Book Review: 'To The Edge Of The World' by Julia Green

When it comes to evoking a sense of place Julia Green has done an excellent job in her latest book 'To The Edge Of The World'. The islands and seas of the Outer Hebrides are conjured in the mind of the reader as they read of the journey Jamie and Mara’s friendship takes. With the island setting and a dose of sailing jargon readers of Morpurgo and Ransome will find something they’re at home with here.

Jamie lives on the island with his family although he misses Dad who works away on the mainland during the week. Mara lives on the island too, but away from other people. Mara’s mum is suffering from mental illness (this is hinted at throughout the story) and she too misses her father whom she hasn’t heard from in years. An unlikely pair, Jamie and Mara become friends, but always with a difficult, awkward relationship, and embark (accidentally on Jamie’s part) on a daring and dangerous adventure. Along with the well-developed settings, the fact that Julia Green tackles real-life issues that many young people face is a strength of this book.

Although the story has the reckless voyage to St. Kilda, the Outer Hebrides’ furthest islands, and the friendship dimension to commend it, readers might be left wishing for a little more: compared to other similar stories it isn’t as well-rounded and has the potential to fall a little flat. Also, the story is narrated by Jamie and as such the writing is clipped: the short sentences characterise a young teenage boy well, but aren’t always easy to read.

Having said this, ‘To The Edge Of The World’ will certainly appeal to readers who love reading about friendship or who particularly enjoy stories about island life and seafaring – certainly those who have been charmed by Morpurgo’s tales about the Isles of Scilly. In the classroom, ‘To The Edge Of The World’ might be used to great effect alongside other similar books, particularly as a source of descriptive passages for children to use as inspiration for their own writing.

Book Review: 'The House With Chicken Legs' by Sophie Anderson

Taking a mainstay of Slavic folklore and re-imagining it for a generation who are most likely ignorant of its origins turns out to be a clever move for ‘The House With Chicken Legs’ author Sophie Anderson. And to write a debut novel for children which is all about death is brave – but Anderson triumphs.

Marinka lives in a house with chicken legs with no one but her grandmother, Baba Yaga, and a Jackdaw for company. Apart from, that is, the dead people who visit her house every night. And she has no chance to make any other (living) friends because every time she gets settled somewhere the house literally ups sticks and pelts across the world to find a new location.

Then there’s her destiny: to be the next guardian of The Gate between life and death. A destiny she does not want at all. She hates the thought of guiding the endless stream of dead visitors into the afterlife for the rest of her living days.

I said the book was all about death, but actually ‘The House With Chicken Legs’ is all about life. It’s about not getting what you want, growing up, learning about other people, making friends, experiencing the pain of loss, making mistakes, making the same mistakes again, finding joy in the little things, regret, seeing the beauty of the world, loyalty, betrayal, love, kindness… see what I mean? It’s about life and it will make any reader thankful for theirs and those they share it with.

To read this book, and to journey with Marinka, both around the world and through her life, is to understand her every thought and feeling, such is the quality of Anderson’s compelling writing. The book will provoke thought and conversation about life and death, regardless of your beliefs on the matter – in the classroom, or at home, it will provide a good starting point for exploring and understanding traditions and beliefs from around the world.

‘The House With Chicken Legs’ is a beautifully human book that has the potential to draw young readers into the world of literature where real life themes are explored in great detail. Readers who are, like Nina, growing up and beginning to better understand the increasingly adult world around them, will love this coming-of-age story and will no doubt benefit from the lack of clichéd modernity that clogs up other books of the genre. Highly recommended.

Book Review: 'Max and the Millions' By Ross Montgomery

As with all good children’s books these days, this isn’t just a straight yarn. ‘Max and the Millions’ by Ross Montgomery begins by introducing one of the unlikely heroes of the story - a school caretaker with more than just a knack for building intricate models of anything and everything. Next we meet Mr Pitt the typically unlikeable headmaster. And then we encounter the story’s other (full-size) hero: Max, who is hiding in a cupboard. Max loves making models; he’s also deaf. This representation of a ‘minority group’ is important in children’s literature. Montgomery writes sensitively and convincingly about the trials a deaf child might face making this an important lesson in empathy for young readers.

Although this is a story about how a warring society of magically created microscopic people are rescued by a seemingly improbable pair of pre-teen boys and a hoard of pony-obsessed 5 year old girls on a sugar-bender, it is also a story about friendship, fitting in, integrity and small things mattering. Whilst Lower Key Stage 2 children will enjoy the miniature adventures of King Luke and his trusty flea as he fights the Bin King and the Red Queen, they will also be caused to think about how first impressions don’t always count, how kindness and selflessness are key characteristics to develop in oneself and how forgiveness is an essential ingredient for peace and friendship.

The story’s absolute highlight comes when (slight spoiler alert) the tiny Luke becomes king of the united people of The Floor (the minute kingdom the small people inhabit). The power goes to his head and, despite his friend Ivy’s warnings, he forgets the golden rule: do unto others as you would have them do unto you with disastrous consequences. Even if no other part of the book is used as a talking point between adults and children, this part should be; it opens up a safe space in which to discuss politics and has parallels to current situations that are playing out on the world stage. The headmaster’s despotic antics throughout the book also provide opportunities to discuss similar issues.

