From The @TES Blog: Eyes Down, It's Time For SATs Reading Test Bingo

In what must be the article with the shortest shelf life that I've ever written I've made some tongue-in-cheek predictions for the content of the 2019 Reading SATs:

Read it here: https://www.tes.com/news/eyes-down-its-time-sats-reading-test-bingo

Empathy Day Reading For Empathy Guide 2019

This year's Empathy Day falls on June 11th. Today EmpathyLab has revealed the titles in its Read For Empathy Guide. The day focuses on using books – and talking about them – as a tool to help people understand each other better. As regular readers of my blog will know this is something close to my heart.

Something I was particularly interested to find out about was the selection process for the books included in the guide. Below are the empathy angles used in the judging process. A book that can support Reading for Empathy...:

• Has powerful characters you care about, whose emotions you feel and which challenge and expand the reader’s own emotional understanding
• Builds perspective taking – e.g. through different characters’ points of view
• Gives the reader real insight into other people’s lives and experiences
• Builds empathy for people in challenging circumstances (e.g. disability, migration, bereavement)
• Deepens understanding of human experience at other times in history
• Can help expand young people’s emotional vocabulary/recognition of emotions
• Motivates the reader to put empathy into action

Having a look down the list of books there are several I have read but plenty more for me to get hold of during the coming months. Here are a few I've read and would like to recommend from the list:

Sweep by Louise Greig, illustrated Júlia Sardà (Egmont Books) - this one I included on my Top Children's Books of 2018 list for TES. It's a great extended but simple metaphor for dealing with anger and other negative emotions - one that children can really connect with. This book, which parents or teachers can share with individuals and groups alike, is certainly worthy of recognition and use at home and in the classroom.

Peace and Me by Ali Winter, illustrated by Mickaël El Fathi (Lantana Publishing) - this is another one I included on my Top Children's Books of 2018 list for TES. It is good to see a non-fiction title on the list - many children prefer reading books such as this. This one focuses on several notable Nobel Peace Prize winners, giving a potted history of who they were and why they won the prize, all accompanied by beautiful illustrations.

The Bubble Boy by Stewart Foster (Simon & Schuster Children’s Books) - whilst one of my favourite #ReadForEmpathy books is Stewart Foster's 'All The Things That Could Go Wrong', 'The Bubble Boy' is another great choice. In it the reader really gets to walk in the shoes of a child confined to a hospital bed - I can't think of many other books that offer this experience to young readers.

The Boy at the Back of the Class by Onjali Q. Raúf, illustrated by Pippa Curnick (Orion Children’s Books) - I read this one after I had submitted my list of the best books of 2018 but if I'd read it before I would definitely have included it. Empathy is exemplified by the main character as they embark on an ambitious (if not a little crazy) adventure to try to find the family of a refugee who has started at their school.

The Light Jar by Lisa Thompson (Scholastic) - when this was published in January last year I reviewed it here on my blog: "As soon as you hear of Nate's dad leaving and mum's new man Gary you marvel at Lisa Thompson's bravery: tackling a subject like domestic abuse in a story aimed at 9 to 12 year olds? But she does it so beautifully. And it is important that she does - books should tell all stories."  I also included it on my Top Children's Books of 2018 list for TES saying that it "blurs the boundaries between reality, imagination and the supernatural."

The Fox Girl and the White Gazelle by Victoria Williamson (Floris Books) - yet another book I included on my Top Children's Books of 2018 list for TES and in my piece for TES on books that take children out of their comfort zone and one which is very possibly my favourite book of 2018. In the review I wrote of it here on my blog I wrote: "'The Fox Girl and the White Gazelle' deserves to be one of 2018's most lauded books. Tackling racism, discrimination and bullying head-on in a book aimed at upper primary children is no mean feat, but Victoria Williamson does it with great sensitivity."

Noughts and Crosses by Malorie Blackman (Penguin) - this classic is one I included in my TES piece 13 books to take pupils out of their comfort zone: "Blackman flips the script on race wars, provoking thought with this painful account of how systemic discrimination ruins lives". I read it for the first time whilst on holiday this summer - I found it so distressing that I had to have a break from it to read something else. I am still steeling myself to read the follow-up books.

Running on Empty by S. E. Durrant (Nosy Crow) - EmpathyLab have included this on their secondary list, but I think it is fine for older primary children too: I included it on my Top Children's Books of 2018 list for TES. AJ, the book's protagonist, navigates life's already difficult roads with the added pressure of worrying about his parents who both have learning difficulties; again, this is not a perspective I've come across before in a children's book.

