Book Review: 'Snowglobe' by Amy Wilson

When a girl's already swirling world is shaken even further she discovers a world of magic that had been hidden from her, and for very good reason.

Amy Wilson's latest book Snowglobe is family drama but not as you know it. When a school bullying incident leads Clementine on a journey of self-discovery she gets involved in more than she bargained for - strange powers, disappearances, and an adventure in a previously-invisible house full of mysterious and macabre snowglobes.

As Clementine untangles her past she embarks on a quest for freedom, not only for herself, but for those whose only hope is her. In order to complete her quest Clem has to wrestle with family alliances, making difficult decisions about friendship and the greater good. The reality of life is never straightforward, especially not for young teenagers and pre-teens, so this book is a great sympathetic exploration of what it is to grow up and to begin to truly get to know oneself.

This adventure really picks up the pace as Clem, Dylan and Helios the dog search a network of enchanted snowglobes where hundreds of people with magical abilities are being held captive. This clever little device allows Wilson to explore a world of settings without the characters ever really leaving the room.

Upper Key Stage 2 children are sure to love the concept of this thrilling tale, and many will identify with Clem's struggles, albeit in a less magical way! A fairly dark tale ending in an explosion of light, this will have readers in its icy grip. A perfect winter read for those long dark days.

Guest Post: Introducing Poetry to Primary School Children by Ana Sampson

By the time we leave school, some of us have been rather put off poetry. Actually – confession time, now – I was. Picking it apart and poring over the meanings throughout my education had sucked some of the simple joy out of poetry. I became paralysed by the thought that I must understand every element, rather than just enjoying it – I had to learn to love poetry again.

Primary school children, however, don’t have any of those associations. The earliest things we hear and learn are usually songs and nursery rhymes: from the sun putting his hat on to the little piggies of our toes. We often read rhyming books with our children: my five year old is word perfect on everything from There Was An Old Lady Who Swallowed a Fly to Room on the Broom, and woe betide me if I try to skip a verse to get to bedtime quicker! Children are at home in rhyme before they learn to talk, so they don’t have any of the associations some adults have of poetry being intimidating and difficult.

So, my advice on sharing poetry with young children is just to get started! Here are three ideas for how:

Share Classic Nonsense Poetry

I love Lewis Carroll’s inventive and whimsical poems. Even though today’s children won’t be familiar with the Victorian rhymes many of them parody (though they might enjoy Mary Howitt’s ‘The Spider and the Fly’, which is one of them) the nonsense and fun of ‘The Lobster Quadrille’ or ‘You Are Old, Father William’ will tickle them. Edward Lear’s poems are wonderful too. Ask them to draw a Jabberwocky, the Jumblies in their sea-faring sieve or the Pobble who has no toes, and watch their imaginations soar. There are lots of great modern collections of poetry aimed at children that continue this imaginative tradition.

Read Poems Aloud (Dramatically!)

Reading poems aloud, in as dramatic and over the top a way as possible, is a brilliant way to bring them to life to children. My daughter loves A A Milne’s ‘Disobedience’ with its rapid, building rhythm and repetition of ‘James James Morrison Morrison William George Dupree’. If you feel they’ll respond well to a touch of goriness, Hilaire Belloc’s Cautionary Tales for Children will appeal – try Jim, who was eaten by a lion.

Read Poems That Appeal To Their Experiences

Researching She Is Fierce I came across some wonderful, lesser known poems by women that even young children will – I hope – enjoy as much as I did. Liz Lochhead’s ‘A Glasgow Nonsense Rhyme for Molly’, and Katherine Mansfield’s playful ‘When I Was A Bird’ are bound to delight younger readers. For slightly older children, the chatty, encouraging tone of ‘God Says Yes to Me’ by Kaylin Haught will appeal. Jan Dean’s ‘Three Good Things’ could inspire a discussion about the three best things to choose from their day. Jean Little’s ‘Today’ – like the poems in Allan Ahlberg’s much-loved 'Please Mrs Butler' – speaks directly to the experience of school-children, and they will be delighted to find themselves reflected there – and with the poem’s rebelliousness!

You’re never too young for poetry and I’d love to hear what poems young readers (and listeners) enjoy! You can tweet me and let me know their favourites at @Anabooks.

