Book Review: 'Once Upon A Wild Wood' by Chris Riddell

There are many, many retellings and rehashings of popular traditional fairy tales, but this isn't one of them. Children who love fairy tales will love this but they will enjoy it in its own right. And that's because Chris Riddell, with his own inimitable sophisticated and dry humour, has told a new story, albeit with a whole host of favourite characters.

Know a child who's stuck on their favourite Disney princesses, and only ever wants to read those quite terrible picture book versions of the movies? This book could very well be the book that turns them onto some reading material of a little higher quality. The writing is wonderful, with seemingly more text than the average picture book, and, as is usual with Riddell, it never seems like he is talking down to his younger readers - he treats them in a grown-up way and gives them opportunities to think about new words and new concepts.

Existing fans of Riddell's books for younger readers, such as the Ottoline books, will recognise the style of storytelling and the kind of characters that are portrayed. The story's protagonist is a young girl, vastly more sensible and practical than the traditional Little Red Riding Hood, prone to solving problems but also demonstrating kindness and thoughtfulness - a great role model, in other words.

The illustrations, it really goes without saying, are incredible: the sort children pore over and return to again and again. Amusing details and such accurately drawn facial expressions provide excellent opportunities, along with the text and the plot, for adults and children to discuss the book at great length, making this a perfect book for parents or teachers to share.

Children will love spotting their favourite fairy tale characters, and may even be introduced to new ones, giving opportunity to explore classic tales which Disney haven't yet (to my knowledge) got their hands on. Rather like the Ahlbergs did with The Jolly Postman and Each Peach Pear Plum, Chris Riddell has brought new life to old stories and characters in this fantastically illustrated new tale.

Book Review: 'Secrets of a Sun King' by Emma Carroll

There's not been a prominent children's novel set in Egypt for a while, so when I heard that Emma Carroll's latest book was to have an Egyptian theme I was keen to read it - especially with curriculum planning in mind.

The story simultaneously follows the adventures of Howard Carter's discovery of Tutankhamen's tomb, a young girl's receipt of a cursed canopic jar and an ancient Egyptian girl's account of Tutankhamen's last days. These are expertly woven into a story exploring friendship, family, trust and secrets. Beginning in London, but, unsurprisingly, leading to Egypt, the mystery of the curse unravels as Lily, Tulip and Oz daringly arrange to return the jar to where it should be, following clues from an ancient writer and relying on local knowledge (and of course camels) to help them navigate the dangers of the desert.

Although 'Secrets of a Sun King' can be classed as historical fiction, it has a very contemporary feel. Carroll uses the post-Great War political landscape of women's rights to thrust strong female leads into the limelight, a father in the book even voicing his opinion that girls are 'the future'. With gender issues being very much in the limelight, the fact that females take centre-stage in this exciting adventure story seems only right. Whilst some of the language used by the children seems a little anachronistic (it might not be at all, it just sounds very modern) the exploration of the role of women seems to be retrospectively in-keeping with the time.

Also adding to the modern feel is the fact that many of the co-protagonists are very definitely not white, signalling perhaps that representation of ethnic diversity in children's books might be beginning to improve. The recent CLPE publication Reflecting Realities reported that in children's books published in 2017 only 4% of the characters were black, Asian or minority ethnic (BAME), so the publication of this book, with its mixed-heritage and Egyptian characters (both ancient and relatively modern) comes at a time when readers might be prompted to seek out some non-white representation.

In fact, Carroll has gone beyond this: there is also an acknowledgement of the historical tendency of the (white) British to act with superiority, including to the point of robbing another country of their treasures. Lil, the main character, realises: 'Being English didn't give me the right to sort out other people's problems, not when they could solve them themselves.' And the characters of Howard Carter and Lord Carnarvon are not portrayed positively - this is a challenge to our general view of archaeologists and explorers as infallible gentlemanly heroes.

All of these issues make this a great reason to read this with children, especially as part of history work in school. The potential exploration of moral issues surrounding Carter's discovery and working practices will certainly make for a more in-depth way of learning about the ancient Egyptians - particulary good for older primary children who are tackling the topic.

Having said this, teachers may want to be aware of one particular scene in the book where the children use a Ouija board. The scene seems unnecessary and doesn't seem to fit with the idea that the pharaoh's curse may or may not be able to be explained by natural phenomena, or at least that the children are sure of the curse without such overt messages. The fact that the children do not seem scared or shocked by the fact that a spirit communicates with them using the board is strange. Given that this scene is not referred to again in the book, teachers could choose to skip this part if reading aloud.