Boy 87 by Ele Fountain (Pushkin Children’s) - this one features on the secondary list as it is a pretty harrowing telling of a young boy's escape from an African totalitarian regime. With the recent so-called migrant crisis hitting the news this is possibly one of the most important books on the list - if only our right-wing politicians would give it a read.

Follow EmpathyLab on Twitter: @EmpathyLabUK and search the hashtag #ReadforEmpathy for more. Visit their website at www.empathylab.uk.

On the @TES Blog: Top Children's Books of 2018

I had the immense pleasure and privilege of putting together a list of some of the best primary children's books of 2018. I ended up selecting 25 out of a huge number of excellent books that I'd read out of an even huger number of books actually published. I'm absolutely certain that all of my choices rank among the best, but there may be some that I didn't get a chance to read that should be there too.

A couple of such books which I read after submitting the piece were The Boy At The Back Of The Class by Onjali Q. Raúf and A Darkness of Dragons by SA Patrick.

Follow the link to find out what I chose as my favourite books of 2018: https://www.tes.com/news/top-childrens-books-2018

Reading For Displeasure: 13 Books To Take Children Out Of Their Comfort Zone

Reading for pleasure is all the rage in schools, but how often do we, and the children we teach, read for displeasure? Or, perhaps more accurately, for discomfort?

Ask any number of readers what they like about reading and there will be plenty of replies on the theme of escapism. Internet memes carry lines such as "Books: a cosy doorway to paradise".

Actually, for many, it should be that books are a doorway out of a cosy paradise.

Click here for more, including 13 recommendations of books for a range of ages which will take children out of their comfort zone and into the shoes of others: https://www.tes.com/news/13-books-take-primary-pupils-out-their-comfort-zone

Note: This article does not cover the whole range of uncomfortable life situations that people find themselves in. I have focused in this article on issues such as loss (of a loved one, of a sense of safety, of a sense of community) as well as racism. It is by no means a definitive list. I would suggest that there could be plenty more articles submitted to the TES highlighting books that will help children to understand other life circumstances.

Reading Roles PLUS Generic Activity Exemplified

This information can now be found at https://www.aidansevers.com/blog/search/reading%20roles

Reading Roles PLUS Generic Reading Activity

This information can now be found at https://www.aidansevers.com/blog/search/reading%20roles

More Books That Encourage Children To #ReadForEmpathy

Last year for Empathy Day, organised by Empathy Lab UK, I recommended 6 books that encourage children to read for empathy: 'The Unforgotten Coat' by Frank Cottrell Boyce; 'Oranges in No Man's Land' by Elizabeth Laird; 'The Goldfish Boy' by Lisa Thompson; 'My Dad's A Birdman' by David Almond; 'Tall Story' by Candy Gourlay; and 'Noah Barleywater Runs Away' by John Boyne.

Back in October I led a workshop at the Reading Rocks conference entitled 'The More-ness Of Reading'. In it I provided a more extensive list of books that are great for developing empathy as well as whole host of quotes and research explaining why reading for empathy is such a good idea: https://wherereadingrocks.wordpress.com/2017/10/14/the-more-ness-of-reading-by-thatboycanteach/

Since then I've read rather a few more books that easily fall into the category of books that develop empathy in their readers. And with the second Empathy Day taking place on June 12th 2018 it seemed right to produce another list.

Given that my last list contained no non-fiction, I'd like to begin by highlighting a few titles, which, whilst still narratives, tell the stories of real life people.

Coming To England: An Autobiography - Floella Benjamin

Although open and honest about the difficult experiences of a child moving to a new country, this book is written in such a simple way that it is very accessible for young readers - I'd recommend it for emotionally ready year 3 children and upwards. It is fairly hard-hitting - younger readers will definitely benefit from being able to discuss their reading with an adult - but is a great gateway to helping children understand how others feel when they arrive in a strange place where they experience prejudice and hardship. Given that this is a live issue for the UK it is important that children up and down the country understand as they help their new classmates to settle in.

Dear World - Bana Alabed

Another autobiography, this time written by then 8 year old Syrian Bana Alabed. Whilst still in Syria and experiencing firsthand the terrors of civil war in Aleppo Bana took to Twitter in order to share her story - her first tweet read 'I need peace'. As with 'Coming To England' this book is written in a simple way making it accessible to children the same age as Bana and upwards. It is a truly moving account - I admit to crying several times - and is the book I remember more than any others when I consider what I can do to help those fleeing such crises. People who seek refuge in the UK need to be welcomed by open arms, especially the children, and it is books like this that will help our children to resist the racist rhetoric that can be so pervasive and instead show kindness to those who are fleeing their homes.

