Teaching Reading Comprehension: Modelling and Practice (Example Lessons)

I’ve been thinking, reading and writing a lot lately about how we teach reading strategies and skills in primary schools. I won’t bore you with all the details but thought I’d simply share some lessons that I’ve prepared for some year 3 teachers at the schools I work in. If you want to find out more about what I’ve been discovering, and the thinking behind the lessons I’ve planned, I’ve provided some links at the end of this blog post.

These lessons, although not fully-formed (I didn’t want to dictate everything), are a good representation of how I think teachers should model the use of reading strategies and skills in a lesson and how children can be given practice of using the same strategies and skills that their teachers have modelled. The lessons involve both opportunities for oral and written comprehension activities; the written activity can just as well be worked on orally, although it is designed so that children can work on it independently by giving written answers.

Some of the lessons you will see here were based on versions of Aesop's Fables written by Michael Morpurgo and illustrated by Emma Chichester Clark, published by Orchard Books. Although the book hadn't been chosen with inference-making in mind, it was serendipitous that there were plenty of opportunities to focus a few lessons on that particular skill. Hopefully these examples will show that, even whilst having a focus on a particular strategy or skill, other strategies and skills might be used in support whilst developing the skill which is the focus of the lesson (in this case inference-making).

For each lesson I outlined the L.O. (based on the National Curriculum POS for year 3/4 in this instance) and some introductory questions and items for discussion:

I then suggested some exemplar questions for the teacher to model which focus on the lesson's L.O.:

All of the above could be done as a whole class reading lesson, or as a guided group. The point of all of the above is to have discussions about the text and to orally develop strategies such as clarifying (what do the words mean?) and inferencing (why do the characters do what they do?). The intention is that children will then be better prepared to have a go at some similar questions themselves without the teacher having already answered them by way of demonstration.

In this particular example the questions are focused around multiple choice answers with the hope that children will consider each option in order to decide whether or not it is good evidence for the character's motives. Notice that not all the questions are inference questions; other questions are asked which might support the child's understanding so that they are able to make the more difficult inferences (see my blog posts on scaffolding for more information on this idea).

For more information on the symbols/colours use in this example, please read the following: http://www.thatboycanteach.co.uk/2016/12/reading-roles-cognitive-domains-made.html

This part of the lesson could be done as an independent written activity or as part of a guided group. The multiple choice questions should spark some good discussion about why the correct one is correct and about the reasons children have for selecting their answers. If this was being completed as an independent written task there is the potential for a follow-up written task asking children to give their reasons for their selection.

Following this, and in order to practice another strategy, I suggested the following:

The following lesson follows a similar structure:

You can download these resources on my website - they are editable so even if you don't have the book, you can use the activities as a template: https://www.aidansevers.com/product-page/inference-question-examples-and-templates

If you would like Aidan to work with you on developing reading at your school, please visit his website at https://www.aidansevers.com/services and get in touch via the contact details that can be found there.

These two lessons represent the first two in a potential sequence where children might move beyond being given multiple choice options. In another sequence of lessons based on David Almond's 'My Dad's A Birdman' children moved onto giving spoken and written answers to inference questions (which throughout the sequence all focused on characters' actions only). To begin with they answered questions with a structure that had been provided and modelled to them, as exemplified in the teacher notes:

They then answered their own questions. Again, this could be done independently, collaboratively or as part of a guided group with a teacher:

The children spent two lessons practising this before being shown how to further add to their answer, as demonstrated in the teacher notes:

The children then practised using this addition to the answer structure (although they only practised one as this was a chance for teachers to assess children's attempts at what is quite an advanced skill for year 3 children):

In the sequence of lessons on My Dad's a Birdman children spent 5 sessions focusing just on making inferences about character's actions followed by another 5 sessions focusing on making inferences about characters' feelings. For more on why there was such a sustained focus please read my blog post entitled 'Reading Comprehension: A Structured Way Of Teaching Inference-Making'. Along the way the children also exercised other reading comprehension strategies and skills in order to support their inference making and general understanding of the text. They also spent time just reading the book and enjoying - teachers and children alike kept telling me how much they loved the book. The fact that they had spent time completing such activities as outlined above enabled them to enjoy the book, rather than spoiling their enjoyment of it.

See my blog post entitled 'Giving the Gift of Reading: Activities That Promote Reading for Pleasure' for more on this.

You can download these resources on my website - they are also editable so even if you don't have the book, you can use the activities as a template: https://www.aidansevers.com/product-page/inference-question-examples-and-templates

If you would like Aidan to work with you on developing reading at your school, please visit his website at https://www.aidansevers.com/services and get in touch via the contact details that can be found there.