She Is Fierce
Brave, Bold and Beautiful Poems by Women
Edited by Ana Sampson
ISBN 9781509899425
Publishing 6th September 2018 |£12.99 |Hardback

Reading Roles PLUS Generic Activity Exemplified

In my blog post Reading Roles PLUS Generic Reading Activity I presented a reading activity which focuses on some of the widely-accepted reading comprehension strategies. Where possible I like to exemplify things that I write about, so that's what this blog post is.

Context: A small group of boys (not sure why, just was), end of year 3 but working below age related expectations, reading Fantastic Mr. Fox (their choice).

Session 1 (Chapter 1 of Fantastic Mr Fox by Roald Dahl):

A written record of session 1

We began with the Student Reading Role which matches the reading comprehension strategy of clarifying. After reading through the text the children wrote down words and phrases they didn't know the meaning of. This felt like a bit of a dry start, but without understanding key vocabulary it isn't easy to comprehend a text.

The children identified some words but missed many other words which in later discussion they admitted to not knowing the meaning of. Part of training children in this seems to be allowing them to be honest, or encouraging them to think more deeply rather than just skipping over words they don't know.

I then shared a pre-made PowerPoint which contained the words I anticipated the children wouldn't know. Some of the words (mainly nouns) were accompanied by pictures, others had a child-friendly definition.

We then moved on to the Quiz Master Reading Role. I modelled some of the sorts of questions they might want to ask whilst reading. We then read the text again giving the children another exposure to the text and allowing them to focus on the new strategy. Not all the questions generated were that insightful but others were: How come they were mean men? Are they rich? I'd say these ones were because they are linked to main principles of the story. The answers to some questions were perhaps best avoided: Why does he drink so much cider? It was clear that the children were not used to asking questions of the text - all the more reason to make them aware of this strategy.

After that we thought about the prior knowledge they had that helped them to understand parts of the chapter: the Professor Reading Role. The children found it quite easy to identify things that they already knew about. The potential and intended impact of this is that children begin to search their own memory banks when they come across something that they don't understand in their reading: hopefully they will begin to ask themselves 'what do I know already that could help me understand this?'

The fourth part of the session was to focus on the Movie Director Reading Role. This required children to draw or write about what they saw in their heads as they read. I quickly realised my mistake in asking them to do this: you can't draw or write about what you visualised whilst reading a whole chapter! The children focused on parts of the text that were not main points of the story.

Lastly, we looked at the Editor Reading Role which focuses on summarising. Together we developed 4 points which we thought might be important to remember as the story moved on. We discarded facts that we thought might not be crucial to the narrative.

Session 2 (Chapter 2 of Fantastic Mr Fox by Roald Dahl):

For the second session I decided to head the session up with something a little lighter, and a little more engaging to ease the children in. After recapping the summary from the previous session, we started with the Movie Director Reading Role but this time focused on just three sentences which described the setting. In doing so I discovered why in fact it might be a good idea to always start with visualising:

One child drew a rectangular piece of wood instead of a wood

I gave them a three-sentence quote describing the chapter's setting: "On the hill above the valley there was a wood. In the wood there was a huge tree. Under the tree there was a hole." Had this activity not have come first, I wouldn't have discovered that one child didn't know what a wood was. Actually when he read the word wood, he imagined a rectangular piece of wood (see the picture, left, where you can make out his rubbed out rectangle of wood which is incorrectly placed in the valley rather than on the hill). This probably wouldn't have come out in the Student/clarifying activity as he believed he knew what a wood was (although if he was properly clarifying he would have realised that in this context the sort of wood he had in mind didn't make sense).

My modelled drawing

Once the children had done their own I completed my own drawing as a model to them and used it to explain any inaccuracies (particularly relating to positional language/prepositions) in their own drawings.

A written record of session 2

We then read the chapter again and the children made a note of words that they didn't understand (Student Reading Role: clarifying). As well as the pre-made PowerPoint (see session 1) we did some quick vocabulary activities: can you put that word in your own sentence? Can you act that word out e.g. Can you approach me? With the word plump, we also had a chance to discuss an inference question: why would the farmer want a plump chicken?

Completing the Professor Reading Roles this time made me realise the need to reconsider how this section is tackled. Children worked at quite a basic level saying that they knew what things were e.g. hill, valley, geese, turkey. The way the prompt was worded did not really engage children in thinking about wider concepts of the text, or facts that they already knew beyond word meanings. On reflection this is an area of practice that I need to think and read more about. My question: how do we go about helping children to activate their prior knowledge? Does it need to focus more on when there is something they don't understand?