This well-written book is a great choice for parents and teachers of children who have expressed interest in world affairs but who might be too young to fully understand the complexities and unpleasant details of the situations. It’s also recommended for fans of stories such as Terry Pratchett’s The Carpet People stories – those young but capable readers who are quite at home in stories with impossibly fantastical settings.

Book Review: 'The Children of Castle Rock' by Natasha Farrant

‘The Children of Castle Rock’ is a daring new adventure story in the tradition of all good boarding school novels. Lovers of Harry Potter, Malory Towers and The Worst Witch will immediately find something in this new story that they identify with. The boarding school setting allows for the all-important parentlessness that so often sets up the protagonists of children’s books to have rip-roaring escapades that their parents would never allow. Farrant brings Famous Five-style adventure right up to date with mobile phones and various other trappings of modern life.

Except in Natasha Farrant’s latest book it is some mysterious communication from Alice’s largely-absent dad that prompts her and her friends to abscond from school to embark on a crazy adventure across remote areas of Scotland. The fact that the Stormy Loch’s behaviour management ethos doesn’t follow the normal strictness found in other fictional schools makes matters worse… or better… depending on which way you look at it.

The main theme of this book really is children’s relationships with adults: Alice’s mum has died, her dad is pretty useless, and she’s actually closest to her Auntie, the aptly named Patience. Fergus’ parents have split up and are not amicable and Jesse lives in the shadow of his older brothers and is desperate initially to win his parents’ favour with his violin playing. The teachers at the school are a rag tag bunch headed up by the Major who is quirky, to say the least – a rather progressive ex-army man who challenges all stereotypes of head teachers in children’s fiction. The book crescendos with some unexpected outcomes where children’s relationships to adults are concerned – I won’t spoil it, but this isn’t your typical children’s book ending.

The book has a very strong narrator presence making it unlike any other children’s book I’ve read. Farrant often hints at things are to come, referencing future parts of the story that are relevant to events that are happening at the point of narration. The narration is where the playfulness of this story comes leaving the characters largely to get on with the serious business of embarking on their quest to subvert the orienteering challenge in order to transport a secret package to a rendezvous with Barney, Alice’s shady father. Along the way the children experience the joys of wild swimming, fishing and camping, torrential rain and storms, breaking and entering, food poisoning and being chased by proper baddies, not to mention the highs and lows of pre-teen friendship.

The book is aimed fairly and squarely at children of a similar age to the children in the book – upper key stage two and lower key stage three children will love this story. There are some starred out expletives which give it a little edge, and leave little to the imagination – something to consider when using the book in school or recommending it to children. With a diverse set of characters, themes that are relevant to the lives of many children and a main character who loves writing, there is also definite scope for this being used in the classroom as a stimulus for discussion. A recommended read.

Book Review: 'How To Survive In Teaching Without Imploding, Exploding Or Walking Away' by Dr. Emma Kell

For a book based around the responses to a survey of around 4000 teachers which revealed that 57% wouldn't recommend teaching to a family member or friend, this is a brilliantly positive and optimistic book. In reporting on her findings Dr. Kell might have focused heavily on the negative outcomes of her research (42% are not happy at work, 82% have experienced work-related anxiety) but what she has produced is actually a rousing, reassuring manifesto for how we as a profession move forwards in tackling the issues revealed.

Dr. Kell skilfully presents her findings alongside advice aimed at all strata of education right from where system-wide change is needed down to what teachers can do on a day-to-day basis to not only survive, but to flourish. There are messages here for policy makers, school leaders, teachers and other school staff members; there are even implications for family members of the above.

'How To Survive In Teaching...' is packed full of little nuggets: little gems of advice and acknowledgement. Some of them provide comforting reassurance that the reader is not alone in the difficulties they are experiencing. Others gently encourage the reader that they aren't powerless in the situation they have found themselves in and give practical advice about what to do.

A constant thread that runs through the book provides a reminder that, in amongst the difficulties and the hardships, teaching is actually a brilliant job (even if it is just a job). It manages to remind the reader every so often why they came into the job in the first place, and what is so special about it. If none of the other advice in the book has an impact, chances are this seam of hope will be what encourages teachers on to find a way to tackle the issues they are facing.

The input from Dr. Kell's interviewees brings the advice fairly and squarely into the realities of everyday school life meaning that this book is not divorced from what is actually going on in staff rooms and classrooms across the country. At no point does the author come across as an idealistic opiner who is out of touch with what's really happening in education - she is as realistic and pragmatic as it gets and the whole tone of the book flows out of this.

If you're looking for some advice for how improving your experience as a teacher, then this is the perfect starting place. If you want to be reminded of what the job should be about then this easy and quick read is also for you. Published by Bloomsbury, it's available to buy now: https://www.bloomsbury.com/uk/how-to-survive-in-teaching-9781472941688/

Book Review: 'Night Speakers: Sleepless' by Ali Sparkes

The Breakfast Club meets The Rest Of Us Just Live Here, but for a slightly younger audience. An unlikely trio of youngsters are drawn together by a mysterious commonality: they all wake up at exactly 1:34 am every night. Something strange is going on, and they're desperate to discover exactly what. Together, meeting secretly in the dead of night whenever they can, they are drawn into an adventure as supernatural elements of the world around them are revealed.