'Secrets of the Sun King' is a fantastic up-to-date novel for key stage two readers and, far from being a curse, is a gift to any teacher or parent hoping to hook their children into an exploration of the ancient Egyptian times, as well as into a historical period where archaeological discovery made headlines. Superbly written and fast-paced, children will love in equal parts the characters and plot of this excellent book.

Book Review: 'Ottoline and the Purple Fox' by Chris Riddell

Two of my daughters (year 1 and year 3 currently) became instafans of Chris Riddell's Ottoline character after I picked up a hardback copy of 'Ottoline at Sea' on a whim. I then borrowed a copy of 'Ottoline and the Yellow Cat' from the school library (must take that back before I leave this summer) which they subsequently devoured. 'Ottoline Goes to School' was purchased with pooled pocket money and enjoyed just as much as the others.

Then came 'Ottoline and the Purple Fox' - time for me to really see what the fuss was all about. Published recently by Pan Macmillan in paperback, you soon forget it doesn't have the fancy covers and extra bits and bobs (Bog Goggles, school badge collection, postcard collection) - the richly illustrated pages draw you in that much. Chris Riddell fans will just revel in the sheer volume of his wonderful images.

A story told just as much in the pictures as in the text, Ottoline and Mr. Munroe's latest adventure is as zany and quirky as one might expect. In actuality, this is a love story, complete with poetry - it's Ottoline's task to discover who the mysterious poet is and who they are in love with. On the way we meet a crazy cast of characters including shy gorillas, library flamingoes and the bear who lives in the basement (not to mention a dream sequence featuring one of Chris Riddell's other characters, Goth Girl).

Every now and then Riddell includes a page of drawings too intriguing to skim over quickly - the richness of the pictures are sure to prompt lots of conversation between an adult and child reader. In fact, reading activities abound within the pages of this book - this one should be on the shelves of all teachers in lower key stage two.

And Ottoline is such an adorable, non-typical girl character that I'd say it's pretty important for boys and girls to get to know her. She's strong-minded, independent but also thoughtful and kind. Her inquisitive mind and penchant for problem solving makes her a great role model, albeit a fictional one.

Now excuse me whilst I go and read the others - this one has certainly whetted my appetite!

Book Review: 'The Spiderwick Chronicles (Books 1 - 3)' by Tony DiTerlizzi and Holly Black

It's no wonder these international bestsellers are being republished. There's something special about them; perhaps something magical.

These are books about faeries. Not pink, glitzy, glittery fairies, but proper badass faeries: boggarts, brownies, goblins. Magical creatures come thick and fast in these short, little bitesize stories: The Phooka, wood elves, dwarves, trolls, griffins and more besides.

There's no messing about when it comes to getting into the story in each of these little books. At around the 100 page mark each, with a good few of those dedicated to the classic yet lively illustrations, the plot comes thick and fast. Where a longer book might faff around, these ones just get straight to the point. This characteristic would make these books perfect for reticent readers - ones who would benefit from the experience of finishing a whole, proper-looking book quickly. And the fact that there's a whole series of further books to read would automatically provide a reluctant child with another book to read - they can even read the first chapter of the next book at the end of their current book to really get them hooked.

In fact, some of these readers might even identify with main protagonist Jared Grace who, since his father's departure has struggled with his behaviour at school. Taken off to live in a strange old house with his twin brother and older sister he soon discovers that there is more to his world than first meets his eye, and, once he has the sight, he and his siblings find themselves embroiled in a faerie battle to wrest ownership of a mysterious tome of faerie world knowledge from their own hands.

Whilst the stories are short and the illustrations are plentiful, there isn't a simplifying of the text. Readers will still be exposed to creative vocabulary and the most exciting of content. Small but perfectly formed these reissues are sure to find themselves to be firm favourites of a whole new generation of children.

Guest Post: 'Illegal': Reading For Empathy by Andrew Donkin

Our new graphic novel, ILLEGAL, started life with a desire to make our readers feel empathy for people in a very unusual and terrible situation.

Andrew Donkin

It was about four years ago and my co-writer, Eoin Colfer, and I were following postage stamp-sized reports about the sinking of boats full of would-be migrants trying to cross the Mediterranean Sea. The reports were short, impersonal, and just carried an approximate number of people thought to be missing or dead. It made for grim reading.

We followed the story and dug deeper. When you read a report that says “It’s believed that 217 people died in the sinking” it’s very easy to get lost in the numbers. What do 217 people look like? How many classrooms would they fill? Or how many double decker buses? It’s easy to forget that each one of those 217 is a person just like me and just like you.

