The title page gives the adult reader a good idea of the story's context: a beautiful illustration of a boat, laden with passengers, Arabic script on its hull, is seen from below the waves as sunlight pierces the water's surface. The boat is painted with flowers - this is a story of hope, yet it is the story of a small girl running from the certain horrors (never explicit) of her home land. Children will need to read the story to understand all that this image depicts.
Lubna and her Daddy are searching for safety. But where are her brothers? And where is her mother? And how will she and her father weather the winter in the camp? Pebble will help. And Daddy. Young children will identify with Lubna as she speaks to her pebble but the surprise they find in her not having a cuddly toy to provide solace will spark conversations, allowing empathy and understanding to grow.
The comfort that is afforded Lubna allows her to pass the kindness on when she meets Amir. With illustrations that are rich in imagery and simple but powerful text, even the youngest readers will feel the emotions at play here. Not only should they begin to understand, at an appropriate level, of the plight of other children in the world, they are also shown that kindness costs nothing.
Although there are plenty of picture books out there that aim to open the eyes of more privileged children, there are few which manage to achieve that with this level of simplicity and implicitness. Egnéus' imagery cleverly weaves motifs of hope - glowing light and blooming flora - with a use of colour that speaks to children's hearts. The text nearly always leaves the reader wanting to know more: why did they arrive on the beach at night? Why were Daddy's arms salty? What was the World of Tents? Why did they have to stay in the tent during winter? In this way, Meddour sensitively allows the difficult answers to be discussed between the adult who knows the child reader best, never presuming to be the one who knows how best to tackle the issues.
In a culture of entitlement, books like these are so important for our children. Although this could be read alone, I'd recommend that it is one that adults take the time to read with children. If you are struggling to explain the plight of refugees to your children then this book is a brilliant starting place.
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Tuesday 4 June 2019
Cross-Curricular Links in 'The Longest Night Of Charlie Noon' (Blog Post by Christopher Edge)
One of the joys of writing for children is seeing the inspiration that young readers take from a story you have written. I’m often contacted by teachers via Twitter showing me the amazing creations their classes have produced after reading one of my novels and when I visit schools I get to see this inspirational work first-hand, from Möbius strip sculptures inspired by 'The Infinite Lives of Maisie Day' to playground rocket launches straight out of 'The Jamie Drake Equation' and fabulous creative writing where young authors have taken Albie Bright into many more exciting new worlds.
The 'Longest Night of Charlie Noon' is a story about three children who get lost in the woods, and at its heart it’s a mystery story. As Charlie, Dizzy and Johnny make their way through the woods they find strange dangers and impossible puzzles lurking in the shadows, and I hope the excitement and intrigue readers will find in the story will get them reading closely to find the clues they need to solve the mystery. As readers, they can make inference and predictions as they follow Charlie’s path through the woods, with the twists and turns of the story also maybe challenging assumptions they might make and showing them the rewards of close reading.
The puzzles in the story can also be used to help develop children’s problem solving skills. From decoding ciphers to building circuits to create their own Morse code keys, 'The Longest Night of Charlie Noon' shows how stories can be used to connect subjects across the school curriculum. As Charlie tries to use the stars to find a way out of the woods, links can be made to the topic of ‘Earth and Space’ in the science curriculum and the movement of stars across the night sky, whilst other science topics such as the life cycles of trees, plants and flowers and how fossils are formed are also touched on in the story. Connections could be made to Geography too, with children learning about changing environments and carrying out nature audits in their own local area, whilst there are also links to History too.
As someone who’s never been much of an outdoor type, writing 'The Longest Night of Charlie Noon' has helped me to connect to the natural world in a way that has fed my imagination. From mentions of 'The Wind in the Willows' to echoes of 'Brendon Chase' by ‘B B’, there are opportunities to make connections with classic works of children’s fiction and nature writing. A vocabulary of the natural world is woven through the story and I hope that young readers take these words and make them their own, enriching their vocabularies and using this wild inspiration to create their own art and stories.
Teaching resources for 'The Longest Night of Charlie Noon' are available from my website (https://www.christopheredge.co.uk/resources) and if you read the book with your class, I’d love to hear about the inspiration they find in the story. And please tell them to keep reading and change the world.