A heady mix of the regular teenager's everyday struggles - problems with parents, troubles at school, awkward friendships - and ancient superstitions, beliefs and beings, Night Speakers: Sleepless is an incredibly moreish book. Ali Sparkes expertly tantalises the reader with a gradual release of information that often allows the reader to feel like they are just one tiny step ahead of the book's protagonists. Sparkes lets the reader believe the reality of what is happening before the characters do, making for a very satisfying read. Although this is true, there is enough suspense left too - not every event can be expected; a perfect mixture from a skilful author.

The beauty of nature is brought alongside the clamour of urban life as the three young people discover they have powers and abilities which allow them to communicate with nature. Although pegged as appealing to animal lovers, this is not your typical animal story. In fact, the fauna concerned in this story act quite as they should where other books might have had them too anthropomorphised; this treatment of the animals in the story makes for an almost believable fantasy. 

With the classroom in mind, Night Speakers: Sleepless would be a fantastic book for character study, setting description and creating tension. There are excellent passages which would stand alone as short texts for a variety of different teaching purposes. Year 6, 7 and 8 children and their teachers would enjoy making comparisons between this and other fantasy adventures set in the real world.

A hugely climactic, cinematic ending brings brief calm before a nosedive into an unsettling cliffhanger as the book's surprise fourth main character speaks menacingly, suggesting that the business of this book, the first in a series of five, is not yet done. Sparkes has certainly created an intriguing enough world for the follow-up tome to be highly anticipated by readers of Night Speakers: Sleepless.

Book Review: 'Make Me Awesome' by Ben Davis

In this hilarious send up of self-help guides and larger-than-life celebrity life coaches Ben Davis introduces Freddie, gamer and son of a failed antiques dealer, and Chuck Willard, 'inspirer and giver of dreams'.

Things aren’t going too well for Freddie Smallhouse. His dad left his successful job to set up his own business which failed and now they’re living at Uncle Barry’s but he’s about to kick them out. Freddie enrols on Chuck’s Complete Road To Awesomeness programme and sets about trying to make the family’s fortune. One failure after another doesn’t perturb our hero, not when he’s got Chuck’s AWESOME tips and advice to hand.

In this laugh-out-loud tall tale Freddie learns about friendship, integrity and true success as he muddles his way through his response to his dad’s despondency. Amongst the hilarity (the headteacher is called Mr. Bümfacé – pronounced ‘Boomfachay’) there’s a really touching story of how a not-quite-yet teenager might try crazy things in an attempt to deal with a difficult home situation.

‘Make Me Awesome’ is an easy read yet the age of the protagonist (he’s at secondary school), and a couple of the jokes (reference to the rude channels on TV and perverts, for example), mean that this would be really suitable for reluctant KS3 readers as well as KS2 children. With better, slightly more sophisticated jokes than a David Walliams and more plausibility than a Diary of a Wimpy Kid book, ‘Make Me Awesome’ will go down very well with those children looking for a funny, quick read.

Book Review: 'The Light Jar' by Lisa Thompson

Very early on you know something is not right - the nighttime escape with hastily packed bags, the feverish glances in the rear view mirror; Nate's mum's paranoia seeps through the pages. And as soon as you hear of Nate's dad leaving and mum's new man Gary you marvel at Lisa Thompson's bravery: tackling a subject like domestic abuse in a story aimed at 9 to 12 year olds? But she does it so beautifully. And it is important that she does - books should tell all stories.

Once again displaying her knack for weaving intriguing mystery into a story about terrible real life events - one that still has many blindingly bright and brilliant moments - Lisa Thompson leaves the reader in a quandary: they want to know more, but they're scared of what they might discover. Where has mum gone? Why did they leave home in the dead of night and turn up to this decrepit cottage? Why does Kitty avoid her own home? These questions and more make 'The Light Jar' a one-sitting type of book - the urge to read on and on is overpowering.

Brimming with clever imagery and metaphors 'The Light Jar' will get minds young and old alike thinking about the significance of Nate's favourite book, of the chicken and the light jar and the magic fortune telling ball toy. Readers will experience the satisfaction of solving the mystery of Nate's new friend Kitty's treasure and will be left wondering just how real Sam and his friends are. This finely-crafted multi-dimensional story will introduce children to the necessity (and joy) of flicking back through previously-read pages to put the pieces of the puzzle together.

'The Light Jar' is a book that digs deep into human emotion, validating the gamut of thoughts and feelings that children the world over will feel on a day-to-day basis. And with all the current news of young people's mental health issues, books like these are crucial in normalising and validating the responses our children have to difficult life circumstances; 'The Light Jar' will provide illumination in the darkness of some of its readers' lives.

Serious, uplifting, mysterious: a combination I've not found served up quite like this before. 'The Light Jar' is a special book and is certainly a must read for 2018. I can confidently say that not much will top it this year.

'The Light Jar' was published in paperback on 4th January 2018 by Scholastic (9781407171289 £6.99)

My #52Books2017 (And Why I Won't Be Doing #52Books2018)

In 2016 I accepted my first reading challenge (from @saysmiss), set myself the target of reading 50 books and proceeded to beat that target. In 2017 I decided to try for 52 - 1 a week - and set about encouraging others to do the same. So far I've read 63, with a couple of others on the go that might get finished before the year ends.

A great motivation for me has been to have a better knowledge of children's literature, as well as to be genuine in my enthusiasm for reading when teaching it to children (read more in my blog post 'Being a Reading Teacher'). However, what began in 2016 in 2017 has become an indispensable habit. Reading to my target in 2017 has been a product not of hard work but of a matter of course. I am a reader.