These days, everyone has seen the photographs of the so-called “cathedral boats” where every single inch of deck space is packed with a human being desperate to escape their old life or to begin a new one. As I said, it’s easy to get lost in the sheer numbers, and what we wanted to do with ILLEGAL, was to take one person on that dodgy, unseaworthy boat and tell their story. We figured that if we could make our readers feel empathy for one person in the boat, then that would perhaps change the head-numbing statistics into human beings.

ILLEGAL follows the story of two brothers, Ebo and Kwame, as they leave their home and attempt to travel across the Sahara Desert towards the northern coast of Africa where they eventually put their lives in the hands of people traffickers on a boat to Europe.

From the very beginning we knew that we wanted to tell the story of ILLEGAL as a graphic novel rather than a more traditional prose novel. One of the many reasons for this was that we wanted to avoid telling the readers how our characters felt. We wanted to show our readers the situations that Ebo and Kwame find themselves in and invite our readers to imagine how the brothers might be feeling. We wanted to ask our readers to empathise with them and to imagine how they would feel in their place.

My friend and co-writer, Eoin Colfer wrote recently that “travel broadens the mind, but books broaden the heart.” That’s never been truer of a book than the experience of reading ILLEGAL. Nobody would want to undergo the terrible journey that our characters undertake, but by reading the book in the safety of your own home or school or library, a reader can perhaps take away a small piece, perhaps if we’re really lucky, one-millionth of the real life experience.

Giovanni Rigano

Eoin Colfer

In many ways the job of a writer is feeling empathy for a living. How else could writers get inside the head of their many and varied characters to pen their tales? Writing fiction is a strange alchemy of sometimes transposing your own experiences into the head of other characters, but more often putting your characters in situations you’ve never experienced yourself.

For ILLEGAL, Eoin, myself and our artist Giovanni Rigano did more research than for any other book that we have ever published. Although the story is fictional, every single bit of it is true. Every bit of it happened to someone – usually to many people. Meeting and listening to the survivors of such journeys was a moving and humbling experience as we worked on the book.

The last few years have seen several very divisive political events and movements sweep across the west. It seems to me that books and graphic novels with their ability to transport you not just across time and space, but more importantly into the experiences of another human being are more vital than ever.

Book Review: 'Illegal' by Eoin Colfer, Andrew Donkin & Giovanni Rigano

Every now and then a graphic novel appears which pushes itself into the consciousness of the mainstream. Readers unaccustomed to reading pictures and text together suddenly find themselves exercising a muscle that has been resting since their childhood. It would seem though that it takes something pretty special to break this boundary. And 'Illegal' is special.

The death of Alan Kurdi in 2015, and the heart-rending photo of him that shocked the world, brought a crisis to light: those escaping war and poverty were being trafficked in unseaworthy vessels resulting in many lives lost. The media began to report further stories of similar tragedies, but as is the way, these stories soon became old news. But it is still happening. Google 'migrant boat sinks' and you'll see much more recent instances of these horrific events.

Rather than seeking to cash in, as the media did for a while, Eoin Colfer, Andrew Donkin and Giovanni Rigano seek to humanise the stories from the news reports. Human beings respond well to narratives and by telling the story of Ebo and Kwame, two brothers attempting to make it from Africa to Europe, the creators of 'Illegal' succeed in making real two of the nameless, faceless victims of whom we read in our newspapers.

As is the way with graphic novels, readers need to exert some effort into imagining the characters' feelings - with an economy of words comes more work for the reader. However, Rigano's bold illustrations, simultaneously classically-styled yet original and contemporary, do an exceptional job of conveying meaning - a picture really is worth a thousand words when its as carefully drawn as this. The storytelling of the combined text and pictures is accessible even to those who might normal find graphic novels too visually stimulating and busy - the illustrations are clean, detailed yet uncluttered, and colour palettes for each sequence are carefully chosen to evoke a sense of place, atmosphere and mood. Here, engaging with the images is crucial if the reader is to empathise with the plight of the world's humans in flight.

Although the demands of the text are low, the subject matter is emotionally involving making this book a certificate PG. Teachers, librarians and parents should consider how they present this book to their child - it is one that should be framed by good conversation with trusted adults. For anyone desensitised by the news, or for one who has a hard time knowing how to respond to terrible events in the world, this book will provide an alternative way into grappling with the issues.

In 'Illegal' horror and hope sit side by side, necessary bedfellows in a book which portrays the world we live in as it really is. Essential reading.