Further reading from my blog on teaching reading in primary schools:

Teaching Reading: A Simple Approach
Reading Roles: Elements Of The Content Domain Made Memorable
Reading Roles PLUS: Teaching Metacognitive Reading Comprehension Strategies (not exemplified in this blog post)
Questions To Ask When Teaching Inference-Making
Should We Teach Reading Strategies In Isolation Or In Combination?

Reading Roles PLUS: Teaching Metacognitive Reading Comprehension Strategies

This information can now be found at https://www.aidansevers.com/blog/search/reading%20roles

Guest Post: Vasilisa the Beautiful (on ambiguous villains) by Sophie Anderson

In which Sophie Anderson, author of the wonderful 'The House With Chicken Legs' (read my review here), writes about how in some stories, particularly where villains and heroes are concerned, things might not always be as they seem. In children's books I think it is particularly important that the concept of 3-dimensional characters and events are explored in this way, especially as it is more true to life. I'll let Sophie explain it better, with the help of a Russian fairy tale:

‘In a certain kingdom there lived a merchant …’

In this Russian fairy tale, collected and published by Alexander Afanasyev in 1855, a merchant has one daughter, Vasilisa the Beautiful.

When she is eight-years-old Vasilisa’s mother gives her a magic doll and says,

‘Remember and heed my words. I am dying, and together with my maternal blessing I leave you this doll. Always keep it with you and do not show it to anyone; if you get into trouble, give the doll food, and ask its advice.’

Then Vasilisa’s mother kisses her and dies. After some time, Vasilisa’s father remarries – a widow with two daughters of her own. Vasilisa’s stepmother and stepsisters are jealous of her beauty. They torment her and give her endless work to do. But, Vasilisa’s magic doll comforts her and helps her do the work.

Then one day, the merchant leaves on business and Vasilisa’s stepmother and stepsisters plot to get rid of Vasilisa. They snuff out all the candles in the house and send Vasilisa to Baba Yaga’s hut to ask for a light.

Vasilisa is scared that Baba Yaga will eat her, but the magic doll says it will keep her safe. So, Vasilisa travels through the forest to Baba Yaga’s hut, which is surrounded by a fence of skulls and bones.

Baba Yaga agrees to give Vasilisa a light on the condition she stays and works for her – and threatens to eat her if she does not. Then Baba Yaga makes Vasilisa serve her an enormous meal, and goes to bed, leaving Vasilisa with a seemingly impossible number of chores to do; including sorting a bushel of wheat.

Vasilisa feeds her doll a few crumbs and explains her troubles. The doll replies,

‘Fear not, Vasilisa the Beautiful! Eat your supper, say your prayers, and go to sleep; the morning is wiser than the evening.’

And in the morning, all the work is done. The next day, Baba Yaga gives Vasilisa another seemingly impossible number of chores to do; including sorting poppy seeds from dust. Once again, Vasilisa’s doll does the work for her.

Baba Yaga asks Vasilisa how she managed to do all this work, and Vasilisa replies, ‘I am helped by the blessing of my mother.’

‘So that is what it is,’ shrieks Baba Yaga. ‘Get you gone, blessed daughter! I want no blessed ones in my house!’ And Baba Yaga send Vasilisa on her way – but before she leaves she gives her a skull with burning eyes from her fence, saying, ‘Here is the light for your stepsisters.’

Vasilisa returns home, and is about to throw away the skull, thinking her stepfamily will not need it anymore, but a voice from the skull says, ‘Do not throw me away, take me to your stepmother.’ Inside the house, the skull stares at the stepmother and stepdaughters and burns them. They try to hide but the eyes follow them, and by morning they are burned to ashes.

The tale continues with Vasilisa moving to town, completing more difficult tasks with the help of her doll, and eventually marrying the tsar, but Baba Yaga does not feature again.

I love the Baba Yaga in this tale, as it is one of the first times I glimpsed the wise woman behind the evil old crone archetype. Baba Yaga’s role in this story is ambiguous, as she could be considered a villain, or a helper.

Although Baba Yaga gives Vasilisa seemingly impossible tasks to do and threatens to eat her if she does not complete them, ultimately Baba Yaga gives Vasilisa the burning skull that frees her from her evil stepfamily – the real villains in the tale.

In ‘Women Who Run With The Wolves: Myths and Stories of the Wild Woman Archetype’ by Clarissa Pinkola Estés there is a thorough and fascinating analysis of this tale, which Estés believes is rich in symbolism and metaphor.

Estés writes Vasilisa is ‘about the realization that most things are not as they seem’ and that ‘Vasilisa is a story of handing down the blessing on women’s power of intuition from mother to daughter.’