The 'Longest Night of Charlie Noon' is a story about three children who get lost in the woods, and at its heart it’s a mystery story. As Charlie, Dizzy and Johnny make their way through the woods they find strange dangers and impossible puzzles lurking in the shadows, and I hope the excitement and intrigue readers will find in the story will get them reading closely to find the clues they need to solve the mystery. As readers, they can make inference and predictions as they follow Charlie’s path through the woods, with the twists and turns of the story also maybe challenging assumptions they might make and showing them the rewards of close reading.
The puzzles in the story can also be used to help develop children’s problem solving skills. From decoding ciphers to building circuits to create their own Morse code keys, 'The Longest Night of Charlie Noon' shows how stories can be used to connect subjects across the school curriculum. As Charlie tries to use the stars to find a way out of the woods, links can be made to the topic of ‘Earth and Space’ in the science curriculum and the movement of stars across the night sky, whilst other science topics such as the life cycles of trees, plants and flowers and how fossils are formed are also touched on in the story. Connections could be made to Geography too, with children learning about changing environments and carrying out nature audits in their own local area, whilst there are also links to History too.
As someone who’s never been much of an outdoor type, writing 'The Longest Night of Charlie Noon' has helped me to connect to the natural world in a way that has fed my imagination. From mentions of 'The Wind in the Willows' to echoes of 'Brendon Chase' by ‘B B’, there are opportunities to make connections with classic works of children’s fiction and nature writing. A vocabulary of the natural world is woven through the story and I hope that young readers take these words and make them their own, enriching their vocabularies and using this wild inspiration to create their own art and stories.
Teaching resources for 'The Longest Night of Charlie Noon' are available from my website (https://www.christopheredge.co.uk/resources) and if you read the book with your class, I’d love to hear about the inspiration they find in the story. And please tell them to keep reading and change the world.
Labels:
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Wednesday 10 April 2019
Book Review: 'D-Day Dog' by Tom Palmer
If you've read any of Tom Palmer's other historical novels - Over The Line, Armistice Runner, for example - then you will not be disappointed by D-Day Dog at all. In fact, you'll be blown away and left pondering whether, in fact, this is actually his best one yet.
Reading 'D-Day Dog', you'd be forgiven for thinking that what you are actually reading is an accurate retelling of real life events, so thorough is the historical research that has informed this story. But that makes this brilliant book sound far too cold and clinical - here we have a story full of heart, warm and so tenderly handled.
As with Armistice Runner, stories of past and present intertwine, only this time there are several threads running through: Jack's love of war simulation computer games, his dad's desire to fight with the TA in Afghanistan, a Falklands veteran's story, a Syrian refugee's experience of war and the story of Emile and his dog, Glen, who both parachuted into France on D Day during the Second World War.
Jack loves his dog and when he has to do a project on a war hero prior to a school visit to Normandy he learns more about the part that animals, especially dogs, played in the World Wars. But things aren't great at home - his parents don't see eye to eye on his Dad's potential deployment - and Jack's perception of war is changing. What's the point? Why would a soldier choose to go into battle knowing he might be killed, or have to kill others?
The crowning glory of this book is that Tom Palmer sensitively answers those questions - questions we've all turned over in our minds at some point - all through the perfect and powerful medium of story. Tom's inclusion, and positive treatment of, marginalised characters - a child who has a 1:1 learning support, a shell-shocked survivor of conflict in Syria, a boy caught in the middle of family tensions, a grizzly, grumpy old ex-soldier-turned-bus driver - is so natural - there is no shoehorning here.
In fact, cohesion is the name of the game: all the strands mesh together perfectly to promote diversity, inclusion and understanding. What's more, published by Barrington Stoke's Conkers imprint for 7 to 10 year olds, this book is readable by design, allowing such serious subject matter to be accessed and explored by younger children - it's dyslexia-friendly too.
With so much packed into a short read, there is ever reason for this book to be devoured left, right and centre. Get it on your bookshelves - at the library, at school, at home. The children need this.
Here's Tom telling us a little more about the dogs featured in the book:
Reading 'D-Day Dog', you'd be forgiven for thinking that what you are actually reading is an accurate retelling of real life events, so thorough is the historical research that has informed this story. But that makes this brilliant book sound far too cold and clinical - here we have a story full of heart, warm and so tenderly handled.
As with Armistice Runner, stories of past and present intertwine, only this time there are several threads running through: Jack's love of war simulation computer games, his dad's desire to fight with the TA in Afghanistan, a Falklands veteran's story, a Syrian refugee's experience of war and the story of Emile and his dog, Glen, who both parachuted into France on D Day during the Second World War.