Book Review: 'The Mystery of the Colour Thief' by Ewa Jozefkowicz

If you're a regular reader of my book reviews then you'll know there is one quality above all others that I look for in children's novels: the potential for it to develop empathy in the reader. This book has that in spades.

Izzy blames herself for what happened to her mum. Since the incident her relationship with her best friend has suffered and despite many well-meaning adults offering support, she is finding life difficult to cope with. And it doesn't help that her recurring nightmare features a shadowy man who begins to steal the colours, one by one, from her life.

But then she meets Toby - a wheelchair-user who has moved in up the road - and he introduces her to Spike, a young swan and the runt of the litter. She and Toby strike up a friendship and in their dedication to saving the starving cygnet, Izzy finds hope and purpose. She also finds inspiration in straight-talking Toby who, through the wisdom gained from his own experiences, helps her to solve the mystery of the colour thief.

Imagery abounds in this wonderful short novel aimed at Key Stage 2 and 3 children. The gradual loss of colour in the mural of her life that her mum painted above her bed is a sensitive metaphor for the creeping onset of depression. The improving wellbeing of Spike causes and provides parallels with Izzy's improving mental health - in both cases the injured party allows others to help them. The feather Izzy gives to her mum as she lies in a coma is a symbol of optimism and freedom -  a freedom which Izzy eventually gains as she discovers she is guilt-free.

In this beautifully-written story debut author Ewa Jozefkowicz deftly explores issues that young children may well come up against in real life. 'The Mystery of the Colour Thief' will bring comfort to those with similar experiences to those portrayed and will help those who haven't to be that little bit more understanding of those who have.

A must for any library, classroom or home bookshelf - books like this position the current generation  to begin to work for a better, kinder future.

Perfect Partners:

'The Fox Girl and the White Gazelle' by Victoria Williamson - another story in which an unlikely duo bond over caring for an injured wild animal
'My Dad's A Birdman' by David Almond - aimed at a younger audience, and a little zanier, this story also explores how a young girl and her dad feel after the loss of her mother
'A Monster Calls' by Patrick Ness - aimed at an older audience, this book also explores the feelings of a young person experiencing the illness and loss of his mother

Look out for a guest post from Ewa Jozefkowicz on how growing up in her father's bookshop inspired her to write 'The Mystery of the Colour Thief' - coming to www.thatboycanteach.co.uk soon!

Book Review: 'The Fox Girl and the White Gazelle' by Victoria Williamson

'The Fox Girl and the White Gazelle' deserves to be one of 2018's most lauded books. Tackling racism, discrimination and bullying head-on in a book aimed at upper primary children is no mean feat, but Victoria Williamson does it with great sensitivity.

Reema and Caylin both have their back stories. One is a refugee from Syria, the other lives with her alcoholic mum and is the school bully. Reema pines for home, is worried about her missing brother and is having to start a new school and learn a new language. Caylin looks after her mum, wishes her mum would look after her and feels like she is no good at anything. But they happen to be neighbours and an unlikely friendship develops. But Williamson writes the slowly-flourishing relationship in such a convincing way that 'unlikely' becomes 'blindingly obvious'.

This is achieved by the back-and-forth nature of the story's narration. The girls take it in turn to tell their side of the story, the reader in the middle willing them both to discover their commonalities: they are both unknowingly looking after the same injured fox; they both love, and excel at, running; more importantly, they both desperately need a friend.

With some very stark and honest passages, this book pulls no punches. Clearly Williamson believes that children can hack the reality - a racist criminal setting his dog on Reema for wearing her hijab is not just a fictional occurrence. For children to really grasp the desperate plight of those subject to racism in the UK, such parts of the book are essential. However, the book almost glows with hope and optimism, even at the moments when it seems like things can't get any worse.

And it is not just empathy for Reema as a refugee that is important. Caylin's character is written in such a way that light is shed on the background of a child in need; a child whose needs manifest in bad behaviour. Children with a more privileged upbringing need to empathise with children less fortunate than themselves just as much as they need to empathise with those fleeing violence and oppression (and so do teachers).

This is a book that I wish every child would read. Politically and socially our children need to be living out the story in this book if the world is going to have any sort of peaceful future. The book's dual message that differences ought to be celebrated and common ground should be sought is too important for this generation to miss out on. Books such as this are a safe space in which to explore the everyday issues that children might face - we must get these books into their hands.