Estés describes how Vasilisa’s journey takes her from subservience to strength and independence, through facing fear and by learning from Baba Yaga, who represents the wild feminine nature.

This tale was the start of a long journey for me, which began with the realisation that Baba Yaga is not just the cannibalistic villain she is so often depicted as. She is a fascinating, complex character; a wild woman of folklore, fierce and formidable, watchful and wise. She can be a maternal benefactress or a dangerous witch and decides on a case by case basis how she will treat the visitors to her hut.

Her origins are ancient; linked to Pagan Goddesses associated with life, death, the forest and Earth itself; and the history of her portrayal reflects societies’ attitudes to woman and paganism. I am still fascinated by Baba Yaga and have found no matter how much I read, there is always more to learn about her, and from her.


Vasilisa the Beautiful and Baba Yaga, written by Alexander Afanasyev, is available in a gorgeous edition with Ivan Bilibin’s iconic illustrations from 1899, published by The Planet.

There is also a beautiful picture book of this tale, Vasilisa the Beautiful, written by Anthea Bell and illustrated by Anna Morgunova, published by Minedition.

The House with Chicken Legs by Sophie Anderson publishes in paperback, 3 May, £6.99 from Usborne. Cover art by Melissa Castrillón and inside black and white illustrations by Elisa Paganelli.

Book Review: 'The Phantom Lollipop Man' by Pamela Butchart

I’m always dubious of the quality of books aimed at the 7 – 9 age bracket, especially ones which feature lurid cartoonish illustrations and crazy typesetting. It can sometimes seem like funny books are the only thing available to children who are just getting into reading longer books, especially when it comes to newly-published material.

And so it was with a degree of forced open-mindedness and some trepidation that I embarked on my reading of ‘The Phantom Lollipop Man’ by Pamela Butchart, illustrated throughout by Thomas Flintham. But, spoiler alert, I loved it and you will too.

I immediately devoured half the book, even laughing out loud in places where Butchart has clearly written with adults in mind. The fact that the author is a teacher and the book is set in a school (as are the other books in the series) makes for some hilariously insightful gags, all delivered with a touch of real affection – everyone who knows schools will identify with the deputy head who thinks they’re the head teacher, the office ladies who know everything and the teacher who spends lunchtime secretly eating sweets in their classroom.

As is usual with children’s books school life is a touch exaggerated – the children have a den under the stairs in school which they seem to find plenty of time to visit during school hours, Zach carries a smartphone at all times and the group of friends seem to spend a lot of time haring around the corridors. But it is exactly this that children will love; it’s what makes the story more exciting. And after all, Izzy and her friends are getting up to nothing like the Famous 5 and Secret 7 used to – they’re just having adventures that children can relate to more as the setting is so familiar. I quickly introduced it to my children – taking a book to read to them on a train journey was a stroke of genius, I must say – they told me they imagined the whole thing taking place in their own school.

Reading the book aloud was a little bit of a challenge: Izzy’s breathless and tangential narration means assuming the character of an excited year 4 child is a must. But it is this writing style which makes ‘The Phantom Lollipop Man’ an endearing read, particularly as a parent of three girls and the teacher of many more primary-aged children.

Despite this looking like a funny book, it actually tackles quite a serious subject matter – so much so that I actually almost had a little cry at the end. The story involves a group of children trying to solve the mystery of where their normal lollipop man has got to. They misinterpret information from the office ladies and believe him to be dead; sightings of him lead to their conclusion that he is dead, has come back as a ghost and has unfinished business that they must help him with. Adults reading the book will understand their blunder, but children might not. It ends up as an exploration of loneliness and old age and is a gentle reminder to any reader to value all members of society, especially those at risk of becoming marginalised. This aspect of the book makes it fully rounded and a perfect read for anyone in lower key stage two – vocabulary-wise it is perfectly pitched for this age group too with enough new words to explore without it becoming too much.

As a family we’ve already begun reading the only other Pamela Butchart book in the house – her World Book Day offering ‘The Baby Brother From Outer Space!’ – such was our collective love for ‘The Phantom Lollipop Man’. I suspect that next time we visit a bookshop/library we shall be purchasing/borrowing a few more! I will also be less suspicious about brightly-coloured books with words written in bold surrounded by clouds and flashes – lesson learnt.

From Teach Primary Magazine: KS2 World Cup Maths Lesson

I wrote a lesson plan for Teach Primary Magazine to go along with their feature on lessons inspired by the World Cup.

This lesson was one I taught during the last World Cup - an event which also coincided with an Ofter inspection at my the school where I was working at the time. The inspectors commented that they hadn't seen much use of ICT so of course being the computing lead I was asked to tweak a lesson for the next day. Whether or not I'd agree with this sort of thing these days is another matter but suffice to say I met the request and this lesson is what I came up with.

