Saturday 4 January 2020

Book Review: 'The Mask Of Aribella' by Anna Hoghton

Choosing the islands and lagoon of Venice for the setting of a magial middle grade escapade was a stroke of genius. The surrealness of such a location makes the events of the story seem entirely plausible: very surely an only-just teenager in that strange place could find out they are a member of a magical order and that actually, they are the one to avert the catastrophe that is looming over the people of Venice.

It's on the eve of Aribella's 13th birthday that, in a fit of rage, she discovers she has the power to conjure fire. Very quickly she is whisked away into an ever-present but invisible parallel world where she discovers there is more to her unique city than meets the eye. But it is clear that not all is well, and is the way with such tales, she finds it is up to her and her new-found friends to save the day.

With the odd hint of certain giants of the genre, albeit with an Italian twist, this story is bound to enchant anyone within just a few pages. The story skims along at a cracking pace, yet, just as with the wooden piles on which Venice is built, there are foundations that run deep - the power of friendship and family, trust and responsibility provide a solid base for this dark tale of good versus evil.

Not only is this a fantasy adventure, it will also have its readers guessing whodunnit-style as to who is really responsible for the sinister goings on. As I read, I mentally drew up my own list of suspects and weighed up their motives, questioning their behaviour and coming to my own conclusions about who is behind the appearance of spectres in the lagoon, the disappearance of all the animals and the too-regular appearance of the Blood Moon. I, of course, was wrong, but that made the ending all the more satisfying - and there was more than one goosebump moments as the elements of the plot came together in the final moments.

A strong start for children's publishing in 2020 and a great introduction to Anna Hoghton, a new voice in children's fiction.

Published by Chicken House · 2nd January 2020 · Paperback · £6.99 · 9+ year olds

Thursday 2 January 2020

Book Review: 'Empire's End - A Roman Story' by Leila Rasheed

There are over 30 other books in Goodreads' Roman Britain in YA & Middle Grade Fiction Listopia list, some by eminent writers such as Rosemary Sutcliff. So why do we need another book which falls into this (very niche) category?

Well, Leila Rasheed has an important story to tell. Scholastic's Voices series focuses specifically on 'the unsung voices of our past' - in this particular book it's the voice of a young Libyan Roman woman who finds herself at the empire's end - in Britain. She has accompanied her father, a doctor, who is an aide to Septimius Severus, a Roman Emperor originally from Libya, and his powerful and influential Syrian wife, Julia Domna.

Not only do we get a much more diverse cast than in other historical novels, and are allowed to hear the stories of those who history doesn't always like to remember, but we also hear it from the pen of an author who herself grew up in Libya and who describes herself (on her Twitter bio at least) as British-Asian European.

CLPE's Reflecting Realities survey of ethnic representation in UK children's books  found that in 2018 only 4% of children's books published featured a Black, Asian and minority ethnic (BAME) main protagonist. The BookTrust Represents research into representation of people of colour among children’s book authors and illustrators found that in 2017 less than 6% of book creators were from a BAME background. That's why we need this book.

But this doesn't just fill a void in the market, this is a seriously good book. The gripping and fast-paced story is all carefully interwoven with historical fact: a Roman emperor from Libya did live and die in York, archaeological research has shown that those with black African heritage did live in Britain during the Roman period and that people from all over the Roman provinces ended up marrying each other and having children.

In 'Empire's End' Rasheed imagines how one such character may have ended up in Britain, despite having been born in North Africa. Although slavery is a key theme in the book, it is important that we follow the story of a high status a BAME character - as we've mentioned before, it is these stories that are seldom told. As Camilla's destiny is linked to that of the struggle for power in the Roman Empire, nothing is very certain for her as she travels the world and settles in a place that seems as far from home as she can imagine. The story twists and turns, painting vivid characters and their realities in a human way against the backdrop of one of the Roman Empire's trickiest times.

Young readers will be thrilled to find this combination of qualities in one fairly short story which is bound to hold the attention of even the most flighty of readers. And with this being the fourth book in the series, there is already plenty for readers to go back and discover. A fantastic first read for 2020.

Sunday 22 December 2019

Book Review: 'The Star Outside My Window' by Onjali Q. Rauf

As an adult reader, I found this book a difficult one to read - difficult but compelling, yet strangely heartwarming. However, what is apparent to grown ups will certainly be less so for younger readers - the age range the book is really intended for.

The difficult thing about it is that the clues are all there as to what Aniyah and Noah have been through prior to the events in the story. I remember saying when Lisa Thompson's 'The Light Jar' was published that I hadn't encountered themes of domestic violence in a children's book before - in The Star Outside My Window it is a much more central theme.

