Cross-Curricular Links in 'The Longest Night Of Charlie Noon' (Blog Post by Christopher Edge)

One of the joys of writing for children is seeing the inspiration that young readers take from a story you have written. I’m often contacted by teachers via Twitter showing me the amazing creations their classes have produced after reading one of my novels and when I visit schools I get to see this inspirational work first-hand, from Möbius strip sculptures inspired by 'The Infinite Lives of Maisie Day' to playground rocket launches straight out of 'The Jamie Drake Equation' and fabulous creative writing where young authors have taken Albie Bright into many more exciting new worlds.

The 'Longest Night of Charlie Noon' is a story about three children who get lost in the woods, and at its heart it’s a mystery story. As Charlie, Dizzy and Johnny make their way through the woods they find strange dangers and impossible puzzles lurking in the shadows, and I hope the excitement and intrigue readers will find in the story will get them reading closely to find the clues they need to solve the mystery. As readers, they can make inference and predictions as they follow Charlie’s path through the woods, with the twists and turns of the story also maybe challenging assumptions they might make and showing them the rewards of close reading.

The puzzles in the story can also be used to help develop children’s problem solving skills. From decoding ciphers to building circuits to create their own Morse code keys, 'The Longest Night of Charlie Noon' shows how stories can be used to connect subjects across the school curriculum. As Charlie tries to use the stars to find a way out of the woods, links can be made to the topic of ‘Earth and Space’ in the science curriculum and the movement of stars across the night sky, whilst other science topics such as the life cycles of trees, plants and flowers and how fossils are formed are also touched on in the story. Connections could be made to Geography too, with children learning about changing environments and carrying out nature audits in their own local area, whilst there are also links to History too.

As someone who’s never been much of an outdoor type, writing 'The Longest Night of Charlie Noon' has helped me to connect to the natural world in a way that has fed my imagination. From mentions of 'The Wind in the Willows' to echoes of 'Brendon Chase' by ‘B B’, there are opportunities to make connections with classic works of children’s fiction and nature writing. A vocabulary of the natural world is woven through the story and I hope that young readers take these words and make them their own, enriching their vocabularies and using this wild inspiration to create their own art and stories.

Teaching resources for 'The Longest Night of Charlie Noon' are available from my website (https://www.christopheredge.co.uk/resources) and if you read the book with your class, I’d love to hear about the inspiration they find in the story. And please tell them to keep reading and change the world.

Reading Roles PLUS Generic Activity Exemplified

In my blog post Reading Roles PLUS Generic Reading Activity I presented a reading activity which focuses on some of the widely-accepted reading comprehension strategies. Where possible I like to exemplify things that I write about, so that's what this blog post is.

Context: A small group of boys (not sure why, just was), end of year 3 but working below age related expectations, reading Fantastic Mr. Fox (their choice).

Session 1 (Chapter 1 of Fantastic Mr Fox by Roald Dahl):

A written record of session 1

We began with the Student Reading Role which matches the reading comprehension strategy of clarifying. After reading through the text the children wrote down words and phrases they didn't know the meaning of. This felt like a bit of a dry start, but without understanding key vocabulary it isn't easy to comprehend a text.

The children identified some words but missed many other words which in later discussion they admitted to not knowing the meaning of. Part of training children in this seems to be allowing them to be honest, or encouraging them to think more deeply rather than just skipping over words they don't know.

I then shared a pre-made PowerPoint which contained the words I anticipated the children wouldn't know. Some of the words (mainly nouns) were accompanied by pictures, others had a child-friendly definition.

We then moved on to the Quiz Master Reading Role. I modelled some of the sorts of questions they might want to ask whilst reading. We then read the text again giving the children another exposure to the text and allowing them to focus on the new strategy. Not all the questions generated were that insightful but others were: How come they were mean men? Are they rich? I'd say these ones were because they are linked to main principles of the story. The answers to some questions were perhaps best avoided: Why does he drink so much cider? It was clear that the children were not used to asking questions of the text - all the more reason to make them aware of this strategy.

After that we thought about the prior knowledge they had that helped them to understand parts of the chapter: the Professor Reading Role. The children found it quite easy to identify things that they already knew about. The potential and intended impact of this is that children begin to search their own memory banks when they come across something that they don't understand in their reading: hopefully they will begin to ask themselves 'what do I know already that could help me understand this?'

The fourth part of the session was to focus on the Movie Director Reading Role. This required children to draw or write about what they saw in their heads as they read. I quickly realised my mistake in asking them to do this: you can't draw or write about what you visualised whilst reading a whole chapter! The children focused on parts of the text that were not main points of the story.

Lastly, we looked at the Editor Reading Role which focuses on summarising. Together we developed 4 points which we thought might be important to remember as the story moved on. We discarded facts that we thought might not be crucial to the narrative.