Jack loves his dog and when he has to do a project on a war hero prior to a school visit to Normandy he learns more about the part that animals, especially dogs, played in the World Wars. But things aren't great at home - his parents don't see eye to eye on his Dad's potential deployment - and Jack's perception of war is changing. What's the point? Why would a soldier choose to go into battle knowing he might be killed, or have to kill others?
The crowning glory of this book is that Tom Palmer sensitively answers those questions - questions we've all turned over in our minds at some point - all through the perfect and powerful medium of story. Tom's inclusion, and positive treatment of, marginalised characters - a child who has a 1:1 learning support, a shell-shocked survivor of conflict in Syria, a boy caught in the middle of family tensions, a grizzly, grumpy old ex-soldier-turned-bus driver - is so natural - there is no shoehorning here.
In fact, cohesion is the name of the game: all the strands mesh together perfectly to promote diversity, inclusion and understanding. What's more, published by Barrington Stoke's Conkers imprint for 7 to 10 year olds, this book is readable by design, allowing such serious subject matter to be accessed and explored by younger children - it's dyslexia-friendly too.
With so much packed into a short read, there is ever reason for this book to be devoured left, right and centre. Get it on your bookshelves - at the library, at school, at home. The children need this.
Here's Tom telling us a little more about the dogs featured in the book:
Book Review: 'The Middler' by Kirsty Applebaum
I knew nothing about 'The Middler', nor Kirsty Applebaum, before I decided to read this book. Yet I was drawn to it. Perhaps it was the fact that I hadn't seen everyone raving about it before I read it - I'm not much of a fan of being part of the herd.
But now I am. I am now just adding to the many voices who are singing the praise of Kirsty Applebaum's debut novel. It would seem that I was not the only one to be drawn by the magic of a book which gives very little away at first glance. It's funny that I should mention magic, actually. This isn't yet another MG book relying on magic to provide all the answers, but it is a magical book. Not only was I unable to resist this book when came the time to start something new, I was also in thrall to it throughout - I read it at an unnatural pace.
Gently unsettling, at least to begin with, the reader is drawn into the mindset of a small town, a town which could be anywhere, who appear to venerate their eldest children above all others. Things begin to appear gradually more menacing as it is revealed that no one is allowed outside of the town, that any outsiders (or 'wanderers') are regarded with deep suspicion, worse even: hatred. And then there's the matter of all eldests being sent off to fight the silent war.
The depiction of family life within a close-knit, closed-minded community is reminiscent of To Kill A Mockingbird; the air of mystery is akin to that in Holes. And when you find out where the eldests are supposedly going, one can't help but think of The Hunger Games. Now I don't usually make comparisons in reviews and honestly, I'm not making comparisons here, either. Truly, The Middler stands tall amongst the aforementioned tomes and in no way is a derivative of anything else. Despite my making links between this and other books, I would happily claim that this book is unique, something else - a new experience.
When Maggie, a quiet middle child, meets Una - someone she's been indoctrinated to hate - she battles internally with her feelings about the developing friendship. Her heart tells her there is no reason for her to despise her - her head, fed with songs and lies about outsiders, tells her otherwise. If this story line isn't a lesson in empathy that most of us could learn from, then I don't know what is.
Perhaps this is a deeply political novel with themes for children and adults to unpick together, and to relate to current affairs or historical events. Perhaps it's a perfect introduction to post-apocalyptic literature. Or maybe it's really a story about family, friendship, loyalty, curiosity, challenging the status quo and doing the right thing, even when everyone else seems to think it's wrong.
Whatever it is, however we might choose to define it (we, because you will read it - you must), its absolutely certain that 'The Middler' deserves all the praise it gets. Kirsty Applebaum is certainly a name to watch out for in the world of children's books - I'm already looking forward to the next one. Perhaps I'll just read this one again.
Kirsty Applebaum has written a blog post for me entitled Showing Instead of Telling in The Middler which gives advice to budding writers about how to make sure the reader know what characters are like without telling them.
But now I am. I am now just adding to the many voices who are singing the praise of Kirsty Applebaum's debut novel. It would seem that I was not the only one to be drawn by the magic of a book which gives very little away at first glance. It's funny that I should mention magic, actually. This isn't yet another MG book relying on magic to provide all the answers, but it is a magical book. Not only was I unable to resist this book when came the time to start something new, I was also in thrall to it throughout - I read it at an unnatural pace.