Malala Yousafzai - Claire Throp

Presented in the usual non-fiction format that you'd typically find in a school library this informative book tells Malala's life story. It's both eye-opening and inspiring, and whilst being an obvious heroine for Muslims and girls there is encouragement to all our young people in the account of Malala's life. As with the previous two books, this volume explains carefully another reason why people might leaving their country in search of another life - to learn about the prejudice and oppression Malala faced from the Taliban in her own country should prompt children to assess their own attitudes towards women and minority groups.

And now for some fiction:

The Kites Are Flying! - Michael Murpurgo

Set in the West Bank this short story explores how Jewish and Palestinian children live in the shadow of the wall and the war that divides them. Contains such a tingle down the spine moment that this is absolutely essential reading. This is a story that will begin to give children an idea of the unrest that goes on overseas, as well as an idea of how this affects children such as themselves. This is 'The Kite Runner' for children.

Skeleton Tree - Kim Ventrella

Death. A tricky, tricky subject for children's books. From my review: "Ventrella cleverly explores the very real experience of how mixed emotions come into play during the loss of a loved one. The skeleton is funny (there are laugh-out-loud moments) and he brings some light relief to what is otherwise a very sad story... The book may help some children to explore the emotions felt during a bereavement."

The Light Jar - Lisa Thompson

This book tackles a rare subject in children's literature: domestic abuse. From my review: "'The Light Jar' is a book that digs deep into human emotion, validating the gamut of thoughts and feelings that children the world over will feel on a day-to-day basis. And with all the current news of young people's mental health issues, books like these are crucial in normalising and validating the responses our children have to difficult life circumstances; 'The Light Jar' will provide illumination in the darkness of some of its readers' lives."

Sky Song - Abi Elphinstone

From my review: "Sky Song is an important lesson in why tribalism, whilst comfortable, will not save the day - a political message that might give children a starting point to thinking about what their role on the world stage might be. Flint's character provides hope that people can change their ideological views in order to become more mindful of others. The character of his sister Blu, based on Elphinstone's own relative who has Down's Syndrome, is also a possible discussion starter for readers to explore and change their thoughts about those with genetic disorders and resulting learning difficulties."

The Wonderling - Mira Bartok

The Wonderling is an Oliver Twist-style adventure with, er... a twist. It is set in a world inhabited by humans, animals and humanoid mixed-breed creatures - foundlings - who are despised by the others. It focuses on the adventures of one such orphan foundling as he escapes the workhouse in order to discover who he really is. This book is a great starting point for empathising with children of the Victorian era who suffered in poverty but it also has modern parallels to children still living in similar situations all over the world.

How To Bee - Bren MacDibble

This difficult yet compelling read is a great dystopian exploration of the gap that exists between rich and poor and as such would be a good way to help children feel empathy for children and adults les fortunate than themselves. From my review: "The subject of domestic abuse – both physical and emotional, towards adults and children – makes this a tough read in places, particularly for the aforementioned age bracket. I would suggest that this book is better suited to teenage readers for this reason."

The Phantom Lollipop Man - Pamela Butchart

From my review: "Despite this looking like a funny book, it actually tackles quite a serious subject matter – so much so that I actually almost had a little cry at the end... It ends up as an exploration of loneliness and old age and is a gentle reminder to any reader to value all members of society, especially those at risk of becoming marginalised. This aspect of the book makes it fully rounded and a perfect read for anyone in lower key stage two..."

The Fox Girl And The White Gazelle - Victoria Williamson

Featuring a Syrian refugee and a girl experiencing severe domestic issues this book is a must-read for upper key stage two children. From my review: "This is a book that I wish every child would read. Politically and socially our children need to be living the out the story in this book if the world is going to have any sort of peaceful future. The book's dual message that differences ought to be celebrated and common ground should be sought is too important for this generation to miss out on. Books such as this are a safe space in which to explore the everyday issues that children might face - we must get these books into their hands."

The Mystery Of The Colour Thief - Ewa Jozefkowich

This is book about how a child deals with the illness of a parent. It also features a positive-thinking wheelchair user and a whole lot of kindness and hope. From my review: "In this beautifully-written story debut author Ewa Jozefkowicz deftly explores issues that young children may well come up against in real life. 'The Mystery of the Colour Thief' will bring comfort to those with similar experiences to those portrayed and will help those who haven't to be that little bit more understanding of those who have."

Illegal - Eoin Colfer, Andrew Donkin and Giovanni Rigano

As Andrew Donkin explains in his guest blog post for me: "We wanted to show our readers the situations that Ebo and Kwame find themselves in and invite our readers to imagine how the brothers might be feeling. We wanted to ask our readers to empathise with them and to imagine how they would feel in their place." From my review: "Rather than seeking to cash in, as the media did for a while, Eoin Colfer, Andrew Donkin and Giovanni Rigano seek to humanise the stories from the news reports. Human beings respond well to narratives and by telling the story of Ebo and Kwame, two brothers attempting to make it from Africa to Europe, the creators of 'Illegal' succeed in making real two of the nameless, faceless victims of whom we read in our newspapers."