Session 2 (Chapter 2 of Fantastic Mr Fox by Roald Dahl):

For the second session I decided to head the session up with something a little lighter, and a little more engaging to ease the children in. After recapping the summary from the previous session, we started with the Movie Director Reading Role but this time focused on just three sentences which described the setting. In doing so I discovered why in fact it might be a good idea to always start with visualising:

One child drew a rectangular piece of wood instead of a wood

I gave them a three-sentence quote describing the chapter's setting: "On the hill above the valley there was a wood. In the wood there was a huge tree. Under the tree there was a hole." Had this activity not have come first, I wouldn't have discovered that one child didn't know what a wood was. Actually when he read the word wood, he imagined a rectangular piece of wood (see the picture, left, where you can make out his rubbed out rectangle of wood which is incorrectly placed in the valley rather than on the hill). This probably wouldn't have come out in the Student/clarifying activity as he believed he knew what a wood was (although if he was properly clarifying he would have realised that in this context the sort of wood he had in mind didn't make sense).

My modelled drawing

Once the children had done their own I completed my own drawing as a model to them and used it to explain any inaccuracies (particularly relating to positional language/prepositions) in their own drawings.

A written record of session 2

We then read the chapter again and the children made a note of words that they didn't understand (Student Reading Role: clarifying). As well as the pre-made PowerPoint (see session 1) we did some quick vocabulary activities: can you put that word in your own sentence? Can you act that word out e.g. Can you approach me? With the word plump, we also had a chance to discuss an inference question: why would the farmer want a plump chicken?

Completing the Professor Reading Roles this time made me realise the need to reconsider how this section is tackled. Children worked at quite a basic level saying that they knew what things were e.g. hill, valley, geese, turkey. The way the prompt was worded did not really engage children in thinking about wider concepts of the text, or facts that they already knew beyond word meanings. On reflection this is an area of practice that I need to think and read more about. My question: how do we go about helping children to activate their prior knowledge? Does it need to focus more on when there is something they don't understand?


When working on the Quiz Master Reading Role the second time round I noticed that my modelling and prompting was centred around a more generic overall question: what do I want to know? Many of the questions the children asked were surrounding information that the author had chosen to leave out as it wasn't important enough to the story: how did Mr Fox get the animals? How did the farmer find the fox hole? The questions that I guided the children towards asking were more about things that might happen as the book progresses: how will Mr Fox get his food now? Will the farmers succeed in killing the foxes? These kinds of question are the kind that skilled readers ask all the time as they read. Other questions may also link to the act of clarifying in the case of information that is included in the text but is not understood on the first reading. It may be worth creating a list of exemplar questions to help teachers and children to practise this strategy.

Completing the summary activity (Editor Reading Role) after doing the other sections of the activity certainly seemed to help the children - after reading the text several times, clarifying their understanding and engaging with the narrative by asking their own questions about it and visualising parts of it the children readily picked out the main points and sequenced them. In my experience children don't always find it easy to prove in this way that they have good comprehension of a chapter as a whole.

Session 3 (Chapter 3 of Fantastic Mr Fox by Roald Dahl):

Children recorded far more words in session three

The children completed the visualising (Movie Director Reading Role) task quite slowly during this session but it did provide lots of opportunities to discuss the text which is always welcome as it is the discussions more than what is recorded that demonstrates and develops the knowledge and understanding. However, on the whole, this is probably a part of the session that should eventually happen quite quickly.

Rather than have the children record words individually for the clarifying activity (Student Reading Role) they all added to their lists as we read together, often as a result of prompts from me or another child. I found that asking if they understood particular words made them more honest about words that they didn't understand. As a result of this, we discussed a lot more vocabulary than we had in previous sessions, sharing new definitions and images of nouns on the pre-made PowerPoint, using the words in sentences and so on. It is this that is so crucial: if children do not understand the meanings of individual words then they will struggle to make meaning of text constructed using those words.

On clarifying: it is important that children feel like they are allowed to ask, and that it isn't a bad thing to not know what a word means, if they are to begin to automatically clarify when they read. Too often I suspect that children skip over words they don't understand simply because they are afraid to admit it. A culture of 'it is O.K. not to know yet' must pervade if children are to improve.

As we read I noticed that the children were beginning to ask questions of the text (Quiz Master Reading Role) without the prompt on the sheet. As they asked, I reminded them to record them on their sheets, and we discussed the possible answers to their questions before moving on. During these discussions we were also able to bring in snippets of prior knowledge which helped us to answer our questions - it may be that the Professor Reading Role doesn't benefit from any sort of recording but just needs to be brought in to discussions.