When working on the Quiz Master Reading Role the second time round I noticed that my modelling and prompting was centred around a more generic overall question: what do I want to know? Many of the questions the children asked were surrounding information that the author had chosen to leave out as it wasn't important enough to the story: how did Mr Fox get the animals? How did the farmer find the fox hole? The questions that I guided the children towards asking were more about things that might happen as the book progresses: how will Mr Fox get his food now? Will the farmers succeed in killing the foxes? These kinds of question are the kind that skilled readers ask all the time as they read. Other questions may also link to the act of clarifying in the case of information that is included in the text but is not understood on the first reading. It may be worth creating a list of exemplar questions to help teachers and children to practise this strategy.

Completing the summary activity (Editor Reading Role) after doing the other sections of the activity certainly seemed to help the children - after reading the text several times, clarifying their understanding and engaging with the narrative by asking their own questions about it and visualising parts of it the children readily picked out the main points and sequenced them. In my experience children don't always find it easy to prove in this way that they have good comprehension of a chapter as a whole.

Session 3 (Chapter 3 of Fantastic Mr Fox by Roald Dahl):

Children recorded far more words in session three

The children completed the visualising (Movie Director Reading Role) task quite slowly during this session but it did provide lots of opportunities to discuss the text which is always welcome as it is the discussions more than what is recorded that demonstrates and develops the knowledge and understanding. However, on the whole, this is probably a part of the session that should eventually happen quite quickly.

Rather than have the children record words individually for the clarifying activity (Student Reading Role) they all added to their lists as we read together, often as a result of prompts from me or another child. I found that asking if they understood particular words made them more honest about words that they didn't understand. As a result of this, we discussed a lot more vocabulary than we had in previous sessions, sharing new definitions and images of nouns on the pre-made PowerPoint, using the words in sentences and so on. It is this that is so crucial: if children do not understand the meanings of individual words then they will struggle to make meaning of text constructed using those words.

On clarifying: it is important that children feel like they are allowed to ask, and that it isn't a bad thing to not know what a word means, if they are to begin to automatically clarify when they read. Too often I suspect that children skip over words they don't understand simply because they are afraid to admit it. A culture of 'it is O.K. not to know yet' must pervade if children are to improve.

As we read I noticed that the children were beginning to ask questions of the text (Quiz Master Reading Role) without the prompt on the sheet. As they asked, I reminded them to record them on their sheets, and we discussed the possible answers to their questions before moving on. During these discussions we were also able to bring in snippets of prior knowledge which helped us to answer our questions - it may be that the Professor Reading Role doesn't benefit from any sort of recording but just needs to be brought in to discussions.

In summary:

It would seem that even after only three sessions the children began to use the strategies more readily: they were particularly more open to questioning a text as they read it and they became more enthusiastic about learning what the words meant. It was as if in practising the strategies and as a result understanding the text better, they became more keen to use the strategies again - perhaps because it helped them to understand and enjoy the story better. They certainly improved their ability to write a summary - this probably as a result of such a deep dive into the chapter with repeated reading.

The main area that needed improving was how they activated prior knowledge: it wasn't that they didn't as it was clear that they were all bringing and using knowledge of what farms were and so on, but this is at quite a basic level. Of course, there are two main potential issues at play when it comes to background knowledge:

1. Do they actually have relevant background knowledge in the first place?
2. Are they deliberately searching their background knowledge when they come across something they don't understand?

If you have any experience of working with these strategies, or even have tried out the Reading Roles relating to them, I'd love to find out what you've done to help children develop their use. Please point me towards relevant reading or share some examples from your own practice, either in the comments section, or on Twitter or Facebook.

If you would like Aidan to work with you on developing reading at your school, please visit his website at https://www.aidansevers.com/services and get in touch via the contact details that can be found there.

Book Review: 'Goth Girl and the Sinister Symphony' by Chris Riddell

As with many of Chris Riddell's books it would be a real shame if Goth Girl and the Sinister Symphony was only ever read by children. The appeal to adults and children is equal, making this a great one for parents and teachers to share with children.

Firstly, don't let the Goth part put you off (if you are the sort of person who might be put off by that): yes, there are light gothic undertones, but there are also dryads, garlands and baby lions. I say gothic undertones but if you don't like entire orchestras of the undead then perhaps it isn't for you. Such is the intriguing range of influences that Riddell, one suspects, gleefully brings to the mix.