Max and the Millions - Ross Montgomery

From my review: "Max loves making models; he’s also deaf. This representation of a ‘minority group’ is important in children’s literature. Montgomery writes sensitively and convincingly about the trials a deaf child might face making this an important lesson in empathy for young readers... [children will] be caused to think about how first impressions don’t always count, how kindness and selflessness are key characteristics to develop in oneself and how forgiveness is an essential ingredient for peace and friendship."

Guest Post: 'Illegal': Reading For Empathy by Andrew Donkin

Our new graphic novel, ILLEGAL, started life with a desire to make our readers feel empathy for people in a very unusual and terrible situation.

Andrew Donkin

It was about four years ago and my co-writer, Eoin Colfer, and I were following postage stamp-sized reports about the sinking of boats full of would-be migrants trying to cross the Mediterranean Sea. The reports were short, impersonal, and just carried an approximate number of people thought to be missing or dead. It made for grim reading.

We followed the story and dug deeper. When you read a report that says “It’s believed that 217 people died in the sinking” it’s very easy to get lost in the numbers. What do 217 people look like? How many classrooms would they fill? Or how many double decker buses? It’s easy to forget that each one of those 217 is a person just like me and just like you.

These days, everyone has seen the photographs of the so-called “cathedral boats” where every single inch of deck space is packed with a human being desperate to escape their old life or to begin a new one. As I said, it’s easy to get lost in the sheer numbers, and what we wanted to do with ILLEGAL, was to take one person on that dodgy, unseaworthy boat and tell their story. We figured that if we could make our readers feel empathy for one person in the boat, then that would perhaps change the head-numbing statistics into human beings.

ILLEGAL follows the story of two brothers, Ebo and Kwame, as they leave their home and attempt to travel across the Sahara Desert towards the northern coast of Africa where they eventually put their lives in the hands of people traffickers on a boat to Europe.

From the very beginning we knew that we wanted to tell the story of ILLEGAL as a graphic novel rather than a more traditional prose novel. One of the many reasons for this was that we wanted to avoid telling the readers how our characters felt. We wanted to show our readers the situations that Ebo and Kwame find themselves in and invite our readers to imagine how the brothers might be feeling. We wanted to ask our readers to empathise with them and to imagine how they would feel in their place.

My friend and co-writer, Eoin Colfer wrote recently that “travel broadens the mind, but books broaden the heart.” That’s never been truer of a book than the experience of reading ILLEGAL. Nobody would want to undergo the terrible journey that our characters undertake, but by reading the book in the safety of your own home or school or library, a reader can perhaps take away a small piece, perhaps if we’re really lucky, one-millionth of the real life experience.

Giovanni Rigano

Eoin Colfer

In many ways the job of a writer is feeling empathy for a living. How else could writers get inside the head of their many and varied characters to pen their tales? Writing fiction is a strange alchemy of sometimes transposing your own experiences into the head of other characters, but more often putting your characters in situations you’ve never experienced yourself.

For ILLEGAL, Eoin, myself and our artist Giovanni Rigano did more research than for any other book that we have ever published. Although the story is fictional, every single bit of it is true. Every bit of it happened to someone – usually to many people. Meeting and listening to the survivors of such journeys was a moving and humbling experience as we worked on the book.

The last few years have seen several very divisive political events and movements sweep across the west. It seems to me that books and graphic novels with their ability to transport you not just across time and space, but more importantly into the experiences of another human being are more vital than ever.

Guest Post: Who Gets to Tell the Story? Empathy vs Exploitation by Victoria Williamson

In today's guest blog post, and as part of her blog tour, Victoria Williamson, author of 'The Fox Girl and The White Gazelle' (see my review), discusses how stories can help children to understand things from the perspective of others. In her own book the story is told by two characters, each with their own point of view on the same events - this device is a helpful way into exploring how different people see and interpret the same events differently.

In a world of competing twenty-four hour news channels, adverts and infomercials that stretch the definition of truth, scientific data sponsored by self-interested corporations, and ‘fake news’ pedalled on Facebook and Twitter with countless celebrity ‘likes’, how do we separate the fact from the fiction, the objective reality from the subjective opinion?