In summary:

It would seem that even after only three sessions the children began to use the strategies more readily: they were particularly more open to questioning a text as they read it and they became more enthusiastic about learning what the words meant. It was as if in practising the strategies and as a result understanding the text better, they became more keen to use the strategies again - perhaps because it helped them to understand and enjoy the story better. They certainly improved their ability to write a summary - this probably as a result of such a deep dive into the chapter with repeated reading.

The main area that needed improving was how they activated prior knowledge: it wasn't that they didn't as it was clear that they were all bringing and using knowledge of what farms were and so on, but this is at quite a basic level. Of course, there are two main potential issues at play when it comes to background knowledge:

1. Do they actually have relevant background knowledge in the first place?
2. Are they deliberately searching their background knowledge when they come across something they don't understand?

If you have any experience of working with these strategies, or even have tried out the Reading Roles relating to them, I'd love to find out what you've done to help children develop their use. Please point me towards relevant reading or share some examples from your own practice, either in the comments section, or on Twitter or Facebook.

If you would like Aidan to work with you on developing reading at your school, please visit his website at https://www.aidansevers.com/services and get in touch via the contact details that can be found there.

5 Ways To Make Texts With Unfamiliar Contexts More Accessible To Children

Recently, the author Tom Palmer sent me a copy of his latest book Wings: Typhoon. It's a great read aimed at 8 to 10 year olds and is a stereotype-breaking brew of the supernatural, football, fighter jets and the relationship between two sisters. But before I knew all of that I was intrigued to find that the covers of the book extend to contain a cut-out-and-make Typhoon aeroplane model. Is this a gimmick, or is there something more to it?

One of the complaints about the 2016 Key Stage 2 SATs reading paper was that many children would not be able to relate to or understand the contexts of the narratives that were used; certainly none of the children I taught last year have rowed a boat to an island or ridden an albino giraffe across the Savannah. I wrote a lot about this issue in this blog post and concluded that "stories are the means by which we experience events and happenings that our everyday lives could not possibly provide" and therefore we should be exposing children to narratives with unfamiliar contexts. 

So, as teachers (and parents too, if you're reading this), we must ask ourselves how we can make these texts more accessible to children. Importantly, we want them to get the maximum enjoyment out of the books they read, and without understanding what you are reading it's hard to enjoy it.

And that's where Tom Palmer's book comes in. Imagine reading about a Typhoon fighter jet when you have no idea what one looks like. A child might imagine something more akin to a Boeing 747 -  a more typical plane for a child to visualise; they are more common and more present in other contexts. The more inquisitive child these days would probably Google an image of a Typhoon in an instant, but many wouldn't and some couldn't. So it's ideal that before reading the book (or during) a child could construct a 3D model of the jet in question, thus enabling them to easily visualise a key object in the story. Without giving too much away, if a child were imagining a passenger plane whilst reading the story, they'd be a bit confused as to how on earth some of the action could take place!

Many moons ago someone hit on a bit of a genius idea by which readers are granted better access to the texts they read: illustrations. As I finished reading 'The Lion, the Witch and the Wardrobe' I reflected on the role of its illustrations: they clarify to the reader the appearance of the mythical beasts described (beautifully) in the text. The illustrations in 'Wings: Typhoon' are excellent too - their two-tone comic book style really help to convey action as well as appearance. It's quite obvious why we start children on their reading journey with books dominated by pictures but it's a shame that by the time they reach the age of 11 they are expected to read challenging and diverse texts totally unsupported by images.

One of the key hindrances to comprehension is vocabulary. If a child does not know what the word 'creek' refers to then this sentence is less illuminating than it could be: 'In those days, far south in Calormen on a little creek of the sea, there lived a poor fisherman named Arsheesh...'. A child might wonder how someone could live on the sound that a door makes when it needs oiling, or they might imagine a creek to be something quite different to a little inlet or bay. And even if you then used those terms to describe it to a child you may have to then define the words 'inlet' and 'bay'. If at word level there is little understanding, there is no hope for sentence, paragraph or whole text level comprehension. Whether one is looking to retrieve information or infer it, a good grasp of vocabulary is needed.

Back to our question: how can we make these texts (particularly ones without pictures whose contexts are outside of the experience of the children we teach) more accessible to children? 

A list (not exhaustive) containing the most obvious ideas, and some more creative ones too: 

1. Use images - photographs, drawings, paintings, stills, illustrations from other books, 3D models. If using a text in class, pre-read the intended portion and collect images (particularly of nouns) to support and enhance a child's visualisation and understanding. This goes a long way to bringing a child into the realms of a book - even one set in a basic setting, such as a seaside town where quays and harbours, lobster pots and yachts might be alien objects to some of the children we teach. Just because a children's book is not illustrated, it doesn't mean we shouldn't provide those images ourselves.