Having said this, my original motivation still shines through in my reading list this year - I largely read children's books. I see this as a duty but I also love them intensely.

I'm often asked for book recommendations and I happily oblige but when it comes down to making top ten lists I'm hopeless! But look at the average of ratings I've given - 4.2. Read almost anything from this list because I've more than likely enjoyed it.

In 2018 I won't be setting a challenge - after two years of challenging myself I have created a reader in myself and no longer need a challenge to continue my habit. This might mean I read fewer books, longer books, more varied books - who knows? I may just read a similar selection of books and that's OK too. But if you are looking to train yourself to become a reader, setting yourself a challenge is a good way of doing this - some on Twitter are doing #52Books2018 and on Goodreads you can set any number of books as you want.

I regret that I have not tracked the excellent picturebooks that I've read this year - this was because I felt that they shouldn't count towards my 52 (a downside of doing such a challenge). However, there are some reviews of picturebooks here in my book reviews thread: https://thatboycanteach.blogspot.co.uk/search/label/Book%20review

Now for the books I've read, loosely categorised. I have provided links to ones I've reviewed:

Young Adult

Island – David Almond
The Rest of Us Just Live Here – Patrick Ness
Northern Lights (His Dark Materials, #1) – Philip Pullman
More Than This – Patrick Ness

Middle Grade

Cogheart (The Cogheart Adventures, #1) – Peter Bunzl
Holes (Holes, #1) – Louis Sachar
Kensuke's Kingdom – Michael Morpurgo
The Girl of Ink and Stars – Kiran Millwood Hargrave
Eragon (Inheritance, #1) – Christopher Paolini
Mold and the Poison Plot – Lorraine Gregory
The Wonderling – Mira Bartok
The Light Jar – Lisa Thompson
Sky Song – Abi Elphinstone

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Stormwalker – Mike Revell
Skeleton Tree – Kim Ventrella
The End of the Sky (A Slice of the Moon #2) – Sandi Toksvig
The Kites Are Flying! - Michael Morpurgo
The Island at the End of Everything – Kiran Millwood Hargrave
All The Things That Could Go Wrong – Stewart Foster
Moonlocket (The Cogheart Adventures, #2) – Peter Bunzl
Time Travelling with a Hamster – Ross Welford
The Last Wild – Piers Torday
The Bubble Boy – Stewart Foster
It Ain't So Awful, Falafel – Firoozeh Dumas
Hitler's Canary – Sandi Toksvig
Who Let the Gods Out? (Who Let the Gods Out?, #1) – Maz Evans
The Night Spinner (Dreamsnatcher #3) – Abi Elphinstone
The Shadow Keeper (The Dreamsnatcher, #2) – Abi Elphinstone
Watership Down – Richard Adams
The Goldfish Boy – Lisa Thompson

Younger Children’s

Coming to England: An Autobiography - Floella Benjamin
Dragons at Crumbling Castle – Terry Pratchett
The Worst Witch – Jill Murphy
The Great Cat Conspiracy – Katie Davies
The Children of Noisy Village – Astrid Lindgren
The Reluctant Dragon – Kenneth Grahame
The No. 1 Car Spotter and the Car Thieves (No.1 Car Spotter, #3) - Atinuke
The Firework-Maker's Daughter – Philip Pullman

Education

What Does This Look Like In The Classroom?: Bridging The Gap Between Research And Practice – Carl Hendrick & Robin Macpherson
100 Ideas for Primary Teachers: Mindfulness in the Classroom (100 Ideas for Teachers) – Tammie Prince
Making Every Primary Lesson Count: Six Principles to Support Great Teaching and Learning – Jo Payne & Mel Scott
Hopeful Schools – Mary Myatt

Non-Fiction

Land Rover: The Story of the Car that Conquered the World – Ben Fogle
Quiet: The Power of Introverts in a World That Can't Stop Talking – Susan Cain
The Empathy Instinct: How to Create a More Civil Society – Peter Bazalgette
True Friendship – Vaughan Roberts
The Joy of Service – Julian Hardyman
Reasons to Stay Alive – Matt Haig
The Big Ego Trip – Glynn Harrison
Soldier Spy: The True Story of an Mi5 Office Risking His Life to Save Yours – Tom Marcus

Adult Fiction

Utopia – Thomas More
Go Set a Watchman – Harper Lee
Chocky – John Wyndham
Who Was Betty? – Laura Jukes
A Clockwork Orange – Anthony Burgess
Transreality – Chris Lackey
The Handmaid's Tale – Margaret Atwood
Towards the End of the Morning – Michael Frayn
The War of the Worlds – H.G. Wells
The Picture of Dorian Gray – Oscar Wilde
Rivers of London (Peter Grant, #1) – Ben Aaronovitch
The Colour Of Magic (Discworld, #1) – Terry Pratchett

So with no challenge and a huge 'to read' pile (I received quite a few books at Christmas) I look forward to next year - what will I read? What will you read?

Book Review: 'Urban Jungle' by Vicky Woodgate

Publishers Big Picture Press do not disappoint: they produce very big books full of wonderful pictures and this one by Vicky Woodgate is no exception. 'Urban Jungle' is an oversized non-fiction book which explores the fauna of the world's major cities.