Learning to sift through all of the available sources and select the most reliable ones is a vital skill for students to learn. One of the best ways to introduce them to this is through fiction. Children’s books are full of unreliable narrators, characters who see the world only from their point of view and get things wrong as a result. Caylin and Reema in The Fox Girl and the White Gazelle are no exception. Seen though Reema’s eyes, Caylin is a mean school bully, a talentless thug and an untrustworthy thief with no redeeming qualities. From Caylin’s point of view, Reema is a foreigner who speaks a strange language and eats weird food, an outsider she couldn’t possibly have anything in common with. At first their own prejudice colours every interaction, to the point where they experience the same events in completely different ways.

In Chapters 16 and 17 Caylin and Reema race each other in gym class, and both come away with a very different opinion of how that race turned out. Reema thinks:

I have won. I have proved to them all that I am the White Gazelle, and I am fast.

Caylin may be faster than me over a short distance, but that is alright, because I am stronger.

I will always outrun her in the end.

While Caylin says:

I totally beat her. If Miss Lindsey hadn’t made us run a stupid marathon instead of a straight race then I would’ve crossed the finish miles ahead of Reema.

It wasn’t a fair contest.

            [...] As long as I know I can outrun Reema, that’s all that matters.

It’s only when the two girls overcome their initial mistrust and start to work together to look after the family of foxes in the back yard of their apartment building that they realise they’re not so very different after all. It’s only by sharing their experiences with each other, and looking at the world from the others’ point of view, that they come to see the whole picture.

When discussing refugee issues in the classroom, the ‘whole picture’ exercise is a very useful one to get students thinking about who is being allowed to tell the story, and whose point of view is being left out entirely. I ask groups to look at a picture that is half covered with paper, and ask them to describe what they think the other hidden half looks like. The most useful picture for this exercise is the Reuters photograph by Jose Palazon showing golfers on an expensive course in Spain on one side, while migrants attempting to make it across the Spain-Morocco border to start a new life in Europe are seen climbing the high fence in the background. When the background is covered and we only see the point of view of the golfers, it looks like a beautiful, tranquil scene on a plush course lined by palm trees. Only when it is seen from the point of view of the migrants perched precariously on top of the fence does the difference in wealth, situation and life chances become clear.

This exercise is a great introduction to further activities looking at newspaper headlines and news stories. Who is telling the story? Is it written from the point of view of a resident of that country or a displaced person seeking a refuge? Is it sympathetic or hostile? Is the story being told with empathy, or is it exploitative, full of click-bait headlines and inflammatory phrases to draw readers in, regardless of the dehumanising effect this has on the people being described?

As teachers we need to ensure that students have access to a wide range of sources in our classes that describe historical and current affairs events from all points of view, not just the mainstream or ‘accepted’ version. As authors, we have a duty to represent a range of different characters and voices in our books, and not always default to writing characters just like us whose life experiences mirror our own. The ability to empathise with others may be something we are all born with, but like most skills, it has to be nurtured and practised. It’s only by seeing the world through the eyes of others that we get to exercise this important skill fully, and reading fiction with a diverse range of characters and voices is one of the best places to begin.

Book Review: 'The Fox Girl and the White Gazelle' by Victoria Williamson

'The Fox Girl and the White Gazelle' deserves to be one of 2018's most lauded books. Tackling racism, discrimination and bullying head-on in a book aimed at upper primary children is no mean feat, but Victoria Williamson does it with great sensitivity.

Reema and Caylin both have their back stories. One is a refugee from Syria, the other lives with her alcoholic mum and is the school bully. Reema pines for home, is worried about her missing brother and is having to start a new school and learn a new language. Caylin looks after her mum, wishes her mum would look after her and feels like she is no good at anything. But they happen to be neighbours and an unlikely friendship develops. But Williamson writes the slowly-flourishing relationship in such a convincing way that 'unlikely' becomes 'blindingly obvious'.

This is achieved by the back-and-forth nature of the story's narration. The girls take it in turn to tell their side of the story, the reader in the middle willing them both to discover their commonalities: they are both unknowingly looking after the same injured fox; they both love, and excel at, running; more importantly, they both desperately need a friend.

With some very stark and honest passages, this book pulls no punches. Clearly Williamson believes that children can hack the reality - a racist criminal setting his dog on Reema for wearing her hijab is not just a fictional occurrence. For children to really grasp the desperate plight of those subject to racism in the UK, such parts of the book are essential. However, the book almost glows with hope and optimism, even at the moments when it seems like things can't get any worse.

And it is not just empathy for Reema as a refugee that is important. Caylin's character is written in such a way that light is shed on the background of a child in need; a child whose needs manifest in bad behaviour. Children with a more privileged upbringing need to empathise with children less fortunate than themselves just as much as they need to empathise with those fleeing violence and oppression (and so do teachers).

This is a book that I wish every child would read. Politically and socially our children need to be living out the story in this book if the world is going to have any sort of peaceful future. The book's dual message that differences ought to be celebrated and common ground should be sought is too important for this generation to miss out on. Books such as this are a safe space in which to explore the everyday issues that children might face - we must get these books into their hands.