Perfect Partners:

'All The Things That Could Go Wrong' - Stuart Foster - another story narrated in turn, this time by two boys, one with challenging life circumstances and one with OCD, who eventually become friends
'Dear World' - Bana Alabed - this autobiography of a Syrian refugee will help children get a feel for what Reema has escaped
'Oranges In No Man's Land' - Elizabeth Baird - a fictional account of life as a child in a war zone; another opportunity for children to consider the horrors of war that refugees flee

Book Review: 'The Phantom Lollipop Man' by Pamela Butchart

I’m always dubious of the quality of books aimed at the 7 – 9 age bracket, especially ones which feature lurid cartoonish illustrations and crazy typesetting. It can sometimes seem like funny books are the only thing available to children who are just getting into reading longer books, especially when it comes to newly-published material.

And so it was with a degree of forced open-mindedness and some trepidation that I embarked on my reading of ‘The Phantom Lollipop Man’ by Pamela Butchart, illustrated throughout by Thomas Flintham. But, spoiler alert, I loved it and you will too.

I immediately devoured half the book, even laughing out loud in places where Butchart has clearly written with adults in mind. The fact that the author is a teacher and the book is set in a school (as are the other books in the series) makes for some hilariously insightful gags, all delivered with a touch of real affection – everyone who knows schools will identify with the deputy head who thinks they’re the head teacher, the office ladies who know everything and the teacher who spends lunchtime secretly eating sweets in their classroom.

As is usual with children’s books school life is a touch exaggerated – the children have a den under the stairs in school which they seem to find plenty of time to visit during school hours, Zach carries a smartphone at all times and the group of friends seem to spend a lot of time haring around the corridors. But it is exactly this that children will love; it’s what makes the story more exciting. And after all, Izzy and her friends are getting up to nothing like the Famous 5 and Secret 7 used to – they’re just having adventures that children can relate to more as the setting is so familiar. I quickly introduced it to my children – taking a book to read to them on a train journey was a stroke of genius, I must say – they told me they imagined the whole thing taking place in their own school.

Reading the book aloud was a little bit of a challenge: Izzy’s breathless and tangential narration means assuming the character of an excited year 4 child is a must. But it is this writing style which makes ‘The Phantom Lollipop Man’ an endearing read, particularly as a parent of three girls and the teacher of many more primary-aged children.

Despite this looking like a funny book, it actually tackles quite a serious subject matter – so much so that I actually almost had a little cry at the end. The story involves a group of children trying to solve the mystery of where their normal lollipop man has got to. They misinterpret information from the office ladies and believe him to be dead; sightings of him lead to their conclusion that he is dead, has come back as a ghost and has unfinished business that they must help him with. Adults reading the book will understand their blunder, but children might not. It ends up as an exploration of loneliness and old age and is a gentle reminder to any reader to value all members of society, especially those at risk of becoming marginalised. This aspect of the book makes it fully rounded and a perfect read for anyone in lower key stage two – vocabulary-wise it is perfectly pitched for this age group too with enough new words to explore without it becoming too much.

As a family we’ve already begun reading the only other Pamela Butchart book in the house – her World Book Day offering ‘The Baby Brother From Outer Space!’ – such was our collective love for ‘The Phantom Lollipop Man’. I suspect that next time we visit a bookshop/library we shall be purchasing/borrowing a few more! I will also be less suspicious about brightly-coloured books with words written in bold surrounded by clouds and flashes – lesson learnt.

Book Review: 'How To Bee' by Bren MacDibble

Children’s publishing seems to be experiencing a time of growth; the shelves of book shops are bursting with newly-published books for kids – so much so that it can be hard to choose which books to read. Some seem to garner much attention whilst others arrive quietly, waiting to be picked up and discovered.

‘How To Bee’ is new to the UK market but has already been doing very well in its native Australia. And it would be a real shame if it did not take off here too. Set in a future Australia where honey bees are all but extinct, this is a book about family, friendship, courage and survival and features an extremely strong, but not invincible, female lead character.

Despite being pegged as a dystopian novel, the story portrays a world not dissimilar to the one we live in now. And this is what makes this book so disturbingly successful. Although the story is a chain of largely dismal events, the reader is sucked into Peony’s life – Bren MacDibble makes it impossible for the reader not to be rooting for her as she pursues her dream of becoming a bee – a hand pollinator. But ‘How To Be’ is not without its moments of light and hope – it would be a hard read if it wasn’t. However, with an ending that is weighted more towards the bitter end of the bittersweet scale, it is an important read for those who only ever experience happily-ever-after endings.