Gently unsettling, at least to begin with, the reader is drawn into the mindset of a small town, a town which could be anywhere, who appear to venerate their eldest children above all others. Things begin to appear gradually more menacing as it is revealed that no one is allowed outside of the town, that any outsiders (or 'wanderers') are regarded with deep suspicion, worse even: hatred. And then there's the matter of all eldests being sent off to fight the silent war.
The depiction of family life within a close-knit, closed-minded community is reminiscent of To Kill A Mockingbird; the air of mystery is akin to that in Holes. And when you find out where the eldests are supposedly going, one can't help but think of The Hunger Games. Now I don't usually make comparisons in reviews and honestly, I'm not making comparisons here, either. Truly, The Middler stands tall amongst the aforementioned tomes and in no way is a derivative of anything else. Despite my making links between this and other books, I would happily claim that this book is unique, something else - a new experience.
When Maggie, a quiet middle child, meets Una - someone she's been indoctrinated to hate - she battles internally with her feelings about the developing friendship. Her heart tells her there is no reason for her to despise her - her head, fed with songs and lies about outsiders, tells her otherwise. If this story line isn't a lesson in empathy that most of us could learn from, then I don't know what is.
Perhaps this is a deeply political novel with themes for children and adults to unpick together, and to relate to current affairs or historical events. Perhaps it's a perfect introduction to post-apocalyptic literature. Or maybe it's really a story about family, friendship, loyalty, curiosity, challenging the status quo and doing the right thing, even when everyone else seems to think it's wrong.
Whatever it is, however we might choose to define it (we, because you will read it - you must), its absolutely certain that 'The Middler' deserves all the praise it gets. Kirsty Applebaum is certainly a name to watch out for in the world of children's books - I'm already looking forward to the next one. Perhaps I'll just read this one again.
Kirsty Applebaum has written a blog post for me entitled Showing Instead of Telling in The Middler which gives advice to budding writers about how to make sure the reader know what characters are like without telling them.
Labels:
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Book review,
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children's books,
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Saturday 30 March 2019
Children's Books Reviewed By Children #1
Well, ever since I wrote TES's best children's books of 2018 article I've been inundated with books. I'd love to be able to keep up with full reviews of each and every one but with a full time deputy headship to occupy me, as well as a family to be a part of, it's just not possible.
However, the fact that I have a family means that I also have some extra readers and reviewers. I (8), A (7) and J (5) are all pretty avid readers and book-lovers who have recently shown interest in beginning to write reviews of what they read. So I thought I'd try harnessing their powers to provide some extra coverage on my blog. And after all, surely, it is their voice that counts the most - these are children's books, written for children, so if they love them, then they must be good!
Without further ado, the first 6 titles that they have turned their attentions to:
Isadora Moon Has A Sleepover by Harriet Muncaster
Matisse's Magical Trail by Tim Hopgood, illustrated by Sam Broughton
At first all the walls were grey and black and boring and at the end they were really colourful. In the middle, Matisse the snail wanted to draw and draw and draw. First, I was feeling bored. At the end I was feeling really colourful.
- J, 5
Editor's note: I particularly enjoyed the fact that the creators had taken inspiration from Henri Matisse's artwork entitled 'The Snail' which was then referenced in the artwork. It led me and J on a mini journey of art discovery as we looked at Matisse's work and compared it to the drawings that Matisse the snail does in the book.
Matisse's Magical Trail by Tim Hopgood, illustrated by Sam Broughton, was published by OUP on 4th April 2019 (ISBN: 978-0-19-276726-4)
Meet the Penguins by Mike Brownlow
First I felt really sad because the animals didn't let the penguins play. At the end a little cute bear came and he asked 'Can I play?' and the penguins said 'Yes!' and then I felt happy. At the end all of the animals want to play!
- J, 5
Meet the Penguins by Mike Brownlow was published by OUP on 4th April 2019 (ISBN: 978-0-19-276867-4)
The next reviews are in the pipeline and I intend to work with my little reviewers to improve their reviewing technique - one step at a time!
However, the fact that I have a family means that I also have some extra readers and reviewers. I (8), A (7) and J (5) are all pretty avid readers and book-lovers who have recently shown interest in beginning to write reviews of what they read. So I thought I'd try harnessing their powers to provide some extra coverage on my blog. And after all, surely, it is their voice that counts the most - these are children's books, written for children, so if they love them, then they must be good!