Speaking of inspiration and adults reading children's books, this one is full, I mean full, of nods towards pop culture and current affairs as well as plenty of references to the history books (The Frying Scotsman, Joseph Haydn-Seek, Thomas Ripplingdale (the shirtless furntiure maker!)) and classic literature (Pilgrim's Progress, Narnia, Under Milk Wood, The Rime of the Ancient Mariner off the top of my head). There are times when Riddell's illustrations for this latest Goth Girl book might easily be mistaken as one of his political cartoons for The Guardian (only the lack of colour mark them out as being deliberately drawn for ...the Sinister Symphony): the depiction of Donald Ear-Trumpet (with his tiny hands and his cry of 'fake shoes' was one of my favourite parts! I certainly look forward to exploring the many links as I read this with my children.

The language Riddell injects into his work is playful, providing more entertainment for grown-ups and children who love exploring words. I've used quirky to describe his books before but the more I read, the more I believe this should just be normal for books aimed at Key Stage 2 children. Children at that age love a bit of humour in their books but often books fulfilling that criteria are very one dimensional - Riddell's Goth Girl books are anything but.

And that's a lot to say for a book whose illustrations, quite obviously, are its finest point. As ever, the pictures are liberally applied throughout, intriguing and entertaining with their wry humour and visual perfection. There are some marvellous double-page spreads - the one of The Disinterred Ghastlyshire Orchestra is a favourite as zombiefied Saxons, Victorians and everything in between rub decaying shoulders as they clutch their assortment of instruments.

Although this is ostensibly about how Ada Goth's father Lord Goth puts on a music festival, it's really a parody of aristocratic life where family, historically inaccurate classless friendships and love take centre stage (seemingly a recurring theme in Riddell's children's books: Beauty and Beast in Once Upon A Wild Wood; the foxes in Ottoline and the Purple Fox, for example). In fact, this really is quite a heartwarming tale when all is said and done - one which brings smiles and laughs along the way. A real lighthearted read with plenty to inspire children to find out more about what goes on in the world around them, and what has happened in the past.

Reading Roles PLUS Generic Reading Activity

Reading Roles PLUS is a resource designed to aid children’s metacognition when reading. Metacognition can be defined simply as ‘thinking about thinking’. Reading Roles PLUS takes familiar job titles and assigns them to reading strategies and skills thus giving children an easy-to-refer-to system for being more deliberate with their thinking during reading, with the ultimate goal of being able to comprehend texts. Alongside the job title (or role) there is a symbol which can be used as a further way to prompt certain kinds of thinking – some children may find these easier to remember.

For more information about Reading Roles PLUS please visit my blog post 'Reading Roles PLUS: Teaching Metacognitive Reading Comprehension Strategies'.

The Reading Roles focused on in the below activity are:

• Director The director uses words and makes them into pictures and moving images. Focus: visualising. Pupils make mental images of a text as a way to understand processes or events they encounter during reading.
• Student The student knows that they don’t yet understand everything and they work hard to make sure they understand new things. Focus: clarifying/monitoring. Pupils identify areas of uncertainty, which may be individual words or phrases, and seek information to clarify meaning.
• Professor The professor thinks about what they already know and uses the information to help them understand new things. Focus: using background/prior knowledge. Pupils think about what they already know and make links. This helps pupils to infer and elaborate, fill in missing or incomplete information and use existing mental structures to support recall.
• Quiz Master The quiz master asks lots of questions. Focus: questioning. Pupils generate their own questions about a text in order to check their comprehension.

All of these Reading Roles are based on widely-accepted reading comprehension strategies. For example, they are featured in the EEF's Improving Literacy in Key Stage Two Guidance Report where research supporting this way of teaching is judged as being extensive.

Reading Roles PLUS Generic Reading Activity

The aim of this activity is to help children gain a better understanding of a text. It focuses on using 5 of the main widely-acknowledged reading strategies. Although the activity itself has a goal of enabling understanding of one text, the cumulative effect of doing several of these activities is intended to be that children begin to use these strategies automatically when they read any text.

The activity and guideline sheet can be downloaded for free on the TES website.