Perfect Partners:

'All The Things That Could Go Wrong' - Stuart Foster - another story narrated in turn, this time by two boys, one with challenging life circumstances and one with OCD, who eventually become friends
'Dear World' - Bana Alabed - this autobiography of a Syrian refugee will help children get a feel for what Reema has escaped
'Oranges In No Man's Land' - Elizabeth Baird - a fictional account of life as a child in a war zone; another opportunity for children to consider the horrors of war that refugees flee

Teaching Reading Comprehension: Modelling and Practice (Example Lessons)

I’ve been thinking, reading and writing a lot lately about how we teach reading strategies and skills in primary schools. I won’t bore you with all the details but thought I’d simply share some lessons that I’ve prepared for some year 3 teachers at the schools I work in. If you want to find out more about what I’ve been discovering, and the thinking behind the lessons I’ve planned, I’ve provided some links at the end of this blog post.

These lessons, although not fully-formed (I didn’t want to dictate everything), are a good representation of how I think teachers should model the use of reading strategies and skills in a lesson and how children can be given practice of using the same strategies and skills that their teachers have modelled. The lessons involve both opportunities for oral and written comprehension activities; the written activity can just as well be worked on orally, although it is designed so that children can work on it independently by giving written answers.

Some of the lessons you will see here were based on versions of Aesop's Fables written by Michael Morpurgo and illustrated by Emma Chichester Clark, published by Orchard Books. Although the book hadn't been chosen with inference-making in mind, it was serendipitous that there were plenty of opportunities to focus a few lessons on that particular skill. Hopefully these examples will show that, even whilst having a focus on a particular strategy or skill, other strategies and skills might be used in support whilst developing the skill which is the focus of the lesson (in this case inference-making).

For each lesson I outlined the L.O. (based on the National Curriculum POS for year 3/4 in this instance) and some introductory questions and items for discussion:

I then suggested some exemplar questions for the teacher to model which focus on the lesson's L.O.:

All of the above could be done as a whole class reading lesson, or as a guided group. The point of all of the above is to have discussions about the text and to orally develop strategies such as clarifying (what do the words mean?) and inferencing (why do the characters do what they do?). The intention is that children will then be better prepared to have a go at some similar questions themselves without the teacher having already answered them by way of demonstration.

In this particular example the questions are focused around multiple choice answers with the hope that children will consider each option in order to decide whether or not it is good evidence for the character's motives. Notice that not all the questions are inference questions; other questions are asked which might support the child's understanding so that they are able to make the more difficult inferences (see my blog posts on scaffolding for more information on this idea).

For more information on the symbols/colours use in this example, please read the following: http://www.thatboycanteach.co.uk/2016/12/reading-roles-cognitive-domains-made.html

This part of the lesson could be done as an independent written activity or as part of a guided group. The multiple choice questions should spark some good discussion about why the correct one is correct and about the reasons children have for selecting their answers. If this was being completed as an independent written task there is the potential for a follow-up written task asking children to give their reasons for their selection.

Following this, and in order to practice another strategy, I suggested the following:

The following lesson follows a similar structure:

You can download these resources on my website - they are editable so even if you don't have the book, you can use the activities as a template: https://www.aidansevers.com/product-page/inference-question-examples-and-templates

If you would like Aidan to work with you on developing reading at your school, please visit his website at https://www.aidansevers.com/services and get in touch via the contact details that can be found there.

These two lessons represent the first two in a potential sequence where children might move beyond being given multiple choice options. In another sequence of lessons based on David Almond's 'My Dad's A Birdman' children moved onto giving spoken and written answers to inference questions (which throughout the sequence all focused on characters' actions only). To begin with they answered questions with a structure that had been provided and modelled to them, as exemplified in the teacher notes:

They then answered their own questions. Again, this could be done independently, collaboratively or as part of a guided group with a teacher:

The children spent two lessons practising this before being shown how to further add to their answer, as demonstrated in the teacher notes:

The children then practised using this addition to the answer structure (although they only practised one as this was a chance for teachers to assess children's attempts at what is quite an advanced skill for year 3 children):

In the sequence of lessons on My Dad's a Birdman children spent 5 sessions focusing just on making inferences about character's actions followed by another 5 sessions focusing on making inferences about characters' feelings. For more on why there was such a sustained focus please read my blog post entitled 'Reading Comprehension: A Structured Way Of Teaching Inference-Making'. Along the way the children also exercised other reading comprehension strategies and skills in order to support their inference making and general understanding of the text. They also spent time just reading the book and enjoying - teachers and children alike kept telling me how much they loved the book. The fact that they had spent time completing such activities as outlined above enabled them to enjoy the book, rather than spoiling their enjoyment of it.