2. Use film - archive footage, movies, documentaries, news stories. I would make a similar point here to the one made above regarding images. In addition, film has the power to convey more than appearance, moving beyond into action and sounds too - film can provide a very immersive experience which stimulates more senses than an image can. Because of this, film moves beyond supporting just word and sentence level comprehension, giving a sense of the bigger picture. For example, newsreel footage of children being evacuated helps modern-day children to understand the beginnings of 'Carrie's War', 'The Lion, the Witch and the Wardrobe' or 'Goodnight Mr. Tom', not to mention the movie versions of those books.

3. Use other texts - books (both non-fiction and fiction), newspaper or magazine articles, webpages. In 'Reading Reconsidered' Lemov et al suggest that when texts are paired (ie a non-fiction text about the holocaust paired with 'The Boy In The Striped Pyjamas) children better comprehend the novel and they also absorb more of the supporting nonfiction text (Chapter 3: Reading Nonfiction, and the Challenge of Background Knowledge). When considering paired texts it does not always need to be a fiction and a non-fiction; you might choose a graphic novel or a picture book to support a novel, a diary entry to support a non-fiction text - the combinations are limitless but the main point is that other texts can help children learn the context needed to full access another text. It is also worth considering how linked topic work in a cross-curricular approach can really support children's comprehension - choose your novels to fit with your science, history or geography curriculum and use those lessons in part to provide background knowledge for the narratives you are reading.

4. Use drama and real-life experience - act out movements to help children understand new verbs and adverbs, pull faces to show how characters are feeling, go on museum visits to see recreations of story settings and historical artefacts, go on trips to old mills, little villages, steam railways, the countryside, the coast... make the stories come as alive as you possibly can by giving children the experiences that will help them to engage more deeply in a text. Perhaps you can't visit an entirely fictional solar system, but booking a StarDome portable planetarium to begin read your new sci-fi novel in isn't a bad idea (especially if your Science work ties in). Even slightly dramatising the way you read aloud can have an impact - do the voices, pay attention to your dynamics and tone, make gestures to mirror the characters' actions - there is a lot that can be done beyond sitting in a chair and speaking aloud words on a page.

5. Use dictionaries - if vocabulary is a key to understanding new contexts, then dictionary work is a fairly obvious inclusion. Once the words have been looked up and defined there are plenty of follow-up activities that could aid children in their understanding of a whole text: rewrite a line of this poem in your own words to explain what it means, draw the setting that the author is describing, discussions as to why the author has chosen the particular word rather than on of its synonyms or basic written answers to comprehension questions. It may be that prior to using dictionaries, children could write their own definitions of words they don't know using contextual or morphemic analysis (both key word learning strategies - but that's for another blog post altogether!) and then compare their definition to the real one. Those are just a few ideas and there is much more to be said on the subject of teaching vocabulary.  

If we regularly built opportunities like these into our teaching sequences then we would be helping children to connect with and better understand the novels they are reading. The more you understand what you read, the more likely you are to enjoy it and the more you enjoy books, the more you want to read. The Matthew Effect says that the rich get richer - if we can make our children rich in reading skills then they will go on to become richer, even without our ongoing instruction. Even if our children have never been stranded on a desert island, trapped in an apocalyptic landscape or hunted by nightmare creatures, we can use the strategies above to bring books and children closer together to place where unfamiliar contexts become places of new experience and learning.

Having said all this, Anne Kispal's 'Effective Teaching of Inference Skills for Reading', on page 35, states that 'The research conducted by Barnes et al. (1996) and Cain et al. (2001) suggests that knowledge acquired just prior to reading is not as useful for inferencing as that which is well embedded in the reader’s long-term schemata. Cain et al. arrived at the conclusion that …even when they had the requisite knowledge base from which to generate an inference, the less skilled comprehenders did not make these inferences as readily as their skilled peers did. Knowledge availability is therefore not a sufficient condition for inferencing (p. 857).' So it remains that we cannot expect to provide the above experiences in isolation or even just in relation to particular texts, but that we should always be seeking to expand the knowledge-base of our pupils, making links where possible, if we want them to become better when it comes to comprehending a text.

A version of this article was published on the TES blog on 19th April 2017. Click here to read it: https://www.tes.com/news/school-news/breaking-views/five-ways-make-books-unfamiliar-contexts-accessible

Reading Roles PLUS: Teaching Metacognitive Reading Comprehension Strategies

Reading Roles PLUS is a resource designed to aid children’s metacognition when reading. Metacognition can be defined simply as ‘thinking about thinking’. Reading Roles PLUS takes familiar job titles and assigns them to reading strategies and skills thus giving children an easy-to-refer-to system for being more deliberate with their thinking during reading, with the ultimate goal of being able to comprehend texts. Alongside the job title (or role) there is a symbol which can be used as a further way to prompt certain kinds of thinking – some children may find these easier to remember. The Reading Roles developed from the areas of the content domain in the KS2 test framework are also colour-coded in order to be another memory aid (more information here: http://www.thatboycanteach.co.uk/2016/12/reading-roles-cognitive-domains-made.html).