If I remember correctly (I do but I'm trying to be modest) the school's maths lead and one of the inspectors couldn't really find any 'next steps' for me when they gave feedback and only had positive things to say. That's not to say that this is a failsafe Ofsted outstanding lesson - there's no such thing, and it's mostly in the delivery - but that hopefully it will provide a good starting point for a lesson for other teachers.

The whole lesson plan/article is available online so you don't have to squint at the photo above.

https://www.teachwire.net/teaching-resources/ks2-lesson-plan-make-predictions-using-real-time-statistics-from-the-2018-football-world-cup

Book Review: 'How To Bee' by Bren MacDibble

Children’s publishing seems to be experiencing a time of growth; the shelves of book shops are bursting with newly-published books for kids – so much so that it can be hard to choose which books to read. Some seem to garner much attention whilst others arrive quietly, waiting to be picked up and discovered.

‘How To Bee’ is new to the UK market but has already been doing very well in its native Australia. And it would be a real shame if it did not take off here too. Set in a future Australia where honey bees are all but extinct, this is a book about family, friendship, courage and survival and features an extremely strong, but not invincible, female lead character.

Despite being pegged as a dystopian novel, the story portrays a world not dissimilar to the one we live in now. And this is what makes this book so disturbingly successful. Although the story is a chain of largely dismal events, the reader is sucked into Peony’s life – Bren MacDibble makes it impossible for the reader not to be rooting for her as she pursues her dream of becoming a bee – a hand pollinator. But ‘How To Be’ is not without its moments of light and hope – it would be a hard read if it wasn’t. However, with an ending that is weighted more towards the bitter end of the bittersweet scale, it is an important read for those who only ever experience happily-ever-after endings.

Peony’s abduction by her mother and her cruel partner sees her removed from the countryside and placed into a rich household in the city. There Peony is witness to a way of life far removed from her simple, often harsh, but enjoyable life of sleeping in a shed and working amongst the fruit trees. The author cleverly contrasts these two lifestyles in such a way that merit can be seen in both – in the home of the Pasquales Peony experiences a loving marital relationship – a far cry from the relationships her mother has been in; but she also sees how the poor are exploited in order to provide a lavish lifestyle for the rich – there are several other such contrasts. As with any good dystopian fiction, current affairs are explored and commented on in the context of a fabricated domain.

Although sold as a children’s book, with an age recommendation of 9-12, the subject of domestic abuse – both physical and emotional, towards adults and children – makes this a tough read in places, particularly for the aforementioned age bracket. I would suggest that this book is better suited to teenage readers for this reason.

There is no reason why this challenging read shouldn’t be celebrated – it is well-written, introduces children to other ways of life (and a new dialect) and despite being brutal in places is told with a very gentle touch. With its well-formed and believable characters – some loveable, some hateable – ‘How To Bee’ is a book really to get into – I found it hard to put down, such was the grip it had on me.

Book Review: 'To The Edge Of The World' by Julia Green

When it comes to evoking a sense of place Julia Green has done an excellent job in her latest book 'To The Edge Of The World'. The islands and seas of the Outer Hebrides are conjured in the mind of the reader as they read of the journey Jamie and Mara’s friendship takes. With the island setting and a dose of sailing jargon readers of Morpurgo and Ransome will find something they’re at home with here.

Jamie lives on the island with his family although he misses Dad who works away on the mainland during the week. Mara lives on the island too, but away from other people. Mara’s mum is suffering from mental illness (this is hinted at throughout the story) and she too misses her father whom she hasn’t heard from in years. An unlikely pair, Jamie and Mara become friends, but always with a difficult, awkward relationship, and embark (accidentally on Jamie’s part) on a daring and dangerous adventure. Along with the well-developed settings, the fact that Julia Green tackles real-life issues that many young people face is a strength of this book.

Although the story has the reckless voyage to St. Kilda, the Outer Hebrides’ furthest islands, and the friendship dimension to commend it, readers might be left wishing for a little more: compared to other similar stories it isn’t as well-rounded and has the potential to fall a little flat. Also, the story is narrated by Jamie and as such the writing is clipped: the short sentences characterise a young teenage boy well, but aren’t always easy to read.

Having said this, ‘To The Edge Of The World’ will certainly appeal to readers who love reading about friendship or who particularly enjoy stories about island life and seafaring – certainly those who have been charmed by Morpurgo’s tales about the Isles of Scilly. In the classroom, ‘To The Edge Of The World’ might be used to great effect alongside other similar books, particularly as a source of descriptive passages for children to use as inspiration for their own writing.