See my blog post entitled 'Giving the Gift of Reading: Activities That Promote Reading for Pleasure' for more on this.

You can download these resources on my website - they are also editable so even if you don't have the book, you can use the activities as a template: https://www.aidansevers.com/product-page/inference-question-examples-and-templates

If you would like Aidan to work with you on developing reading at your school, please visit his website at https://www.aidansevers.com/services and get in touch via the contact details that can be found there.

Further reading from my blog on teaching reading in primary schools:

Teaching Reading: A Simple Approach
Reading Roles: Elements Of The Content Domain Made Memorable
Reading Roles PLUS: Teaching Metacognitive Reading Comprehension Strategies (not exemplified in this blog post)
Questions To Ask When Teaching Inference-Making
Should We Teach Reading Strategies In Isolation Or In Combination?

Comprehension Strategies And The KS2 Reading Test - What and How Should We Teach?

In my first blog post in this series I explored the difference between reading comprehension strategies and reading skills. I noted that many of the skills that are tested in the KS2 SATs also have a matching reading comprehension strategy. With the conclusion that the deliberate use of strategies develops and embeds skills, I posed a question to myself:

Is there a way to teach comprehension strategies that prepares children well for the KS2 reading test?

In answering my second question I had to consider that which is different about the reading test. Whereas the commonly-used comprehension strategies do not require children to give written answers to questions they ask or generate themselves, the test does. This is the main difference. In addition to this, the year 5/6 National Curriculum objectives mention no requirement for children to provide written answers to questions and many of the objectives aren't tested at all by the SATs. The objectives circled in red aren't tested by SATs; the ones outlined in blue are.
Without having any evidence back this up with, I believe that there are children who, having been taught strategies which have become skills, are able to complete the reading test, confidently giving written answers to the questions it asks. I suspect that these children are also able writers and they have probably had a healthy relationship with literacy in general from an early age. There is a potential argument here for a sole focus on teaching comprehension strategies and never asking children to spend time practising giving written answers to comprehension questions.

But, I also think that there are probably children for whom some explicit instruction about how to give written answers to comprehension questions will be useful and necessary (if they are to have a chance of demonstrating their reading skills in a test, which all year 6 children are). Again, I have no research evidence to back this up, only anecdotal experience. However, there is research evidence to back up the idea that particular written activities do support reading comprehension.

I turned to Steve Graham and Michael Hebert's 'Writing to Read' report which states:

"Writing-about-text activities had a positive impact on struggling students’ understanding of a text. An important key to success in using these activities with lower-achieving students was to provide them with ongoing practice and explicit instruction."

The report recommends that students do write in response to things they have read and outlines a series of recommendations of activities. One of the recommendations is that teachers should have students answer questions about a text in writing, or create and answer written questions about a text:

"Answering questions about a text can be done verbally, but there is greater benefit from performing such activities in writing. Writing answers to text questions makes them more memorable, as writing an answer provides a second form of rehearsal. This practice should further enhance the quality of students’ responses, as written answers are available for review, reevaluation, and reconstruction (Emig, 1977).

For generating or responding to questions in writing, students either answered questions about a text in writing; received practice doing so; wrote their own questions about text read; or learned how to locate main ideas in a text, generated written questions for them, and then answered them in writing. These practices had a small but consistently positive impact on improving the reading comprehension of students in grade 6–12 when compared to reading or reading instruction."

Lemov et al's 'Reading Reconsidered' also provides plenty of classroom evidence that writing supports reading comprehension. They summarise:

"...the strategic use of writing made reading and discussions of reading- the other core activities of English class—more rigorous, focused, productive and engaging- ‘better’ in short.  Writing is a deeply valuable endeavor in its own right, but it is also an endeavor that works in synergy with reading in specific ways."

From 'Writing To Read'

Activities other than answering questions include responding to a text through writing personal reactions or analyses/interpretations of the text, writing summaries of a text, taking notes on a text, and creating and/or answering questions about a text in writing. Actually, all of these activities have a greater effect size than answering questions and therefore should be explored further in the primary classroom - another blog post for another time!

What does come through both the 'Writing To Read' report and Lemov et al's 'Reading Reconsidered' chapter entitled 'Writing For Reading' is an emphasis on explicit teaching: if we want children to be able to write well about the things they read in order to develop a better understanding of what they read, we must explicitly teach these skills - they must be modelled well by the teacher.

What I have found is that evidence from both research and successful classroom practice shows that an approach to teaching reading strategies which includes giving children the opportunities to practise giving written answers to comprehension questions (in order to prepare them well for a test) is not something we should avoid, but is something that, if done right, could be beneficial to the children we teach.