Each of the Reading Roles promotes a different metacognitive strategy which children can actively use as they read. Below is a summary of each strategy but for more details and ideas a quick google search will arm you with plenty more information – these strategies are well-known and borne out by research.

To download this blog post as a PDF as well as other supporting materials, including an outline of all the Reading Roles please visit my TES resources page: https://www.tes.com/teaching-resource/reading-roles-plus-teaching-metacognitive-reading-comprehension-strategies-11890964

If you would like Aidan to work with you on developing reading at your school, please visit his website at https://www.aidansevers.com/services and get in touch via the contact details that can be found there.

Student – clarifying/monitoring

This Reading Role encourages children to stop and think about things that they don’t immediately understand. Some children are content to skip over what they don’t understand which can lead to holes in their understanding – this strategy helps to avoid that happening.

Children should be taught to identify and parts of text that they need to clarify and then to do something to help their understanding. To do this they can:

• Ask questions of themselves, such as: What does this word mean? How can I find out its meaning? What does this phrase mean in this context?
• Re-read the parts they didn’t understand (sometimes reading out loud or hearing it read aloud will help them to understand something better)
• Read ahead to see if it brings clarity to the parts they didn’t understand
• Ask others for help
• Begin to read more slowly and carefully

Professor - using prior/background knowledge

As this article points out ‘We've had our share of lively debates in the field of reading, but not on this particular topic: background knowledge. There is a virtual consensus that background knowledge is essential for reading comprehension.’ When we read we need background knowledge of word and phrase meanings, text type and for making inferences.

D.T. Willingham gives good examples of how having background knowledge is essential to comprehension. Look at the following excerpt:

“John’s face fell as he looked down at his protruding belly. The invitation specified ‘black tie’ and he hadn’t worn his tux since his own wedding, 20 years earlier.”

Of this he writes:

‘…. [having] background knowledge …means that there is a greater probability that you will have the knowledge to successfully make the necessary inferences to understand a text (e.g., you will know that people are often heavier 20 years after their wedding and, thus, John is worried that his tux won’t fit).’ (https://www.aft.org/periodical/american-educator/spring-2006/how-knowledge-helps)

This strategy can be employed easily in the classroom by asking questions such as:

• What information do you already know about…?
• Where have you seen something like this before?
• What prior knowledge do you have that has helped you to understand? Where did this prior knowledge come from? Experience? Another book? A film?

Encouraging children to think deliberately about connections they are making should eventually lead to this strategy being an automatic skill.

There is an overlap with this Reading Role and others, most notably Translator – vocabulary and Interpreter – authorial intent. It helps to have prior knowledge of words and phrases in order to exercise these skills. The use of prior knowledge is also a significant component in making inferences (Detective – inferring).

Quiz Master – questioning

Questioning is a key part of other reading strategies which goes to show how important this strategy is for reading comprehension. Questions help us to engage with a text and this engagement leads to greater comprehension.

‘Numerous studies have shown that training students in self-questioning enhances comprehension (Andre and Anderson, 1979; Nolte and Singer, 1985; Palincsar, 1984; Singer and Donlan, 1982; Yopp, 1987). As Singer (1978) and Yopp (1988) have argued, the process of self-questioning, or active comprehension, facilitates comprehension because it requires students to use their metacognitive capacities and activates their background knowledge.’ 
(https://scholarworks.wmich.edu/cgi/viewcontent.cgi?article=1459&context=reading_horizons)

In addition to questioning their own understanding of the text (see Student – clarifying/monitoring) children should be taught to ask questions about the text as they read. Examples of these questions might include:

• What is the author hiding from me?
• What is going to happen next? Why do I think that?
• I wonder why the character feels that way?
• What would I do if I was in that situation?
• What other stories does this remind me of?
• How does the author want the reader to feel right now?
• Why did the character do that?
• How will the character solve this problem?

It’s impossible to give a definitive list of questions that might be asked as every text should provoke different lines of questioning. The best way to teach this will be for the teacher to think aloud as they read, modelling the questions that they ask themselves when reading. The classic ‘W’ words are a good starting point for the development of questions about a text.

Director – visualising

Picturebooks are brilliant for comprehension – the pictures often deliberately give extra information that the text does not. Children who learn to read with picturebooks are usually quite good at using pictures to help them with their understanding. But what happens when they begin to read books with fewer pictures? They will need to learn to create their own pictures in their head, or ‘mind movies’.