Did you know that Spinybacked orbweavers can be found in Lima, Peru? Or that Milk sharks patrol the waters around Mumbai? Or that Vancouver is home to Bobcats, Coyotes, seals, bears, skunks, turtles and Rufous hummingbirds? With each turn of a page the reader encounters the surprising inhabitants of some of the world's busiest cities and surrounding urban areas. 

Each page begins with clear geographical summary of each city, a map of where in the country or continent it can be found and a plethora of stylistic animal illustrations. A particularly nice touch is the 'Animal Stories' box that can be found on each page where a particular animal is highlighted, sometimes with a funny story that made the news and often with tales of historical significance or surprising facts about the creatures.   

The book is split into sections based on continent and each part opens with a double page map - the book doesn't skimp the geography side of things. Urban Jungle definitely isn't just a book about animals; it's a brand new beast combining an Atlas with a natural history book, although it perhaps couldn't be used as either - it must be treated as something different.

With publishers pushing he boundaries of what non-fiction books look like this is an exciting time to be a child who loves to gather facts. With maps and animals being popular obsessions for primary aged children this book is sure to be a hit both at home and in the classroom and will hold up to repeat reads such is the wealth of information contained.

Book Review: 'The Elephant in the Room' by James Thorp and AngusMackinnon

This surprising and striking book appears to stand alone in today's picturebook market - there certainly aren't many books like it, illustrated in an psychedelic style reminiscent of The Beatle's Yellow Submarine film but with an even trippier colour pallete. This is a book which aesthetically stands out a mile and its eye catching design will draw children in, keen to know what this strange-looking book is all about.

Featuring a rhyming text (and a rather nice, but perhaps not always child-friendly Art Deco typeface) the story gets as bizarre as the illustrations themselves. But this bizarre story will be all too familiar to adults who, with a wry smile, will read this aloud to children and recognise the narrative: something gets broken and the culprit makes up all sorts of excuses in order to escape punishment. This story concludes however with a stronger moral message for adults as Father Giant realises that maybe he had been too busy and the accident had happened because he hadn't been with the children. It is certainly food for thought for the grown up who might be reading this to younger children.

However, subtext aside, children hearing the story and taking it face-value will laugh uproariously at its silliness and witty wordplay - lots of lovely alliteration and rhymes (rowdy cloudiness, yucky yakkiness) and made up words (squinching) will delight young minds ready to soak up new and imaginative language. They will identify with the protagonists and the feeling of guilt that comes with accidental misdemeanours and might even begin to question the folly of not telling the truth in such situations.

The Elephant in the Room, a title which bears multiple significance, is like one of those brilliant children's films which is clearly intended to entertain adults just as much as the kids. As C.S. Lewis said “A children's story that can only be enjoyed by children is not a good children's story in the slightest.”. James Thorp and Angus Mackinnon have produced a good children's story. Highly recommended.

Book Review: 'Sky Song' by Abi Elphinstone

Once you've understood the particular brand of magic (which is not believed in even by many of the inhabitants of Abi Elphinstone's new fantasy world) you'll be taken on an adventure of discovery, unity and salvation. An evil queen is taking the voices of the icy land's adult subjects (literally in the story, but this metaphor would be exciting to explore with young readers) in order to gain immortality and Eska, although initially imprisoned, must do something about it.

Sky Song capers around the fringes of what has been termed Theological Fantasy with its undertone of the importance of belief, yet Elphinstone has no religious agenda to push. It plays with concepts from Greek and Roman mythology, traditional fairy tales and some more recent literary triumphs and blends them cohesively for a younger audience, than say, His Dark Materials was intended for. 

Whilst Erkenwald definitely feels like a realm that could be further explored, Eska and her eagle companion Balapan certainly give it a good initial once-over, encountering on the way, in the manner of all good expeditions, a number of problems which they must overcome, often with the help of Flint, his puppy pebble and his sister, Blu. The animal companions and the magic ways that some of the group's problems are solved definitely aim this book squarely at 8 to 10 year olds.

But this story, like all the best books, does more than just describe an adventure. It speaks of growing up and discovering one's own capabilities, facing adversity and the importance of companionship and collaboration. Sky Song is an important lesson in why tribalism, whilst comfortable, will not save the day - a political message that might give children a starting point to thinking about what their role on the world stage might be. Flint's character provides hope that people can change their ideological views in order to become more mindful of others. The character of his sister Blu, based on Elphinstone's own relative who has Down's Syndrome, is also a possible discussion starter for readers to explore and change their thoughts about those with genetic disorders and resulting learning difficulties.

Children who were a few years ago obsessed with Frozen, or those who have recently discovered and loved the more accessible parts of Narnia, or those looking to move on from reading short myths and fairy tales will find their perfect next book in Sky Song. Fans of Abi Elphinstone's Molly Pecksniff character will find another well-rounded female lead character to follow and be inspired by. With Sky Song, Abi Elphinstone invites her young readers into a new and exciting world which will not only thrill and entertain but might set children on the path to discover more of the brilliant fantasy fiction available for advancing readers.

Book Review: 'The Great Paper Caper' by Oliver Jeffers

Crime novels aren't for children, are they? Are they? Well 'The Great Paper Caper' is. As usual Oliver Jeffers matches his quirky imagery with text bursting with wry, dry humour. Someone is chopping down the trees, but who? And why? The inhabitants of the wood set out to discover the answers to their questions with amusing and heartwarming results.