Without further ado, the first 6 titles that they have turned their attentions to:
The 39-Storey Treehouse is a very good book. I liked the bit where Andy and Terry flew to the dark side of the moon and found professor Stupido so that he could uninvent the once-upon-a-time-machine but instead he uninvented everything. The whole plot was to keep on building storeys onto the tree.
It’s funny how they’ve got a ‘top 5 disgusting things Terry does’ list. Examples of things on the list are sneezing snot into Andy’s face and washing his underpants in the shark tank! Andy and Terry have lots of fun things in the treehouse e.g. the world’s scariest roller-coaster, a bowling alley, a not-very-merry-go-round and a baby dinosaur petting zoo. It’s awesome!
I would recommend it to friends and family. I’m sure I’ll like all the Storey Treehouse books. I think people who like The Magic Faraway Tree by Enid Blyton would like this book.
- I, 8
The 39-Storey Treehouse by Andy Griffiths, illustrated by Terry Denton, was published by Pan Macmillan on 30th July 2015 (ISBN: 9781447281580)
- I, 8
The 39-Storey Treehouse by Andy Griffiths, illustrated by Terry Denton, was published by Pan Macmillan on 30th July 2015 (ISBN: 9781447281580)
Captain Cat and the treasure map will entertain you! It is very funny when Cutlass the parrot poops on the cursed treasure map. This is a great book for any age 1 2 3.... just any age! This is a great book, Sue Mongredien and Kate Pankhurst! Great example of a creative book! 👍 High five? ✋😉✔️
- A, 7
Captain Cat and The Treasure Map by Sue Mongredien, illustrated by Kate Pankhurst, was published by Pan Macmillan on 7th February 2019 (ISBN: 9781509883905)
- A, 7
Captain Cat and The Treasure Map by Sue Mongredien, illustrated by Kate Pankhurst, was published by Pan Macmillan on 7th February 2019 (ISBN: 9781509883905)
Isadora Moon Has A Sleepover by Harriet Muncaster
Even the first bit of "Isadora Moon has a Sleepover" is fun! (literally like 1000000% fun!) It was really good when Isadora and Zoe were making a massive five layer cake but then, in the morning, they made a different little cake but on Monday, Zoe brought the 5 layer cake that they agreed not to bring in! So Oliver and Bruno won the a competition instead! So kind! Awww!❤️😍😘
- A, 7
Isadora Moon Has A Sleepover by Harriet Muncaster was published by OUP on 7th March 2019 (ISBN:978-0-19-276711-0)
- A, 7
Isadora Moon Has A Sleepover by Harriet Muncaster was published by OUP on 7th March 2019 (ISBN:978-0-19-276711-0)
The first story of Dirty Bertie '' Spider'' was so good. Bertie actually brought a spider into class! "Nitwit" was one million trillion% good because he ripped his sweater and it unravelled in half and granny got him a new one. In "Gold" he found a Canadian 10p in the park with his friends.
These are some of the best books ever in the UK and these books are suitable enough for any age..... 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 or even grown ups!
- A, 7
Dirty Bertie: Spider! by Alan Macdonald, illustrated by David Roberts, was published by Stripes on 7th March 2019 (ISBN:9781847159465)
- A, 7
Dirty Bertie: Spider! by Alan Macdonald, illustrated by David Roberts, was published by Stripes on 7th March 2019 (ISBN:9781847159465)
Matisse's Magical Trail by Tim Hopgood, illustrated by Sam Broughton
At first all the walls were grey and black and boring and at the end they were really colourful. In the middle, Matisse the snail wanted to draw and draw and draw. First, I was feeling bored. At the end I was feeling really colourful.
- J, 5
Editor's note: I particularly enjoyed the fact that the creators had taken inspiration from Henri Matisse's artwork entitled 'The Snail' which was then referenced in the artwork. It led me and J on a mini journey of art discovery as we looked at Matisse's work and compared it to the drawings that Matisse the snail does in the book.
Matisse's Magical Trail by Tim Hopgood, illustrated by Sam Broughton, was published by OUP on 4th April 2019 (ISBN: 978-0-19-276726-4)
Meet the Penguins by Mike Brownlow
First I felt really sad because the animals didn't let the penguins play. At the end a little cute bear came and he asked 'Can I play?' and the penguins said 'Yes!' and then I felt happy. At the end all of the animals want to play!