In its plot, there are definite reminders of Onjali's previous book 'The Boy At The Back Of The Class' - a group of optmistic children hatch a hare-brained, heart-filled scheme to ensure that justice is done. Aniyah, Noah and their new foster brothers Ben and Travis, run away on Halloween and head to London to gate-crash the naming ceremony of a brand new star which is travelling closer to earth than any other star has before.

With the scientific element of the story being quite fantastical, and the terrible realities of domestic violence being ever present, a balance is created. Aniyah's love of astronomy brings another dimension too - there are plenty of great factoids scattered throughout the story. But it is the narrator's voice which really sets this story firmly in place as appropriate for the intended age group despite its upsetting premise. The child's point of view which Rauf adopts, and carries off so well (as she also did in her first book), makes for a gentle and palatable yet serious treatment of the subject matter.

Books which tackle ideas about what happens after death are usually problematic: more often than not, they push one particular, definite idea or another - beliefs which definitely wouldn't align with everyone's way of thinking, therefore alienating potential readers. In 'The Star Outside My Window' a new precendent is set: all it portrays is one child's own rationalisation of what they think has happened to their mum - an idea forged in the furnaces of grief and the only thing that makes sense to them at the time. The author pushes no religious or secular beliefs, she just tells the story of one little girl, struggling to come to terms with what has happened.

And whilst the bulk of this review has focused on the deep and meaningfuls of this book, it really must be said that it is a rip-roaring, heart-in-mouth adventure too - will they really make it all the way to the Royal Observatory, Greenwich from Waverley Village in Oxfordshire in time without being caught? The odds are stacked against them but you'll cheer repeatedly as they thwart well-meaning citizens who only want to keep them safe, and you'll laugh as squirrels - yes, squirrels! - pretty much save the day in the nick of time.

This certainly is one of 2019's must-read books, but perhaps one that parents and teachers might want to exercise caution with. To help with potential upset, and to promote growth of empathy, the book actually contains a few helpful sections pre- and postscript about the nature of the story and domestic abuse, as well as information for how to get help if aspects of the story ring true for its readers - a thoughtful and essential addition to this brave new book.

Orion Children's Books - 3rd October 2019 - Price: £6.99 - ISBN-13: 9781510105140

Tuesday 19 November 2019

#Lollies2020: Joshua Seigal - 'I Bet I Can Make You Laugh'


When I was asked to champion one of the books nominated for the Lollies 2020 book awards, there was really only one choice for me: Joshua Seigal's 'I Bet I Can Make You Laugh'. My middle daughter (I have three) is an avid reader (I mean really avid) and, amongst other things, she is partial to both funny books and poetry. So when a copy of Joshua Seigal's 'I Bet I Can Make You Laugh' which I won (and is signed) dropped through our letterbox, she pounced upon it and devoured it.

And it's regularly off the bookshelf for a quick read, which, as avid readers among you will know, often turns into a long read (I'm not complaining). With poems from Joshua himself, as well as a range of other poets such as A.F. Harrold, Sue Hardy-Dawson, Frank Dixon (aged 7), Irene Assiba D'Almeida, Alfred Noyes, Lewis Carroll, Kat Francois, Andy Seed and Jay Hulme, this collection really willmost probably, almost certainly make you laugh - if you're an adult. If you're a child, there's no doubt about it: you will laugh.

And if you don't believe me (and I'm so excited about this), here's a brand new poem from Joshua Seigal to give you a taste of what's to come if you get your hands on a copy of Lollies 2020 nominated book 'I Bet I Can Make You Laugh'. I cheekily asked that he pen something new especially for my blog and here it is: a funny Shakesperean sonnet (go on, count the lines and try reading it in iambic pentameter)!

The Ferocious Commotion

A ferocious commotion’s occurring next door.
It’s like ten thousand buffalo having a fight
It’s as loud as the crash of a rusty chainsaw
and I know it’ll keep me awake half the night.

Like the whistling whoosh of a runaway train,
a ferocious commotion’s occurring next door.
Like a hideous gargoyle yelling in pain,
it’s as loud as a battlefield, loud as a war.

It roars like a lion that’s stepped on a pin.
It clanks like a tank that’s got stuck in the mud.
It shrieks like a shark when you tickle its fin
with a hoot and a honk and a bang and a thud.

What on earth is it? I go exploring
and discover it’s only my grandfather snoring.

www.joshuaseigal.co.uk