Peony’s abduction by her mother and her cruel partner sees her removed from the countryside and placed into a rich household in the city. There Peony is witness to a way of life far removed from her simple, often harsh, but enjoyable life of sleeping in a shed and working amongst the fruit trees. The author cleverly contrasts these two lifestyles in such a way that merit can be seen in both – in the home of the Pasquales Peony experiences a loving marital relationship – a far cry from the relationships her mother has been in; but she also sees how the poor are exploited in order to provide a lavish lifestyle for the rich – there are several other such contrasts. As with any good dystopian fiction, current affairs are explored and commented on in the context of a fabricated domain.

Although sold as a children’s book, with an age recommendation of 9-12, the subject of domestic abuse – both physical and emotional, towards adults and children – makes this a tough read in places, particularly for the aforementioned age bracket. I would suggest that this book is better suited to teenage readers for this reason.

There is no reason why this challenging read shouldn’t be celebrated – it is well-written, introduces children to other ways of life (and a new dialect) and despite being brutal in places is told with a very gentle touch. With its well-formed and believable characters – some loveable, some hateable – ‘How To Bee’ is a book really to get into – I found it hard to put down, such was the grip it had on me.

Book Review: 'To The Edge Of The World' by Julia Green

When it comes to evoking a sense of place Julia Green has done an excellent job in her latest book 'To The Edge Of The World'. The islands and seas of the Outer Hebrides are conjured in the mind of the reader as they read of the journey Jamie and Mara’s friendship takes. With the island setting and a dose of sailing jargon readers of Morpurgo and Ransome will find something they’re at home with here.

Jamie lives on the island with his family although he misses Dad who works away on the mainland during the week. Mara lives on the island too, but away from other people. Mara’s mum is suffering from mental illness (this is hinted at throughout the story) and she too misses her father whom she hasn’t heard from in years. An unlikely pair, Jamie and Mara become friends, but always with a difficult, awkward relationship, and embark (accidentally on Jamie’s part) on a daring and dangerous adventure. Along with the well-developed settings, the fact that Julia Green tackles real-life issues that many young people face is a strength of this book.

Although the story has the reckless voyage to St. Kilda, the Outer Hebrides’ furthest islands, and the friendship dimension to commend it, readers might be left wishing for a little more: compared to other similar stories it isn’t as well-rounded and has the potential to fall a little flat. Also, the story is narrated by Jamie and as such the writing is clipped: the short sentences characterise a young teenage boy well, but aren’t always easy to read.

Having said this, ‘To The Edge Of The World’ will certainly appeal to readers who love reading about friendship or who particularly enjoy stories about island life and seafaring – certainly those who have been charmed by Morpurgo’s tales about the Isles of Scilly. In the classroom, ‘To The Edge Of The World’ might be used to great effect alongside other similar books, particularly as a source of descriptive passages for children to use as inspiration for their own writing.

Book Review: 'The House With Chicken Legs' by Sophie Anderson

Taking a mainstay of Slavic folklore and re-imagining it for a generation who are most likely ignorant of its origins turns out to be a clever move for ‘The House With Chicken Legs’ author Sophie Anderson. And to write a debut novel for children which is all about death is brave – but Anderson triumphs.

Marinka lives in a house with chicken legs with no one but her grandmother, Baba Yaga, and a Jackdaw for company. Apart from, that is, the dead people who visit her house every night. And she has no chance to make any other (living) friends because every time she gets settled somewhere the house literally ups sticks and pelts across the world to find a new location.

Then there’s her destiny: to be the next guardian of The Gate between life and death. A destiny she does not want at all. She hates the thought of guiding the endless stream of dead visitors into the afterlife for the rest of her living days.

I said the book was all about death, but actually ‘The House With Chicken Legs’ is all about life. It’s about not getting what you want, growing up, learning about other people, making friends, experiencing the pain of loss, making mistakes, making the same mistakes again, finding joy in the little things, regret, seeing the beauty of the world, loyalty, betrayal, love, kindness… see what I mean? It’s about life and it will make any reader thankful for theirs and those they share it with.

To read this book, and to journey with Marinka, both around the world and through her life, is to understand her every thought and feeling, such is the quality of Anderson’s compelling writing. The book will provoke thought and conversation about life and death, regardless of your beliefs on the matter – in the classroom, or at home, it will provide a good starting point for exploring and understanding traditions and beliefs from around the world.

‘The House With Chicken Legs’ is a beautifully human book that has the potential to draw young readers into the world of literature where real life themes are explored in great detail. Readers who are, like Nina, growing up and beginning to better understand the increasingly adult world around them, will love this coming-of-age story and will no doubt benefit from the lack of clichéd modernity that clogs up other books of the genre. Highly recommended.