If ever you wanted to introduce small children to technical legal vocabulary then this book is for you. Alibi, investigation, examined, eyewitness report, evidence, culprit... they're all in the there. And not only is the terminology introduced, the book also provides a great place to begin learning about the process of solving crimes and the following legal processes.

The book throws up some excellent discussion points around justice (Did the culprit get what he deserved? Should criminals be allowed a second chance?) and motivation (Can crime ever be justified? Should we be empathetic towards criminals? How far should you go to be the winner?) making this a useful text to read to inspire debate in the classroom. It also has an environmental focus: teachers could look further at how nature is being damaged by humans, potentially by providing linked non-fiction texts which children would be more inspired to read because of the story's context.  

'The Great Paper Caper' is a great example of how picturebooks use images to do more than illustrate a text. The illustrations have to be read and interpreted too - without them the story would be incomplete as the text alone does not give all the details. In the context of the whole story there are plenty of opportunities for teachers to do reading comprehension style activities (particularly focusing on inference skills, it is all about finding clues, after all) using just the pictures.

This is another triumph for Oliver Jeffers, and one that has stood the test of time; it was first published in 2008. Here is a book which a child can enjoy alone, with an adult, or during a variety of different school lessons, and one that's sure to raise a few smiles as well as questions.

Book Review: 'Here We Are' by Oliver Jeffers

When you spot J.M. Barrie's quote "...always try to be a little kinder than is necessary..." tucked away at the beginning of a book you can almost be certain it's going to be a must-read for children. Especially in world where we seem to see so much unkindness.

But that's not the world Jeffers focuses on in 'Here We Are'. In fact he looks at humanity and our planet positively and hopefully, encouraging his readers to re-envision what they see around them. Of course, these 'notes for living on planet earth' are inspired by the author's son so the optimistic standpoint is one of childish naivety, and that's OK. Adult readers will understand the negatives behind the positive statements - the book provides a stimulus for adults to discuss world events and issues with children at an age-appropriate level.

The book has excellent Science and Geography links - Jeffers, in his inimitable style, illustrates the solar system, the night sky, the human body and species of animals providing engaging starting points to several areas of the national curriculum. In fact, so good are these that you'll be crying out for an Oliver Jeffers 'How Things Work' style non-fiction book to use in all aspects of the STEM curriculum.  

First, 'Here We Are' is celebration of the planet on which we live; it encourages awe and wonder as we notice and learn about the world around us. Second, it gently urges its readers to look after the things around them - the environment, others and themselves. A double page spread beautifully illustrated with an impressive variety of different-looking people serves as a great talking point alone - how should we treat those who look different to us? Even though we look different, are there similarities? These are such important questions for young children to be discussing if our societies are ever to be more empathetic.

C.S. Lewis said "A children's story that can only be enjoyed by children is not a good children's story in the slightest" and Oliver Jeffers never fails at this. Adults reading this book will be reminded about what life is really about and will be inspired to ensure that in all the areas the book touches upon that they are good role models to the children in their life. 'Things can sometimes move slowly here on Earth. More often though, they move quickly, so use your time well.' is definitely advice needed by adults more than by children. 

If there were to be one overarching theme I'd say it was wellbeing. And not that selfish kind that only says look after yourself, but the type that celebrates the positive impact of caring for the wellbeing of others. In fact, the five ways to wellbeing are clearly all celebrated in this book: Connect ('You're never alone on earth'); Be Active ('...when the sun is out, it is daytime, and we do stuff' accompanied by a gorgeous yellow-tinted illustration of all kinds of activity); Take Notice ('There is so much to see and do here on Earth...'); Learn (the whole book is about learning new things); and Give ('just remember to leave notes for everyone else.'). What parent wouldn't want wellbeing for their children?

Basically, this is essential reading and needs to be a staple on library shelves and in schools and homes. Books do have the power to change perceptions and this one is something like a manifesto for how children will need to operate in order to change the way things are going in the world. But, I'd even recommend this to adults who might never read it with a child - it could be the gentle reminder they need to adjust their lives for their own wellbeing's sake.

Book Review: 'Balthazar the Great' by Kirsten Sims

'Balthazar The Great' is a simple story about belonging. Balthazar the bear is freed from the circus but must find his way home, but where does he belong? The striking illustrations, alongside minimal text, tell of discovery and explore issues such as animal rights, friendship, loneliness, regret and relief.

This book would be a great place to start conversations with younger children about any of the above topics. So many questions for discussion spring to mind: Should circuses be allowed to feature animals? Where do polar bears come from? Do we only belong with people who are like us? What makes family so important? Is it possible to be friends with someone who looks different? What does it feel like to be alone in a foreign country? It's easy to forget that young children are able to engage with these ideas and picturebooks like this are a great safe space for them to begin to grapple with life's big questions.

Kirsten Sims' colourful gouache and ink illustrations and quirky typeface will appeal to fans of author/illustrators such as Oliver Jeffers, but that's not to say they are too similar. This artsy approach to picturebook creation should mean that this pleasant little story stands out on the shelves and is read by many.

Book Review: 'Skeleton Tree' by Kim Ventrella

When a book with the word 'skeleton' in the title is published close to Halloween, if you're anything like me, you're more than likely to write it off as some Goosebumps-style horror story for children. But Kim Ventrella's 'Skeleton Tree' is not that kind of book. In fact, it is so not that kind of book that it really caught me off guard.