This strategy is concerned with building a good mental image – the better a text has been comprehended the better the mental image (or visualisation) will be. But the act of deliberately trying to visualise a text means that readers are paying more attention and exerting more effort into the comprehension which actually ends up improving the levels of comprehension. This Reading Role could easily have been called Artist but stories in books are more akin to stories in movies as the story moves along.

The Reading Rockets website has a good example of how teachers might develop this strategy with children: http://www.readingrockets.org/article/picture-using-mental-imagery-while-reading

Philosopher – thinking

Asking and answering philosophical questions about a text allows children to engage further with what they have read. Doing this has the potential to improve comprehension for the same reasons as we have discussed under other Reading Roles: the deliberate act of thinking about what has been read can lead to better comprehension.

Philosophical questioning and discussion should encourage children to ask and talk about more open-ended questions – questions of morality, questions about life and the universe and so on. Often these questions will touch on curriculum areas such as religious education and personal, social, health, cultural education (PSHCE).

SAPERE’s Philosophy For Children, Colleges and Communities (P4C) resource website is a useful starting point when teaching children to think philosophically.

SAPERE outline that philosophical questions:

• Should be open to examination, further questioning and enquiry
• Can't be answered by appealing only to scientific investigation or sense experience
• Are questions about meaning, truth, value, knowledge and reality

Many children’s books lend themselves well to asking questions that fall into those categories. Teachers can look out for opportunities but should also be aware that children might surprise them with philosophical questions prompted by what they’ve read, especially if they have been trained to ask them.

Click here to see Philosopher exemplified.

In addition to the Reading Roles outlined above, the following are also important reading strategies to teach:

Weather Forecaster – predicting
Editor – summarising
Detective – inferring (for more on inference click here)

If you would like Aidan to work with you on developing reading at your school, please visit his website at https://www.aidansevers.com/services and get in touch via the contact details that can be found there.

For more on teaching reading:

Reading Roles Testimonials - find out about the impact from others who have already been using Reading Roles in the classroom

Should We Teach Reading Strategies In Isolation Or In Combination? - a look at how best to use the different Reading Roles in your teaching

Reading Strategies vs. Reading Skills - What's The Difference? - an exploration of the terminology used when discussing teaching reading

How to write good comprehension questions - advice on preparing questions to aid children with their understanding

Reading Roles: Elements Of The Content Domain Made Memorable

A few years ago there were many resources available supporting children's understanding of the Assessment Focuses. Teachers found it beneficial to help children to identify the kinds of questions they were being asked about texts. The idea behind making children aware of the question type is that they might have a better idea of what the answer should look like in order to give better verbal and written answers.

With the recent introduction of the content domain (as set out in the English Reading Test Framework) and the upset caused by the difficulty of last year's KS2 reading test I set about reviving an idea that an old colleague of mine and I had a few years ago. Back then, we joked about conceiving it and setting up as consultants, peddling it around the local area but it wasn't even worth creating the resource as there were so many out there already that did the job just fine. Others out there are devising ways to help children understand the elements of the content domain however I believe the simple resource I have devised has some merits.

The concept of 'Reading Roles' is to assign a well-known job, role or profession to each of the domains. Most children will already understand what the jobs entail in real life and therefore will fairly immediately be able to gain an understanding of each element of the content domain. We have been trialing this for a number of weeks now and the children are already able to articulate what questions in each domain require of them. There is still work to be done - confidence in identifying question types consistently, but they now have the tool to do so.

Here are the 8 elements of the content domain and their assigned 'roles' (written for KS2):

This resource can be downloaded here, along with its KS1 counterpart and posters for both KS1 and KS2 containing one domain/role on each page.

As is obvious each domain is colour-coded and is assigned a simple symbol as a memory aid. We have used the colours and symbols to identify question types in the comprehension tasks we have set - the aim of this is to familiarise the children with the question types. Eventually we will remove the colours and symbols and focus more on question type identification. See here for examples of the comprehension tasks I've set in this way.

Click here for some testimonials from people who have used Reading Roles effectively in their school.

Again, as with the Scaffolding Inference technique, I'd love to hear from anyone who begins to use this. It'd be very interesting to see how this helps other children and in what ways it can be developed and used.

With thanks to Herts for Learning for the focus of each element of the content domain.

Reading Strategies vs. Reading Skills - What's The Difference?