Book Review: 'Max and the Millions' By Ross Montgomery

As with all good children’s books these days, this isn’t just a straight yarn. ‘Max and the Millions’ by Ross Montgomery begins by introducing one of the unlikely heroes of the story - a school caretaker with more than just a knack for building intricate models of anything and everything. Next we meet Mr Pitt the typically unlikeable headmaster. And then we encounter the story’s other (full-size) hero: Max, who is hiding in a cupboard. Max loves making models; he’s also deaf. This representation of a ‘minority group’ is important in children’s literature. Montgomery writes sensitively and convincingly about the trials a deaf child might face making this an important lesson in empathy for young readers.

Although this is a story about how a warring society of magically created microscopic people are rescued by a seemingly improbable pair of pre-teen boys and a hoard of pony-obsessed 5 year old girls on a sugar-bender, it is also a story about friendship, fitting in, integrity and small things mattering. Whilst Lower Key Stage 2 children will enjoy the miniature adventures of King Luke and his trusty flea as he fights the Bin King and the Red Queen, they will also be caused to think about how first impressions don’t always count, how kindness and selflessness are key characteristics to develop in oneself and how forgiveness is an essential ingredient for peace and friendship.

The story’s absolute highlight comes when (slight spoiler alert) the tiny Luke becomes king of the united people of The Floor (the minute kingdom the small people inhabit). The power goes to his head and, despite his friend Ivy’s warnings, he forgets the golden rule: do unto others as you would have them do unto you with disastrous consequences. Even if no other part of the book is used as a talking point between adults and children, this part should be; it opens up a safe space in which to discuss politics and has parallels to current situations that are playing out on the world stage. The headmaster’s despotic antics throughout the book also provide opportunities to discuss similar issues.

This well-written book is a great choice for parents and teachers of children who have expressed interest in world affairs but who might be too young to fully understand the complexities and unpleasant details of the situations. It’s also recommended for fans of stories such as Terry Pratchett’s The Carpet People stories – those young but capable readers who are quite at home in stories with impossibly fantastical settings.

Revealed: Read For Empathy Guide from EmpathyLab

Those of you who've been reading my blog and interacting with me on Twitter will know my passion for the transformative power of books. One particularly powerful aspect of books is there ability to develop empathy in the reader.

The new Read For Empathy Guide from EmpathyLab is introduced with these brilliant paragraphs:

"Empathy is a human super-power which helps us all understand each other better. It is also an essential social and emotional skill, crucial if children are to thrive.

"We’re not born with a fixed quantity of empathy – it’s a skill we can learn. Excitingly, new research shows that books are a powerful tool to develop it, because in identifying with book characters, children learn to see things from other points of view. So when you read with children you can build their empathy skills at the same time."

At this year's Reading Rocks conference I ran a workshop entitled 'The More-Ness Of Reading' (click the link for a blog version of it) in which the attendees and I explored how books can help us to become more empathetic. I've also written several blog posts on the matter:

Changing Hearts, Minds, Lives and the Future: Reading With Children for Empathy

6 Books That Encourage Children To #ReadForEmpathy

The Best RE Lesson I Ever Taught (Spoiler: It Was A Reading Lesson)

Many of my book reviews focus in on ways that children's books might be used in the classroom to encourage children to develop empathy:

'The Goldfish Boy' by Lisa Thompson

'Cogheart' by Peter Bunzl

'Here We Are' by Oliver Jeffers

'The Skeleton Tree' by Kim Ventrella

'All The Things That Could Go Wrong' by Stewart Foster

(click here for more)

I'm something of a fan of reading for empathy. So I was excited to find that EmpathyLab have published in their guide a list of 30 books to build children’s empathy and all in good time for Empathy Day on 12th June - we teachers and parents can get reading the selection of books now in time for then.

So far, of this list, I've only read 'Grandad’s Island' by Benji Davies, 'My Name is Not Refugee' by Kate Milner, 'Can I Join your Club?' by John Kelly and illustrated by Steph Laberis and 'The Island at the End of Everything' by Kiran Millwood Hargrave although there are a few there I've had my eye on for a while. With having read only 4 out of the 30 so far I've got a lot to be getting on with. I think I will make it my aim to read all the picture books first - hopefully my excellent local library will have them in.

The guide itself contains mini reviews of each of the books, all of which give an idea of how the book might support the development of empathy. The books which have been chosen explore themes of displacement and migration, experiencing and managing emotions and facing challenging circumstances, such as deafness, autism or bereavement.