Using the activity

There are no rules as to how this is used although there are some guidelines:

• This activity is probably best used with a small portion of text: probably no more than 4 pages, but more ideally, in a longer novel particularly, a double page spread.
• Children unfamiliar with the roles of Director, Student, Professor, Quiz Master and Editor will need these explaining to them one by one. It might be a good idea to focus on one role/strategy per reading session to begin with to help children to understand the different reading strategies.
• Once children are familiar with the different roles/strategies it would be a good idea to read the text, complete the first box (Director) then discuss before reading the text again and completing the second box (Student) and so on. The first times of doing this may take quite a while!
• As the children get more familiar with the format they may cope with fewer readings of the text and may remember to make a note of, for example, questions they have (Quiz Master) or words they don’t understand (Student) whilst reading for the first time. This is desired, showing that children are probably beginning to internalise the strategies of checking, questioning and so on.
• The activity could provide a format for a group activity where teacher records under the headings and children don’t have their own copy – this would promote lots of discussion. Equally, children could complete their own. Children could also complete these about their own book, or about a class book individually as part of an independent session. The activity is versatile.
• Before running the session it is worth going through the text and making a note of all the potential words and phrases that children might not know – a PowerPoint of pictures and definitions, for example, could then be created to share with the children if they identify those words and phrases as being ones they don’t understand. There will always be surprises though: things you thought the children would know but don’t.
• Use of this should probably be short term – once the strategies have been practised explicitly in this way, or in other ways, children should be using them automatically. Once embedded, deliberate repeat practise of strategies such as these is thought not to have any further impact. If children don’t appear to improve in their reading comprehension then they made need further intervention of another kind, potentially focusing on deeper issues such as decoding, fluency, vocabulary or background knowledge.

With regards to these guidelines, and the intention of using activities like this, the guidance report has this to say:

'These strategies can be introduced in isolation, but pupils should also be taught how to integrate combinations of strategies to develop effective comprehension of different texts. The effectiveness of teaching pupils to integrate multiple strategies is well supported by research evidence, and this approach is likely to be more effective than relying on single strategies in isolation. Ultimately, the aim is for pupils themselves to take responsibility for automatically using these strategies to monitor and improve their reading comprehension.'

Click here to see this activity exemplified.

Diary of a Deputy - Week 3: Happy Tired

On Wednesday night I had the realisation that starting at a new school in September is way more tiring than returning to a school you've been working at for a while. I checked in with people on Twitter to see if this was a common experience and yes, it seems that it is:

Is it just me or is starting a new school in September actually more tiring than just going back to the same school?

— Aidan Severs (@thatboycanteach) September 12, 2018

After an accidental lie down and after being uncharacterisitcally useless at the children's bedtime (bless my wife for her understanding) I did some reading (finished off potential The Lion, The Witch and The Wardrobe replacement: Pier's Torday's There May Be A Castle and cried a fair bit at it) and then fell asleep half way through catching up on the Bake Off.

Many of the good folk over on Twitter pointed out that the cognitive overload that comes with starting at a new place of work can indeed be quite exhausting.

There are so many new people to meet and get to know: colleagues, children and parents. And it is more than just meeting them - I want to make a good impression too, and trying to be that aware of oneself all the time appears to be mentally draining. But in a job that I do believe has so much of a foundation on relationships, it's so important and worthwhile to make that effort.

And then there's all the new routines, strategies and systems to get used to: playtimes, schemes of work, the way that finance works, who does what, how to log into this, that and the other... the list would go on and on. Couple that with the fact that as a senior leader you're supposed to be the one who knows everything and you find yourself saying the same things a lot of times:

I must have used these phrases more than any others in the first few weeks of my new job:

▪️I don't know
▪️I'm not really sure about that
▪️Erm
▪️Let me get back to you on that
▪️I'll find out for you
▪️Perhaps ask...
▪️We'll work it out eventually

— Aidan Severs (@thatboycanteach) September 12, 2018

The other tiring thing is that when you enjoy a job so much you work hard at it. The whirlwind of senior leadership in a primary school is an exhilarating ride. It certainly makes me appreciate all the senior leaders I've been under before - it's as if the backdrop has fallen and I can suddenly see all the behind-the-scenes work that goes on. And for teachers taking the main stage with the children this is exactly what is needed - they need to be unhindered in their most important task. Certainly a learning point for me this week: I'll be donning the all black outfit of the stagehand and doing my best to make sure the show goes on uninterrupted.

I also must mention my last school - it has been nice to bump into old colleagues as a few of them have been at my new place this week. I also received word of a mention of me in their staff meeting this week:

Teacher 1 (new literacy lead): So obviously you all use the Reading Roles which was started up by Aidan, who's no longer with us.
Teacher 2: May his soul rest in peace. Amen.