After my last post about reading (Should We Teach Reading Strategies In Isolation Or In Combination?) I was led to think more clearly about what exactly I meant by strategies. Martin Galway challenged me on my potential year 6 bias (i.e. teaching to help children access the KS2 tests) when discussing strategies. When talking about teaching reading comprehension strategies in isolation did I actually mean teaching the skills that the SATs assess (as laid out in the KS2 Test Framework document)? On reflection, I probably was thinking more about giving children practise of answering specific types of questions similar to those found in the tests rather than the widely-accepted comprehension strategies laid out in documents such as the EEF KS2 Literacy Guidance or the IES Improving Reading Comprehension in Kindergarten Through 3rd Grade guide.

Why had I not distinguished well enough between the areas of the content domain and the most commonly-known reading strategies? Probably because some of them are similar (words in bold are comprehension strategies, words in brackets are areas of the content domain as laid out by the English reading test framework):

• Prediction (2e predict what might happen from details stated and implied)
• Questioning
• Clarifying/Monitoring/Fix-up (2a give/explain the meaning of words in context; 2g identify/explain how meaning is enhanced through choice of words and phrases; 2f identify/explain how information/narrative content is related and contributes to meaning as a whole)
• Summarising/Retelling (2c summarise main ideas from more than one paragraph)
• Inference (2d make inferences from the text / explain and justify inferences with evidence from the text)
• Activating prior knowledge
• Visualisation

There were two questions I had to answer:

1. What is the difference between a strategy and a skill?
2. Is there a way to teach comprehension strategies that prepares children well for the KS2 reading test?

What is the difference between a strategy and a skill?

In answering my first question a couple of documents were useful:

1. Clarifying Differences Between Reading Skills and Reading Strategies - Peter Afflerbach, P. David Pearson, Scott G. Paris
2. Reading Strategies Versus Reading Skills: Two Faces of the Same Coin - Polyxeni Manoli, Maria Papadopoulou

A quotation from Afflerbach et al to summarise the conclusions of both papers:

"A concrete example may clarify the distinction. Suppose a student determines he or she has only a vague understanding of a paragraph as he or she reaches the end of it. The student wants to do something to clarify his or her comprehension so the student slows down and asks, “Does that make sense?” after every sentence. This is a reading strategy—a deliberate, conscious, metacognitive act. The strategy is prompted by the student’s vague feeling of poor comprehension, and it is characterized by a slower rate of reading and a deliberate act of self-questioning that serves the student’s goal of monitoring and building better comprehension. Now imagine that the strategy works and the student continues to use it throughout the school year. With months of practice, the strategy requires less deliberate attention, and the student uses it more quickly and more efficiently. When it becomes effortless and automatic (i.e., the student is in the habit of asking “Does that make sense?” automatically), the reading strategy has become a reading skill. In this developmental example, skill and strategy differ in their intentionality and their automatic and nonautomatic status." (p368)

And one from Manoli and Papadopoulou:

"After all, we should bear in mind that, while automatic use of reading skills is a goal of reading instruction, a reading skill was once preceded by a period of deliberate and conscious application (Afflerbach et al., 2008). Thus, we can consider their relation to be two faces of the same coin, that is two sides of any reading process or task, since skills are strategies that have become automatic through practice whereas strategies 'are skills under consideration' (Paris et al.,1983: 295)."

So, by teaching strategies we develop skills. Strategies are used deliberately and skills are used automatically. During a KS2 reading test children might use strategies deliberately in order to answer questions or they might demonstrate that they possess particular reading skills by answering questions without much deliberate thought. There is a reason why the skills tested by the tests are similar to the strategies that can be taught to aid comprehension: in teaching those strategies, children gain those skills.

In their article Afflerbach et al touch upon the focus of my last blog post:

"Teaching skills involves practice and feedback to improve speed and efficiency, which taken together amount to what we call fluency. One challenge for teachers of reading is fully investigating the strategy–skill connection and determining how an effortful strategy can become an automatic skill. A related challenge is designing instruction that makes clear the steps of strategies while providing practice so that strategies may transform themselves into skills." (p372)

We want children to gain reading skills and to do this we teach them strategies. As teachers it is important that we engage in this challenge of planning our teaching so that strategies are taught well - the word challenge is telling: this is not an easy task and it is one we must put a lot of thought into. Simply turning up to a lesson and reading a book is not going to develop necessary reading skills in all children. I would also continue to argue that teaching a reading lesson where a range of strategies are expected to be used, or a range of skills are expected to be demonstrated, to children who do not yet know how to use those strategies or demonstrate those skills is going to have little impact on their development of strategies and skills. As such, I still believe that, for children such as these, strategies should be taught in isolation until they become skills at which point they can begin to employ a multi-strategy/skill approach when reading.

To find out the answer to me second question, follow this link: Is there a way to teach comprehension strategies that prepares children well for the KS2 reading test?

If you would like Aidan to work with you on developing reading at your school, please visit his website at https://www.aidansevers.com/services and get in touch via the contact details that can be found there.