From the IES guide

So, is there a way to teach comprehension strategies that prepares children well for the KS2 reading test? Yes, I think so. As long as there is modelling, discussion (book talk) and time for children to practise, a sequence of learning that will improve reading skills can (and should) focus both on teaching reading comprehension strategies (as outlined in the EEF and IES guidance) and the elements of the National Curriculum (as outlined in the content domain in the KS2 test developers' framework) as they can act reciprocally due to similarities between the skills and the strategies. Reading instruction which includes, amongst other things, teachers, asking children to respond in writing to well-written questions based on a manageable amount of text is a good idea when preparing children for KS2 tests. It shouldn't be the only element of reading instruction but it should help. Where children lack particular skills it will be best to focus modelling and practise on those particular skills.

If children are only given written comprehension activities the comprehension strategies are not likely to be employed or developed. But if the written comprehension activities are backed up with explicit teaching of the supporting strategies (as well as vocabulary, any other necessary background knowledge and how to write answers), then comprehension strategies should be developed. Such explicit teaching (including modelling and discussion) should focus on ensuring that children know what the strategy is, how it is used and why and when to use it. Children can be shown how to use the strategies when completing written comprehension activities.

The York Reading for Meaning Project assessed three reading comprehension interventions delivered by teaching assistants in 20 primary schools. The three interventions were carried out with children who had been identified as having the poor comprehender profile - the three interventions were intended to help children who struggled with reading comprehension to overcome their problems. The three interventions differed:

• Oral Language Programme: vocabulary, reciprocal teaching with spoken language, figurative language and spoken narrative
• Text Level Programme: metacognitive strategies, reciprocal teaching with written language, inferencing from text and written narrative
• Combined Programme: all of the above (vocabulary, reciprocal teaching with spoken language, figurative language, spoken narrative, metacognitive strategies, reciprocal teaching with written language, inferencing from text and written narrative)

Based on the findings, the report concludes that 'the Oral Language intervention overall was the most effective of the three programmes. Theoretically, this finding provides strong support for the theory that the reading comprehension difficulties seen in those who show the poor comprehender profile are a secondary consequence of these children’s oral language weaknesses.'.

Here then is evidence that children who are struggling with reading comprehension, and are falling behind, will benefit from an oral language programme as intervention. In the context of this blog post - which focuses on teaching all children (including those are aren't struggling with comprehension but are still learning new skills and strategies) - it is worth questioning whether these research findings bear relevance - should we scrap writing as part of first teaching of reading and focus solely on an oral approach?

Examples of combined programmes from The York Reading for Meaning Project: An Overview

However, the outcomes of the project also show that 'all three interventions (Text Level, Oral Language and Combined) improved children’s reading comprehension skills'. In this blog post I have been suggesting what is essentially a combined programme for everyday classroom-based reading instruction (see the examples above). The question the research doesn't answer is, where first teaching of reading comprehension is concerned (i.e. not interventions for poor comprehenders), whether or not the benefits of writing discussed above are still outweighed by only focusing on an oral-only approach.

What is potentially telling is that 'the children who received the Combined programme experienced all components but at half the quantity of the other two intervention programmes'. What if children were given a whole quantity of both oral and written approaches? Isn't this something that a reading lesson, with an adequate amount of time given over to it, could offer children that an intervention (in this study set at 30 minutes long) could not?

It would be interesting to know which approach (oral, text or combined) shows the best results for all learners rather than interventions for poor comprehenders . For teachers working on helping children to be prepared for KS2 testing it would be good to see research which focuses on first teaching for all learners where the results are taken from SATs performance. Whether you are in support of year 6 testing or not, they are currently a feature of the UK's education system. In order for children to feel prepared (and hopefully not stressed by uncertainty about the tests) and in order for schools to demonstrate accurately the reading ability of their children, most schools will want to allow children to practise giving written answers to comprehension questions. Would it be too much of a gamble in this case for schools to take an oral-only approach?

If you would like Aidan to work with you on developing reading at your school, please visit his website at https://www.aidansevers.com/services and get in touch via the contact details that can be found there.

Expanding on some of the ideas in this blog post, in previous blog posts I have written about...

• how written responses to questions might be used in primary reading lessons: How To Use Questioning When Teaching Inference-Making
• how lessons might focus on one particular reading strategy or skill: Should We Teach Reading Strategies In Isolation Or In Combination?; Reading Comprehension: A Structured Way Of Teaching Inference-Making
• how to write comprehension questions for use in reading lessons: How To Write Good Comprehension Questions
• how reading skills and strategies might work together to build understanding: Scaffolding Structures for Reading Comprehension Skills