Gone (even if slightly cruelly killed off) but not forgotten, which is always nice to know. I walked past there this afternoon on my way to a meeting at another school and the familiar sight of the place where I spent the best four years of my career to date did warm my heart. Although I'm rather too busy to think about it very much at the moment I know I will never forget what I learned and acheived alongside a really brilliant team whilst there.

Nostalgia over; back to now. It's Thursday night - one more day at school containing PPA with the year 5 teachers and then coaching/mentoring with them in the afternoon whilst they take their NQT/leadership time. Must remember not to overload them - they're new too AND have a full teaching timetable so are bound to be even more tired than I am!

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The end to the week was great. A good friend of mine has started working at a school just down the road so we arranged to meet to catch up and debrief about new jobs, summer hols and building work. Between us we visited three cafes (all closed) and a pub (no card machine) before finding somewhere that was neither closed nor living in the past. It's this sort of thing that helps to make sure that work and life are balanced.

Plus, on the way home three of my most favourite songs were on the radio: Concrete Schoolyard by Jurassic 5, Goddess on a Hiway by Mercury Rev and Tell Me A Tale by Michael Kiwanuka. That makes for real good feels, even when you've just done a £50 shop in two hand baskets because you forgot a trolley pound. Music is my aeroplane.

The working week rounded off nicely with more socialising at our friends' house down the road - food, friendship and an ongoing game of guess the 90s tune and artist. After a tiring week being with people I love is as restful and revitalising for me as stopping at home.

Saturday morning breakfast is being cooked, the tunes are on (our summer anthem Saturday Sun by Vance Joy) and the Yorkshire Dales are calling us.

Diary of a Deputy Week 2: On Track

Friday again! There was no time midweek to catch up with any thoughts - evenings were filled with preparing for my littlest daughter's fifth birthday (wrapping all the presents family had ordered from the Internet),  making a presentation about year 5 for the parents and finishing of a piece entitled Metacognition and Primary Maths for the October issue of Teach Primary - perhaps it will appear in print with a more snappy title, but hopefully it will be a useful piece for the readers. I also managed to squeeze out a blog post here on my own blog which details an approach to writing characters that we have been trialling in year 5. I also managed to finish reading the forthcoming 'Powering Up Children' by Guy Claxton and Becky Carlzon - a really thought-provoking book with lots of implications for the approach to teaching and learning my new school has.

Days followed my official schedule - teaching afternoons in year 4 and 5, carrying out learning walks in the mornings, as well as co-planning with teachers in year 4 and 5. Wednesday evening saw me delivering training to the school's support staff on giving feedback (a favourite subject of mine, see here, here and here) before dashing off to celebrate with my daughter. On Thursday and Friday mornings I ran parent workshops for the new year 5 parents which, according to the feedback forms were recieved really well. There was lots of positivity surrounding the learning environment - particularly about the studio area we have set up where children have continuous access to a range of creative supplies, books and construction materials. We are still waiting on two bespoke woodwork benches, some shelving and some more general decorative items in order to complete the area - once that's done I'll be certainly sharing pictures of it and writing about how we use it, how we timetable for it, and so on. For now, check out the working Lego model of the earth and the moon that I've been working on in advance of a lesson next week:

Attempting to make the moon orbit the earth whilst the earth orbits the sun. #Lego pic.twitter.com/g06KgSPABF

— Aidan Severs (@thatboycanteach) September 6, 2018

I also discovered yesterday, and it was confirmed today, that the children have already done a unit on The Lion, The Witch and the Wardrobe back when they were in year 2 - they even went on the same trip I was planning. Whilst redoing the whole book in greater depth and at a year 5 level wouldn't be a bad idea, it's probably a better idea to replan the unit. Having spent a lot of money already on supporting non-fiction texts about woodlands, castles and mythical creatures I'm looking for something that covers those bases. We have a few ideas - one strong possibility I will set about reading this weekend once I've finished Ross Mackenzie's very exciting The Nowhere Emporium.

But, a positive to end on. And a big positive: I love my job. What a privilege to work in a school where children love to be and where parents are so involved and supportive of their child's learning journey. It has been so good to spend more time with the children, staff and parents this week - I feel there is a real community vibe and it makes me very excited (and dare I say, passionate) about working at what I believe to be a really unique and special school. I have to say though, I am rather tired.

- - -

p.s. Just had an email to confirm that we have secured transport to take us on the trip we were supposed to go on last week (if you haven't read the first installment of my diary, you won't have read about how we turned up to the venue and we weren't booked in).