'A beautiful, bittersweet tale of family, love and loss' it says on the back. And the blurb isn't lying. Stanley's dad has left, his sister is seriously ill, his mother is struggling with medical bills (it is set in the US, so no NHS) and, at a guess, mental health issues (although this is not explicit) and his best friend has OCD (not a main factor as it is in Stewart Foster's 'All The Things That Could Go Wrong' and Lisa Thompson's 'The Goldfish Boy'). And then a skeleton grows out of the ground in Stanley's garden and comes to life.

The skeleton, to an adult reader, is a metaphor for death, but Ventrella cleverly explores the very real experience of how mixed emotions come into play during the loss of a loved one. The skeleton is funny (there are laugh-out-loud moments) and he brings some light relief to what is otherwise a very sad story. Because this book deals so explicitly with death I would recommend that adults read it first and then make a decision about whether or not it is suitable for their child, or for a child in their class. The book may help some children to explore the emotions felt during a bereavement, for others it may not reflect their experience and might be unhelpful.

Many books about death which are aimed at children attempt to provide some sort of explanation as to what happens to someone when they die - this book doesn't really do that, and is better for it. Beliefs differ widely on this matter so is best left to parents to explain.

'Skeleton Tree' is a clever and emotionally-charged children's novel which will be enjoyed by children and adults alike although I acknowledge that it may not be for everyone. It blurs the boundaries between what is real and what is a coping mechanism in a convincing way - the reader only has to suspend disbelief on a couple of matters, and for children that comes naturally. Not many books make me feel as emotional as this one - based on that alone I'd say this book deserves to be on a good number of home, library and classroom bookshelves!

Book Review: 'What Does This Look Like In The Classroom?' by Carl Hendrick and Robin Macpherson

With the full title of 'What Does This Look Like In The Classroom? Bridging The Gap Between Research And Practice', this book pretty much does what it says on the tin. Hendrick and Macpherson have harnessed the voices of some of education's leading lights in order to answer questions about classroom practice from real teachers. The book's chapters each focus on a particular aspect of teaching: two specialists are assigned per chapter to share their wisdom, according to their expertise.

With Assessment, Marking and Feedback, Behaviour, Reading and Literacy, SEN, Motivation, Memory and Recall, Classroom Talk and Questioning, Learning Myths, Technology and Independent Learning all covered, this is a fairly comprehensive overview of education. Of course, there are questions and answers not given in the book, but often the commentators give good starting points for teachers to seek out further reading. The added focus on the potential of research-informed practice to improve workload provides further reason for this book to be read.

The book's crowning strong point is that it is incredibly readable. The format makes for bite-size chunks and all the contributors are gifted communicators. There are one or two bits of jargon (particularly relating to cognitive science) that might have benefited from the provision of a glossary but this doesn't at all detract from the overall accessibility of the book. It is probably best read as a whole so that the contents are familiar in a time of need - it is the sort of book that should be constantly referred back to. Having said this, it is organised well enough to be dipped into as and when is needed.

My one criticism of the book is that much of what is presented as research isn't backed up with any references as to who did the research, when it was done, under what circumstances, and so on. This leaves the reader to trust that the authors either have conducted the research themselves, or have internalised the findings of other research. Having said this, the book is aimed at teachers so it necessarily leans towards classroom practice rather than the intricacies of the research.

I would go so far as to say that  'What Does This Look Like In The Classroom?' is an essential volume for a school's CPD library - it could be the gateway to developing research-based practice for some teachers, so accessible does it make the material. It will confirm some of your teaching practices and give you an understanding of why things that you do already work, and it will challenge other practices, but in the least confrontational way possible - this is because it never belittles or devalues teacher experience and expertise. Even if every teacher doesn't read this, if a school's research lead and other leaders do, there is a good chance that classrooms will begin to reflect more of what research outlines as best bets.

Book Review: 'The End of the Sky' by Sandi Toksvig

It's no secret that one of my favourite books for children is 'Hitler's Canary' by Sandi Toksvig, so when her agent offered to send me a copy for every one of my workshop delegates at Reading Rocks I could hardly say no. In fact, I also asked for an extra copy so I could read it myself.

'The End of the Sky' picks up on many of the themes that Hitler's Canary covered, albeit in a completely different historical setting. The story tells of a family fleeing Ireland in the 1800s, hoping to make a new life on the west coast of America. The story chronicles the terrible journey that many of the pioneers would have made on the Oregon trail and doesn't shy away from the loss and sadness that was experienced by them.

As I read I kept reaching for Google to find out more about the book's contents: Choctaw 'Indians' sent foreign aid to Ireland; the John Bull was a steam engine made in England and shipped in pieces to the US without any instructions as to how to put them together; the Allegheny Portage Railroad really did carry canal boats up and over the mountains. This book really is an education, especially for children living in the UK who will have very little idea about the journeys people made as they looked for a new life.

The book's main theme is family, and how others might become part of a family. It deals with loyalty, loss, resilience, racism and probably must crucially, feminism. The female characters really shine in this book, but never in a forced way - it just celebrates a variety of achievements and abilities from holding a family together to leading a whole wagon train safely across a desert, to preventing a buffalo stampede to cooking delicious food. Toksvig's gift lies in highlighting and exploring current issues in an accessible and non-threatening way, as well as providing plenty of opportunities for her readers to learn historical facts.

