But Halpin doesn't resort to cliches to achieve the unsettling atmosphere of this story - it's that subtle subversion of what's considered as normal that does it. Poppy goes to stay with her grandma, but something's not quite right in her town. There have been mysterious disappearances, yet life goes on just as normal life does in the 21st Century. There are plenty of clues for the reader - enough to know that something isn't right, but not enough to be properly aware of what's going on. And there aren't enough clues as to whether the occurrences can be explained away as criminal activity or whether something more sinister, more magical is going on. Halpin certainly leaves the reader guessing, which is quite unsettling, even as an adult reader!
And, as a result, this is a tale of two parts. Once the stage has been set, and Poppy and her new friend Erasmus' investigations seem to have ground to a halt, things start to get very strange, and fairytale-like. Fairly suddenly the reader is swept into a world of ancient witches and legends of old - a place where evil goings on can only be halted by those with the quickest of wit. And for while it looks like the game is up for Poppy and Erasmus - there are no easily-won happy endings in this book.
There is wit in the other sense of the word here, too. The darkness of the tale is balanced by plenty of quips and amusing set pieces. There are also plenty of sub-themes running through which enrich the substance of this novel - the death of a parent, old age, bullying, alcoholism - which would make for interesting conversation starters with children who are beginning to observe the real dark side of life.
It's hard to find genuinely disturbing but child-friendly novels - this could just be the book that some children, unsatisfied by the funny books, the adventure fantasies and the grown-up-books-for-kids, have been waiting for.
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