Reading: Attacking Children's Immunity To Imaginative Literature

An excerpt from 'To Kill A Mockingbird':

"Miss Caroline started the day by reading us a story about cats. The cats had long conversations with one another, they wore cunning little clothes and lived in a warm house beneath a kitchen stove. By the time Mrs Cat called the drug-store for an order an order of chocolate malted mice the class was wriggling like a bucketful of Catawba worms. Miss Caroline seemed unaware that the ragged, denim-shirted and floursack-skirted first grade, most of whom had chopped cotton and fed hogs from the time they were able to walk, were immune to imaginative literature." 

Reading this reminded me of the argument post-2016 reading SATs paper. Many thought the stories (and their vocabulary) were out of the realms of accessibility for many year 6 children. After all, most ten-year-olds have never rowed a boat to a little island, let alone ridden an albino giraffe. But, so the argument goes, neither has the most experienced and privileged of children ever gone to steal a precious stone from a dragon, along the way meeting dwarfs, elves and goblins and procuring for themselves in the process a magic ring. For many of us stories are the means by which we experience events and happenings that our everyday lives could not possibly provide.

However, Anne Kispal's 'Effective Teaching of Inference Skills for Reading'  says (on page 17) that 'the importance of background knowledge cannot be over-stressed' and summarises (on page 23) that the factors common to those who are adept at automatic inferencing are, among others, a wide background knowledge and a sharing of the same cultural background as that assumed by the text.

Lee, through the voice of Scout Finch, posits the idea that children of limited life experience are 'immune to imaginative literature'. Is this true? Does the breadth of our actual experience allow us to access further experiences in fiction? Lee makes the point that children who are so accustomed to the realities of animals find it ridiculous to relate to a story where the animals are anthropomorphised, which is probably a fair point. A story about farmers and animals behaving as animals would perhaps have been better received, but that would not have broadened the scope of the hearers.

So, we ask the question: What is the point of reading? There are obviously many possible answers to this question, but for the sake of this discussion I'll follow that question with another: Should we read only about what we know or should we read widely to expand what we know? The answer is obvious.

However, many of us would attest to knowing children who appear to be 'immune to imaginative literature'. So we must ask our selves how immunity is compromised. The answer is: by repeat attacks, often from more than one infection or from virus that has adapted to beat the immune system. What does that mean for breaching the 'immune system' of someone who does not engage with fiction? We must:

Repeatedly attack their immune system: Giving up isn't an option. Continuous exposure to stories and books will break down their immunity eventually and they will gradually find themselves able to enter into, and enjoy, fictional worlds. In general, children who grow up from a young age listening to stories want to hear more stories.

Attack with more than one infection: Provide stories of different genres (humorous, mystery, romance, classic, gothic, suspense, horror, adventure, quest, fantasy) and in different formats (picture books, short films, comics, short stories, long stories, text maps, cartoon strips, novels, fictional, factual, biographical). Eventually a wide and varied diet of infectious stories will take effect. Often children, through this exposure, will find their weakness: the books they love the most.

Attack with adapted viruses: Provide stories that are differentiated based on need. Some children need the expert advice of an adult who can pick out just what will appeal to them - perhaps the chink in their immune system's armour is a book about adventurous construction vehicles. A parent or teacher may be the only one capable of identifying that need. Once the digger-obsessed child reads that book, then he may find he has a thirst for adventure stories, at which point a whole canon of books may suddenly become more appealing to him: immune system breached.

*Leaving the analogy behind now; it is key that we prepare children for exposure to texts on subjects on which they have no knowledge and prior experience. With an immersive curriculum where vocabulary is focused on children can be prepared for the new concepts that they come across in narratives. Using non-fiction books, images, videos, drama and real-life rich experiences children can be brought into the world of the novel they are about to read or are currently reading, leading to a greater understanding of the plot and content, for example. This is a very short summary of a huge idea which will allow children to access almost any text - I have written a separate blog post to cover these ideas.

Some sceptics may question why we put so much effort into compromising a child's immunity to imaginative literature. The reasons are many fold: stories widen our experience and understanding of the world, reading stories is enjoyable, stories encourage creativity and they provide us with a voice with which to tell our own story. One of human nature's most basic concepts is the way we see life past, present and future as a story; story-hearing and story-telling is written into our DNA. Stories are important.

Although Miss Caroline seems to have judged her class wrongly, it might just be that she had the right idea: exposing children to imaginative literature, even if the first time it falls on deaf ears, is an important part of their education. In this we can follow her example. Only, Beatrix Potter might not be the best choice for the rough-and-tumble Scout Finches of this world.

*with thanks to the staff at Penn Wood Primary for some clarification and food for thought on this issue.