The book is a little on the long side and unevenly paced: at times the story seems to be a little too drawn out (perhaps deliberately as it does give a sense of the journey west taking a long time) and at other points, particularly towards the end, the book feels rushed. When compared to 'Hitler's Canary', 'The End of the Sky' is not as well written and has a more sombre mood overall - there are fewer light, hopeful moments which help the reader to keep going.

If you're looking for a book with a strong female lead for upper key stage 2 readers then this would be a worthy addition to a growing selection of books in that category - it has the potential to change the perceptions of both boys and girls when it comes to gender stereotypes. It also provides a fascinating insight into a significant part of UK and US history, times and events which are generally ignored by the UK primary curriculum. Overall, 'The End of the Sky' is worth a read, but prioritise 'Hitler's Canary' if you've never read any of Sandi Toksvig's books for children.

Book Review: '100 Ideas for Primary Teachers: Mindfulness in the Classroom' by Tammie Prince

Previously, when I thought of mindfulness, I didn't really know what it was. I thought it was hippy mumbo jumbo mixed in with some kind of eastern mysticism. But then I began to notice that a good few folk in my online network were sold on the idea of mindfulness - some of them even assured me that I probably practised some sort of mindfulness unknowingly. I deduced that I must subconsciously be quite mindful, but I still didn't know what it was.

Tammie Prince defines mindfulness simply as 'the mental state achieved by focusing on the present moment while also accepting our feelings, thoughts and bodily sensations.' The book's premise is that 'the development of mindfulness in the classroom arms our children with lifelong skills that support their support their current and future mental health and well-being'  and it mentions that studies show there are positive benefits to children learning and using mindfulness techniques. As I understand it there isn't a lot of research into the impact of using mindfulness techniques in the classroom but many of the ideas in the book just seem like common sense - many of them I recognise as things that have helped me to feel less worried and stressed in my own life. However, one recent study on mindfulness based stress reduction (MBSR) showed that 16 juvenile delinquents who underwent an 8-week programme of MBSR showed increased grey matter in the left hippocampi, a part of the brain involved in learning and memory processes as well as emotion regulation and perspective-taking.

The book is spilt into ten parts, and sceptics, before you read the list, take note of this: 'not all strategies will work for all people'. The ten sections are Breathing; Guided Meditation; Active Meditations; Gratitude; Yoga; Emotional Intelligence; Mindful Colouring and Doodling; Calm Down and Relax; Mindful Walking; Teacher's Mindfulness.

As the title promises, the book contains 100 different mindfulness techniques or ideas to try in the primary classroom. Reading through there were definitely things that I couldn't imagine myself doing with a class but then there were plenty of ideas that seemed only to be tweaks of things I already do. The book contains methods suitable for a range of ages, although some techniques appear to be more suited to particular ages or levels of maturity.

The ideas that impressed me most were the ones that I could see having multiple benefits - there are plenty of techniques with links to the curriculum - reading, writing, drama, PE, music and art, for example. The fact that many of the ideas can be adapted to fit into curriculum time means that the book is more likely to achieve one of its aims: '...that the children will start to use what they have been taught independently...' - in my own experience whenever something is part of the daily routine, children are more likely to internalise it than if it were taught in isolation.

This is a book which is full of practical activities; there is something for everyone here – even the sceptic. With clear links to different curriculum areas, mindful practice can easily be embedded using the ideas in this book. A great starters’ guide to mindfulness.

The book, released 19th October 2017, is available to pre-order/buy here: https://www.bloomsbury.com/uk/100-ideas-for-primary-teachers-mindfulness-in-the-classroom-9781472944955/

Book Review: 'The Grotlyn' by Benji Davies

Before you even get to the text in this book, there is much to feast the eyes and mind on. The cover (including the one hidden under the dust jacket) and the double-page spread preceding the title page are gloriously illustrated in smokey muted hues which evoke a particular sense of place and time. The backstreets of a Victorian city are brought to life by a cast of intriguing characters. Children will linger over these pages providing adults a chance to question and discuss what can be seen - a perfect opportunity to explain exactly what a barrel organ is and does.

The title page itself furthers the intrigue with its snatch of song - what is The Grotlyn? Benji Davies does a sterling job of reeling in the reader, child and adult alike.

The first page of text sees the book set out its stall in terms of vocabulary - this is going to be rich in language: 'But what at first we think to be, The eye does blindly make us see.' Pick that apart with an 11 year old, or leave it be with a littler one - the story works on many levels. Every new page brings another beautiful turn of phrase - perfect for the budding logophile.

Once you've read this captivating rhyming text and pored over the images, you'll find yourself working your way back through it, picking up on the clues that the author skilfully weaves through both words and pictures and making sense of them in light of the uplifting (literally) ending. As the mystery unravels, children will delight in the antics of the book's protagonist, and by the end, they will be rooting for the once-frightening Grotlyn.

Every inch of the book is awash with clever and deliberate authorial choices and decisions that make several re-reads an absolute must. The illustrations alone could spark lengthy discussions when presented in or out of context - for teachers, there is so much material to use here.

For those wanting to go a little deeper, the concept of freedom is a main theme here. Should animals be kept in captivity? Why do people want to escape certain aspects of their life? What causes humans to go to great lengths, sometimes even breaking laws to attain freedom?

However this book is read, it is certain to become a favourite for all those who are fortunate enough to experience it. Benji Davies has delivered another thought-provoking, multi-layered picture book that is sure to be enjoyed by readers of all ages. 

For an interview with Benji Davies click here.