- J, 5
Meet the Penguins by Mike Brownlow was published by OUP on 4th April 2019 (ISBN: 978-0-19-276867-4)
The next reviews are in the pipeline and I intend to work with my little reviewers to improve their reviewing technique - one step at a time!
Thursday 21 February 2019
Frank Cottrell-Boyce - Reviewed By Children
To celebrate the new republished, redesigned versions of Frank Cottrell Boyce's well-loved books 'Millions', 'Framed', 'Cosmic', 'The Astounding Broccoli Boy' and 'Sputnik’s Guide to Life on Earth' I've gathered together some reviews from the people who really matter: the children who read and love them.
Steven Lenton (who illustrated the older versions) has designed new covers which are sure to give these modern classics a new lease of life and a brand new audience, but why should you and your children read them? Let's find out...
Cosmic - a review by Thomas Groves, age 13.
Everyone loves space don’t they?
Liam is a very, very tall boy for his age. He’s so tall in fact, that people often mistake him for a grown up. Frank Cottrell Boyce’s Book Cosmic embraces this when he is mistaken for the new teacher at his new school and has to present an assembly and also when he later nearly gets away with test driving a new Porsche!
Things only get more laugh-out-loud funny when he is mistaken for his father by a woman who offers him the chance to take part in a very special competition that will make him ‘a hero in the eyes of his children’. He takes up the offer, wins and then ends up being launched into space with four other children. When things go wrong, can he save the day?
My favourite character is Liam because he is very plucky and easy to relate to and because he gets into lots of scrapes which only get more and more hilarious as the story goes on.
I like this book because it is very funny and moving and shows good and bad human qualities and a great plot.
I would heartily recommend it for all ages.
Broccoli Boy - a review by Jake Niemi, age 9
Broccoli Boy is an interesting, adventurous story about a boy called Rory Rooney, who is being bullied by a horrible bully called Grim Komissky. (That’s not his real name, Grim would be an odd first name.) One day, on a school trip, Rory turns bright green and is taken to the hospital. Imagine his shock and surprise when he finds out he’s there, and trapped, with none other than his bully! After believing turning green means he’s a superhero and he’s going to save the world he finds out he’s not actually the only one who’s green.
This book is brilliant, it’s cool, interesting and amazing. It has all the things that kids need: laughter, friendship and a reminder that adults don’t know it all even if they act like they do (in fact, adults should read this too!) I rate it 5/5 and think any child would love this book, in fact you’ll be wanting the whole collection of books! Hope you enjoy reading!
Remember, as the book says, ‘The thing that makes you different is the thing that makes you astounding.’
Sputnik’s Guide To Planet Earth by Shannon Finlan, age 14
Sputnik’s Guide To Planet Earth is a light-hearted fun tale of an orphan boy named Prez who has an encounter with a dog who is actually an alien, whilst living in the countryside in a foster home. Prez is a young carer to his Grandfather who has been dignosed with dementia. Caring for his Grandfather is a fun day-to-day chore for Prez, with laughter and games around the house... Or so it seems.
As we delve deeper into the book however, we learn that the protagonists grandfather’s dementia is no longer a laughable silly matter and it’s actually quite heart breaking and sad. I could really relate to this with my personal experience of my Grandad’s dementia. With personal experience as a child seeing my Grandad’s memory deteriorate, I didn’t fully understand the severity of the condition at the similar age that Prez is in the book. Towards the end of the book as Prez begun to understand the condition more, I could relate to when I also began to understand that Dementia was more than silly jokes about things like forgetting about the rules of card games, getting names wrong, to forgetting completely those close around you.
Frank Cottrell Boyce uses an excellent ratio of light-hearted humour to sadness to make the book having you want to laugh and cry. This is an amazing viewpoint into a young carer's life to which Frank Cottrell Boyce has shown how a child, such as Prez, would interpret the situation at hand. I cried for hours after I had finished reading the book, it really pulled at my heart strings. I would highly recommend this book to children and adults alike.
Now head over to my Twitter to feed to take part in my competition to win a whole set! (Competition runs from 21/2/19 to 24/2/19 at 8pm)
Don't forget to look out for Frank's new book for World Book Day this March: The Great Rocket Robbery is a brilliant little story perfect for new and old fans alike.
Labels:
book,
Book review,
book reviews,
children's books,
children's literature
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