EmpathyLab Founder Miranda McKearney OBE says: "It’s time to make far more systematic use of books’ power to tackle society’s empathy deficit. This 2018 Read for Empathy Guide is part of an empathy movement to help us understand each other better. We’re seriously delighted to be working with authors, publishers and Peters to launch it in the run up to Empathy Day on 12 June."

Have you read any of the selected books? How would you use them with children to develop empathy?

Which of the selected books are you particularly looking forward to?

I look forward to hearing from you!

Book Review: 'Make Me Awesome' by Ben Davis

In this hilarious send up of self-help guides and larger-than-life celebrity life coaches Ben Davis introduces Freddie, gamer and son of a failed antiques dealer, and Chuck Willard, 'inspirer and giver of dreams'.

Things aren’t going too well for Freddie Smallhouse. His dad left his successful job to set up his own business which failed and now they’re living at Uncle Barry’s but he’s about to kick them out. Freddie enrols on Chuck’s Complete Road To Awesomeness programme and sets about trying to make the family’s fortune. One failure after another doesn’t perturb our hero, not when he’s got Chuck’s AWESOME tips and advice to hand.

In this laugh-out-loud tall tale Freddie learns about friendship, integrity and true success as he muddles his way through his response to his dad’s despondency. Amongst the hilarity (the headteacher is called Mr. Bümfacé – pronounced ‘Boomfachay’) there’s a really touching story of how a not-quite-yet teenager might try crazy things in an attempt to deal with a difficult home situation.

‘Make Me Awesome’ is an easy read yet the age of the protagonist (he’s at secondary school), and a couple of the jokes (reference to the rude channels on TV and perverts, for example), mean that this would be really suitable for reluctant KS3 readers as well as KS2 children. With better, slightly more sophisticated jokes than a David Walliams and more plausibility than a Diary of a Wimpy Kid book, ‘Make Me Awesome’ will go down very well with those children looking for a funny, quick read.

Book Review: 'The Light Jar' by Lisa Thompson

Very early on you know something is not right - the nighttime escape with hastily packed bags, the feverish glances in the rear view mirror; Nate's mum's paranoia seeps through the pages. And as soon as you hear of Nate's dad leaving and mum's new man Gary you marvel at Lisa Thompson's bravery: tackling a subject like domestic abuse in a story aimed at 9 to 12 year olds? But she does it so beautifully. And it is important that she does - books should tell all stories.

Once again displaying her knack for weaving intriguing mystery into a story about terrible real life events - one that still has many blindingly bright and brilliant moments - Lisa Thompson leaves the reader in a quandary: they want to know more, but they're scared of what they might discover. Where has mum gone? Why did they leave home in the dead of night and turn up to this decrepit cottage? Why does Kitty avoid her own home? These questions and more make 'The Light Jar' a one-sitting type of book - the urge to read on and on is overpowering.

Brimming with clever imagery and metaphors 'The Light Jar' will get minds young and old alike thinking about the significance of Nate's favourite book, of the chicken and the light jar and the magic fortune telling ball toy. Readers will experience the satisfaction of solving the mystery of Nate's new friend Kitty's treasure and will be left wondering just how real Sam and his friends are. This finely-crafted multi-dimensional story will introduce children to the necessity (and joy) of flicking back through previously-read pages to put the pieces of the puzzle together.

'The Light Jar' is a book that digs deep into human emotion, validating the gamut of thoughts and feelings that children the world over will feel on a day-to-day basis. And with all the current news of young people's mental health issues, books like these are crucial in normalising and validating the responses our children have to difficult life circumstances; 'The Light Jar' will provide illumination in the darkness of some of its readers' lives.

Serious, uplifting, mysterious: a combination I've not found served up quite like this before. 'The Light Jar' is a special book and is certainly a must read for 2018. I can confidently say that not much will top it this year.

'The Light Jar' was published in paperback on 4th January 2018 by Scholastic (9781407171289 £6.99)

On The @TES Blog: Six Books That Chart My Reading Evolution

Another personal blog post about reading (sorry). This one was hugely enjoyable to write due to the fact that books are not just bound and covered collections of paper with words printed on them - they are intertwined with life's real events and characters. I could not have picked six books without thinking particularly of my dad and my wife as well as times and places in my life.

I hope you enjoy reading about the six books that chart my evolution as a reader; I'd love to hear about the books that you'd consider to be elementary in your growth as a lover of books.

https://www.tes.com/news/school-news/breaking-views/six-books-chart-my-teacher-a-reader-evolution